Ghost (The Shadow #1)
Prologue
KILLIAN
Crystal chandeliers hang from the ceiling like frozen tears.
It casts an artificial light over three hundred people who wouldn’t know justice if it bit them in their collective asses.
The city's elite mingle in their finest attire, champagne flutes catching the light.
Their loud, overlapping conversations bounce off the marble floors.
I reach up, dragging my finger back and forth against the silk tie sitting too tight at my throat.
My suit fits perfectly. It cost enough to make me completely invisible in a place like this.
I keep my back to the wall, my eyes scanning the perimeter.
Main exits are clear. Four armed security guards are stationed at the corners of the room.
They're staring at the doors, watching for a threat to walk in, completely blind to the fact that I'm already here.
How fitting that one of them will die tonight.
I grab a full champagne flute from a passing waiter's tray just to keep my hands occupied. My eyes drop to my watch. 9:47 PM. Dr. Gregory Hart will excuse himself in exactly thirteen minutes to review his speech in the Jefferson Suite. I know his routine down to the minute. I’ve spent three weeks picking his life apart.
I know the way he drags his left leg when the temperature drops, and the specific vintage of red wine he drinks to settle his nerves.
"Status report," Ross's voice crackles in my earpiece.
"Target is working the room. Security is where they should be. Timeline is green," I murmur, barely moving my lips.
"Good. Remember, it needs to look natural. Make it clean, Blackthorn. No fucking loose ends. The Order doesn't pay for mess."
I don't bother answering. Ross likes to hear himself talk, but he isn't the one standing in a room full of people waiting to commit murder. I watch Hart across the ballroom. He’s a toucher, establishing dominance hidden under the guise of a friendly hand on a shoulder. He thinks he’s the most powerful man in the room. He has no idea that he’s already dead.
"Beautiful evening, isn't it?"
I turn to find an elderly woman in pearls beaming at me, her eyes glassy.
She’s had just enough champagne to think she can talk to anyone.
I give her a practiced, polite smile. People see the expensive suit and decent genetics, and they immediately drop their guard.
Looking like you belong here is a skeleton key.
These people love to hear themselves talk, especially to someone who looks like he has money.
"Indeed. A very worthy cause," I say, my voice smooth and educated.
"Oh, absolutely. The new Horizon Wing he’s consulting on is going to change everything for trauma victims. But his daughter is the one to watch these days. She’s quite the idealist."
I freeze, my hand tightening on the stem of my glass, but I don't let the reaction reach my face.
"His daughter?"
"Eleanor. She’s here somewhere. Lovely girl, even if she is a bit na?ve about the world. Follows in her father's footsteps with that rehabilitation work of hers."
Daughter. The word is a blind spot I didn't see coming. Ross didn't mention a daughter. The Order’s intel didn't mention a daughter. For three weeks, I’ve been breathing this man’s air, and I didn't know he had a daughter. It’s a massive failure, the kind that gets men like me killed or caught.
Shit.
I keep my expression neutral as my mind starts recalculating. A daughter means a witness. It means a loose end. It means someone who will look for answers.
"And where is this remarkable daughter?" I ask, my tone light.
She gestures toward the silent auction tables. "There, in the green. Speaking with the board members."
I spot her instantly. Wearing an emerald silk dress with a slit up the left thigh, the bright green making her auburn hair look like it's on fire. She’s fucking beautiful, but it's the absolute, unapologetic confidence rolling off her that stops me cold. She has the kind of presence that makes the rest of the room feel irrelevant. She’s the only thing in focus.
She’s staring down a group of older donors, completely consumed by her argument, her hands moving with fierce, undeniable passion.
"We’re so focused on punishment that we've forgotten the possibility of redemption," her voice carries over the chatter.
I take a step toward her before I can stop myself. She doesn't sound like the rest of them. She isn't performing. She believes it. Every naive, delusional word of it.
Redemption.
It's a fairy tale for people who don't know how the world is actually run. Looking at her, I suddenly want to hear the rest of the story. She'll be my downfall, and I'm already planning how to fall.
"But surely," an older man interrupts, his tone patronizing, "some people are simply beyond saving. The truly violent, the sociopaths, the psychopaths—"
"That's exactly the thinking that creates them," she cuts him off, her chin lifting. "Yes, some people shouldn't be released. But writing them off as lost and forgotten? That just makes us part of the problem."
I watch the way she talks. I can't look away from her face. I check twice, then a third time, just to make sure she’s real.
Glittering hazel eyes, and what I would give to wrap my fingers around that neck and have her in my hold.
She’s advocating for the very people I spent my life cleaning up after.
It’s insane. It’s reckless. And it’s the most captivating thing I’ve ever seen.
"Eleanor, dear."
Dr. Hart joins the group, his smile politician-perfect. He looks at his daughter with pride and a warning. He’s closing in on her. "I hope you aren't lecturing our donors, Eleanor."
She tenses. It’s almost invisible, but I see it. She pulls her shoulders back, creating a sliver of space between them.
"Just discussing the foundation’s mission, Dad," she says, her voice steady but tight.
Hart’s hand settles on her shoulder. I see it for what it is. A claim. A way to remind her who is in charge. I know that grip. My own father used it to leave bruises before he was finished with me. But he also left scars.
"Of course." He joins in, steering their conversation away.
I watch them, noting the distance she keeps even when he’s touching her. It’s a weakness, a crack in the armor I could use if I had to. I’ve always found family dynamics reveal the most useful pressure points.
He steps into her space, and she stiffens.
It’s a subtle shift. The hardening of her jaw, a fractional tilt away from his touch.
Hart plays the benefactor for the crowd, but with her, it’s all about control.
He expects obedience. She bristles against it, that much is obvious, but she stays.
She endures the touch of his hand. My own father never bothered with the performance of loving me; he just went straight to the crushing.
But for some reason, the thought of using her makes my stomach turn.
My watch reads 9:58. Time to move.
"Blackthorn," Ross's voice crackles in my ear. "Target's moving."
I see Hart excuse himself. He heads for the service corridor, walking with the heavy, deliberate pace of a man who’s used to being watched.
I follow him, keeping enough distance to be just another guest looking for the restroom.
I’ve already mapped the cameras, the staff rotations, and the blind spots. I could do this in my sleep.
The Jefferson Suite is at the end of a long, quiet hallway. Hart slips inside. He leaves the door open a crack. Just like he did every other night I watched him through his office window. Old habits are what kill men like him.
I wait a minute, letting the hallway settle into silence, then I move. I’m inside the room before the door can even creak. Hart is standing at a mahogany table, his reading glasses perched on the end of his nose while he reviews his notes. A glass of Bordeaux sits beside him.
His lips move slightly as he practices a particularly complex passage. In the golden light of the conference room chandelier, he looks like nothing more than a dedicated professor preparing to share his life's work.
I reach into my pocket and pull out a small glass vial. Three drops of this in his wine and he’ll be dead before he finishes his first paragraph on stage. His heart will just stop. Clean. Professional. Exactly what Ross paid for.
I step closer, the vial ready in my hand. But then Hart stops.
A photograph has fallen out of his notes. It’s a candid shot of the girl in the green dress, Eleanor. She’s laughing, her head tilted back, her hair a messy auburn bloom. Hart picks it up, his face softens.
"My girl," he murmurs to the quiet room. "Always trying to save the world."
His tone blindsides me. It’s a father's voice.
I've never heard one directed at me. Not once. Not from the man who left, I definitely never heard it from the Order that took his place. It... it leaves me winded, as if he’d actually landed a punch.
It's deeper than jealousy, and sharper than envy.
The realization that as a kid, I would have killed for someone to care about me the way Hart cares about her.
Get a fucking grip.
Looking at the photo, I feel a sudden, violent surge of ownership. She isn’t just some collateral anymore. She’s the heart of the man I’m about to kill. And for some reason, the idea of her grieving for him makes my vision go dark.
Hart lifts the wineglass to his lips, his eyes still on her picture.
He’s about to drink. He’s about to die quietly, the way he was supposed to.
I should let him. I should wait for the three seconds it takes for the drug to hit his system and then walk out the back door.
But I’m not thinking about the contract anymore. I’m thinking about the way his hand was on her shoulder in the ballroom. The way he thinks he can just have her love when I’ve never had anything but hate.
I move before I can talk myself out of it.
"Dr. Hart," I say, stepping into the light.
He startles, his eyes snapping to mine. He’s a smart man. He sees the way I’m standing, the way the door is closed, and he knows exactly why I’m here. He reaches for his phone, but I’m faster. I slap his hand away and pin him against the table.
"Don't," I murmur. "The Order sends their regards." Reaching into my jacket, I show him the small vial designed to mimic a heart attack within minutes.
"Please," he gasps, his face going pale. "I have a daughter. Eleanor. She’s everything to me. I know I... I was away too much. Too focused on the work. But she needs me. I'm all she has."
I’m all she'll need now.
The sound of him begging for mercy in her name is a match to a fuse I didn't know was still live. I think about my father. I think about the Order. I think about the eleven years I’ve spent being hammered into a machine because no one ever told me I could be anything else.
And here is this man, a man who built a career on the suffering of others, begging for a second chance because a girl in a green dress loves him.
It isn’t fair. It’s a fucking insult.
A low, vibrating hum starts in the back of my skull, drowning out the mission and the staging. I don't want a heart attack. I want to destroy him with my bare hands. I want him to feel it. I want to break the thing she loves.
I let go of his arm, and I catch him with a short hook to the temple. He doesn't even have time to scream. His eyes roll back as he topples, his head slamming into the mahogany table. A sickening, wet crack.
Blood erupts from his scalp, streaming down his face in rivulets and pooling on the cream carpet.
It looks black in the chandelier light, thick and heavy as it soaks into the fibers.
His limbs twitch, once, then go still. I stand over him, my chest heaving, listening to the last, rattling breath leave his lungs.
I stare at my hands. They’re covered in his blood. I’ve made a mess. A loud, violent, forensic nightmare of a mess.
I should feel panicked. I should be thinking about how Ross is going to kill me for this. But all I can do is look at the photograph on the table.
She’s still laughing. In the middle of all this blood and wine, she’s still smiling at the man who isn't there anymore.
I reach for the photograph. I want it. Every territorial, fucked-up part of me wants to take it. I set it just beyond his outstretched fingers instead, as if he'd been reaching for her in his last moments. Because he was.
I work quickly, my hands steady despite the chaos in my brain. A few adjustments to make it look like he fell. A dizzy spell. A tragic accident. An overworked man, drinking alone, striking his head on the way down. It happens all the time.
I scatter the pages of his speech around him and leave him there.
By the time the hotel staff find the body, I’m back in the ballroom. I stand at the edge of the room, nursing the same glass of champagne and watching his daughter in the emerald dress.
When the news breaks, the room goes silent. I watch Eleanor’s face as the paramedics wheel her father past. I watch it hit her. Her composure holds for one, two, three seconds before she lets out a sound that I’ll never forget. A blood-curdling cry that cuts right through the noise of the ballroom.
I’m not ready to let her out of my sight. My exit strategy is ready, the ballroom is clearing, but my eyes stay glued to the doors she just walked through.
"Tragic," the elderly woman in pearls murmurs beside me, dabbing at her eyes. "A heart attack. So sudden."
"Tragic," I agree, my voice as cold and empty as the glass in my hand I just downed.
Twenty minutes later, I’m in a parking garage three blocks away. My hands are finally steady. I call Ross on an encrypted line.
"It's done," I say. "Hart is dead. Looks like a fall. Massive head trauma. Clean enough."
"For fuck's sake, Killian! Any witnesses?"
I think of the photo I left behind. I think of the girl in the green dress and her talk of redemption.
"None," I lie. It’s the first time I’ve ever lied to the Order. It won't be the last.
I crush the phone under my heel and scatter the pieces into a storm drain.
As I drive away from the parking garage, I know nothing about this job was clean. For the first time in eleven years, I’ve let my temper drive my hand. I’ve made it messy.
And for the first time, I’ve lied to the Order.
Eleanor Hart believes you can save even the worst kind of men. She believes in second chances and redemption for monsters.
I don't. I believe in obsession. I believe in ownership. And I believe that from this moment on, she belongs to me.
She just doesn't know it yet.