My Husband Gave His Mistress My Miscarriage Necklace (She Gets Revenge #12)

My Husband Gave His Mistress My Miscarriage Necklace (She Gets Revenge #12)

By Muriel Waverly

Prologue

The studio lights are hot enough to make my foundation sweat.

I don’t touch my face. I don’t shift in my chair. I sit with my ankles crossed and my hands folded in my lap and my spine so straight it aches, and I smile at my husband while he lies to two hundred people and three live cameras.

“—because the families in these communities deserve better, and they deserve a representative who shows up and does the work.”

His voice fills the room the way it always does—warm, rich, angled just right to catch the light of its own sincerity.

The audience is leaning forward. The moderator is nodding.

Bennett’s sleeves are rolled to his forearms and his collar is open one button and he looks like the kind of man you’d trust with your vote, your money, your country.

He looks like the kind of man you’d trust with your wife.

My phone sits in the pocket of the black dress, silent against my thigh. Any second now. Any second it buzzes and the room I’m sitting in becomes the last room my husband will ever perform in.

He turns to me. The full gaze—practiced, loaded, the one that makes donors’ wives press their hands to their chests and say he has my vote. ”Claire is the reason I do any of this. She’s the backbone. She’s the one who keeps me grounded.”

The audience applauds. His hand finds mine and squeezes.

His palm is dry. His grip is confident. The hand of a man who has never once considered that the woman sitting beside him has a flash drive’s worth of surveillance photos, timestamped text messages, and eighteen months of his lies organized into a file so devastating his own campaign manager won’t be able to spin it.

I squeeze back.

The moderator asks me a question. I answer it without saying a single word Bennett scripted for me and I watch his jaw tighten by one degree.

He catches it. The gap between what I’m saying and what I’m supposed to be saying.

But he can’t stop the broadcast to correct me.

He can’t lean over and whisper stay on message with three cameras rolling.

He’s trapped in the thing he built—the live format, the family-values platform, the devoted-wife prop he positioned next to him because he thought she’d read her lines.

The lines are in my pocket. The real ones. The ones he’s never seen.

My pulse is hammering so hard my vision sharpens at the edges—every camera lens, every red recording light, every phone screen in the back rows about to light up with the evidence Darcy sent thirty seconds before airtime.

I can feel it coming the way you feel thunder before it hits.

The pressure drop. The held breath. The fraction of a second between the lightning and the sound.

Bennett is still talking. Still performing. Still steering the room with the confidence of a man who has never, not once, had a room turn on him.

My phone buzzes against my thigh.

I don’t reach for it. Not yet. I let him finish his sentence. I let the audience nod. I let the moderator open her mouth for the next question.

Then I look into the camera and I give a speech that is going to end his life. He doesn’t know I know about the affair and the lies. And he’s going to pay.

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