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Hooked on A Feline: A Paranormal Shifter x Vampire Enemies to Lovers Romance Sneak Peek Children of the Moon 100%
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Sneak Peek Children of the Moon

Twenty-one years ago…

A powerful wave of apprehension hits me as we approach Claridon’s house. Pausing at the edge of the forest, I wait until we can see what awaits us. The silence is deafening as we take in the wreckage of what was once the home of our dear friends.

They splintered the heavy cabin door in pieces littered around their yard like an explosion sent the shards flying. When the wind shifts, the foul stench of death and rot slams into us, making my wife gag. Lights are flickering ominously in the shattered windows and another scent—burnt food—catches the breeze as we approach.

“Cast protection before we reach the porch,” I murmur.

“Ego invoco deus ab mihi. Protego mihi ab hostili et malum.?1”

I nod solemnly, repeating her words to invoke our Goddess’ watchful eyes on me as well. The scene in front of the house does not inspire confidence about what we will find inside.

The air is thick as we step onto the porch and another smell wafts towards us—blood. Its metallic tang invades our senses almost to the point of tasting copper on my tongue. Climbing over the debris, I look at the once cozy living area. Shredded cushions, torn drapes, stuffing, and other destroyed furnishings lie scattered around the room. When I bend to examine the destruction, I find coarse animal hairs embedded in the remnants. I pick some up to sense the aura of the creature it came from, but all I feel is death.

The bloody hoof prints puzzle me—I do not recognize them as belonging to any creature I’m familiar with. Whatever came to this house was not a normal shifter, nor was it a common magic user. The level of malice and lack of emotion concerns me. Its aura is like that of a necromancer or one of their creations.

I follow a set of heavy prints to the hallway leading to the dining area and kitchen. Swallowing hard, I prepare myself for the carnage I know will appear. The rotten food and decomposition scents are so bad I have to raise my shirt to cover my nose before I vomit.

It is certain our friends are dead; no one can lose the amount of blood that coats the surfaces and walls while staying alive.

“What made those claw marks? I’ve never seen such deep furrows,” my wife whispers.

I shake my head, holding a finger to my lips to keep her quiet. I’ve never seen that type of mark, either, but we don’t know if there’s anyone still here. We must stay silent while we explore. The food on the stovetop is burned and has flies on it—that’s the rotting smell. Wood is barely burning in the oven, just a few embers remaining, but it tells me our friends were caught unaware.

It means the malevolent being that attacked the wolves did it within the past few hours.

My heart stops when I remember their baby girl. Feray had to be here when it happened; it’s the New Moon and both of her parents stay home during the start of the new lunar cycle.

“Freya, forgive me. I almost forgot the baby,” I hiss at my wife.

Her eyes widen and her hand flies to her mouth. I see the tears forming as she thinks about what the condition of this place means for a defenseless infant. Together, we leave the kitchen, intent on heading back through the outer room to the stairs.

Just beyond the landing, we stumble over the body of Claridon. His corpse is mutilated, but I recognize those battered hands anywhere. He clearly put up a hell of a fight to keep the intruder from making it past him. Despite that, it ripped his chest open and his intestines are hanging out. Blood spatter decorates the once lovingly decorated walls, painting them vermillion and signaling his desperation to protect his family.

Swallowing again as I look at Imogen, I tilt my head at the trail of bloody hoof prints that lead to the nursery. We were here when they found out they were expecting, when they assembled the room, and even after Feray was born. Now the beauty of that memory has been sullied by the scene before us.

We have to be strong…

Once we’re both ready, we follow the prints to the door of the baby wolf’s room. The sight that greets us is horrific: it splayed Lyra out as if nailed to a cross and impaled her head on a post of the baby’s crib. Blood is dripping down the whitewashed wood, making its way to the pink carpet. Dead eyes stare sightlessly at us as we hold our breath and enter. The injuries to our friend are a testament to how hard she fought to protect her child, though in the end, she also failed.

I don’t want to see what this monster did to the baby we considered a sister to our child. Forcing myself to approach, I stare at the empty crib in astonishment. There’s no sign of Feray, nor that it harmed her in this room. I whip my head around to look at my wife in shock.

Was this a kidnapping? Why would they kill everyone so brutally instead of simply sneaking in to snatch the baby?

My eyes dart around the room until I reach the closet. I stalk over, throwing the door wide. There’s a pile of dirty linens and blankets in the bottom, which is unlike Lyra. She always kept everything tidy, so much so that we all teased her about it. Tossing the clothes over my shoulder, I dig down until I reach the floor. I call for light and my magic brightens the dark space enough for me to see a tiny seam at the baseboard.

Claridon was always paranoid, and I never understood why. We both lived simple lives in a small town of magic users and shifters, well outside the dangers of the big city. He was a master craftsman and Lyra ran a bakery; there was nothing to worry about. Humans were far away from our little town and the stench of corruption from the gangs and Councils doesn’t exist in Silver Falls.

But I recognize a bolt hole when I see one, so I search frantically until I find the lever that will spring the door open. It takes several tries to successfully open the door—Claridon was top-notch at his trade—but when it swings out, I gasp.

There, wrapped in her father’s shirt and Lyra’s clothing, is Feray. She has the warding amulet Imogen made for her on her chest, and I realize that even while scared for their lives, Lyra and Claridon ensured the beast wouldn’t find their child. Between the magic of our amulet and their scent swaddling her, the baby is hungry and tired, but safe.

I lift the tiny infant out of the hole gently, my eyes filling with tears. Her baby scent makes my heart hurt for my fallen friends and I clutch her to me tightly. It’s our responsibility to take care of her now; I know that. Imogen nods when I look at her with a sad expression, then walks over to the dresser, opening a drawer. When she hands me the baby sling, I know she feels the same.

Once I secure Feray to my body, we make our way back to the stairs and head out of the house. It will need to be burned to keep that creature or anyone else from following the scent trail to our home. We don’t want anyone to know Feray is alive; she will be safe with us as long as we continue to have her wear the amulet that suppresses her wolf.

Raising her with our daughter, in a new town, is the only way to keep her alive.

I didn’t wake up this morning knowing I’d have to abandon my entire life and our home, but I know as surely as the sun will rise tomorrow what we must do to protect this baby. Looking down at her curiously, I ponder the situation again. A magical beast used as an assassin seems like overkill if their target was the infant. Slaughtering her family was also unnecessary—that thing could have slipped into her room and killed her before anyone knew it was there.

Lifting the magic on her amulet for a moment, I wait until Feray opens her eyes. That’s when I realize why my friends put it on her. My wife walks up beside me and runs a finger over her cheek. Her red hair looks very much like mine and as long as we keep the magic refreshed for the spell, she will look as though she is our natural daughter.

“We must pack up and move immediately,” Imogen says as we walk out. “The capital city is vast, and no one knows us there. That will allow us to raise her as our own—a sister to Fiadh.”

“Yes,” I murmur. “I will send a message to the local council to inform them we are moving. The death of our friends and their daughter are too much for us to bear here. You simply need to keep her secret in our home until we leave.”

She nods. “What about the monster who did this? Who would send it to kill a baby, and why?”

“Someone who scared Claridon enough to make a secret bolt hole in the nursery and forced Lyra to ask us for that amulet. I don’t know what they were up to, but obviously, it was much bigger than our tiny town.”

Imogen frowns. “We made three amulets, love. Why weren’t Lyra and Claridon wearing theirs?”

“I don’t know, Gen. Whatever the reason was, they took theirs off and someone powerful hunted down their daughter. Nothing is what it seems here, but we must protect Feray. We will keep her wolf suppressed for as long as possible—up to her Ascension if we can. She’ll grow up and if she’s destined for something bigger, she’ll be able to assume that mantle when she’s ready.”

Taking this baby on and keeping her secret violates our coven laws; we both know it. Hiding her means we will always be on the run—we need completely new identities when we flee to the capital. It’s a lifetime commitment, but the look on my wife’s face tells me she’s certain this is the right thing to do.

I know without a doubt that being was pure evil, and it came with one purpose: assassination.

Tomorrow, we begin our lives on the lam with two babies—there is no other option .

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