Chapter 9

The Price of a Byline

Elara

A week has passed since the article went live.

Halldórsson calls me into his office just before noon. He’s pacing when I arrive, one hand clenching and unclenching at his side. The blinds are half-closed, slats of light striping the walls like interrogation bars.

“Close the door,” he says.

I do. “You look like you haven’t slept.”

He doesn’t laugh. “Because I haven’t. We intercepted chatter last night—encrypted, black-market channels. Someone’s taken out a contract.”

I frown. “You don’t usually see that kind of traffic.”

“That’s what worries me,” he says. “We weren’t supposed to.

These people don’t use channels we can trace.

The only reason we caught it is because the message bounced through an old data relay near Keflavík—one of the early darknet hubs.

Some idiot used an outdated route, and it tripped a dormant monitoring node.

” He stops pacing, turns toward me. “It was meant to be invisible. We just got lucky.”

“Or unlucky,” I say.

His jaw flexes. “The message was clean. No buyer’s name, no date. Just metadata—payment verified, Reykjavik region, target classified under ‘media asset.’”

“Meaning… journalist.”

He nods. “Female journalist, mid-twenties, domestic. The identifiers narrow it down to one person.”

“Who?”

He hesitates. “You.”

It lands with the weight of inevitability.

I almost laugh, because the silence between us is too sharp. “Well,” I say, “I’ve written worse headlines.”

He doesn’t find it funny. “Don’t joke. You stole a file from me after the briefing last week. Don’t look surprised; I checked the logs. That file was restricted for a reason.”

“I borrowed it,” I correct, even as guilt flickers. “I gave it back.”

“That isn’t the point.” He rubs a hand over his face, the gesture quick and worn. “You’re digging in places that don’t tolerate curiosity. This isn’t a story anymore.”

“Maybe it is,” I say. “Maybe the truth is exactly what—”

“It’s not worth dying for.” His words cut clean, too fast, like something he’s said before. To someone else. About something else. He looks away, and for a second I swear he’s hiding more than worry.

He exhales, clearing his voice now. “I’m putting in for security outside your house. At least until we know who commissioned the hit.”

“No,” I say, too fast. “That’s unnecessary.”

“It’s not unnecessary when your name is on a kill list, Vance.”

I shake my head. “If they want to scare me, fine. I’m already scared. But I won’t live behind bodyguards. It’ll ruin the work.”

He studies me, then mutters something in Icelandic that sounds like a curse. “Just… stay put tonight, Vance. Don’t make this mess harder to clean.”

When I leave his office, his worry follows me down the corridor like a scent I can’t wash off.

Sigrun corners me later at the newsroom.

She’s standing by the copy desk, coffee gone cold in her hand. “He told me,” she says.

“I guessed.”

“You don’t understand, Elara.” Her voice is low, rough. “Sometimes they don’t just read what you write. They read you. They learn the cadence of your sentences, the places you hesitate. It’s how they aim.”

“Maybe that’s how they miss,” I answer, trying for humor. It doesn’t stick.

Her eyes soften, the way people’s eyes do when they’ve already pictured your obituary.

Jonas looks up from across the room, his laughter from a moment ago cut short. “You two okay?” he asks.

Sigrun answers before I can. “Fine. She’s just being reckless again.”

He frowns. “Maybe take a break,” he says, half joking, half not. “You look like you haven’t slept since it ran.”

“I’m fine,” I tell him, because that’s the easiest lie to say in an open office. He shrugs but his gaze lingers a beat too long before he turns back to his screen.

Sigrun sets her mug down with a dull clack. “See? Even he’s worried. When Jonas worries about someone other than himself, you know it’s serious.” Her attempt at humor is lighter than mine was. It almost works. I sigh. “Fine. Maybe I’ll… slow down.”

“Promise?” she presses.

“I promise to consider it,” I say, which earns me a glare and a tiny, reluctant smile. Then she says, more softly, “Come to my place tonight. I’m making kjotsúpa. You need food that didn’t come out of a vending machine.”

I hesitate, half-ready to decline out of habit, but the truth is the newsroom feels smaller every day. The lights buzz too loud. The air hums with my own pulse.

“Okay,” I say. “Dinner sounds good.”

Evening slides in early, a bruise spreading across the sky. Most of the others pack up at five, scarves and laughter drifting toward the exit. I stay a little longer, scrolling through archived patents until my screen blurs.

And then there it is again, that name: Einar Vetursson.

Filed two months ago under a subsidiary that traces back to black-market imports; chemical components, classified as industrial solvents. My throat tightens. He’s alive, and active.

The thought doesn’t feel like relief. It feels like the moment before an earthquake.

I print the file, slide it into my bag, and shut the laptop. When I pass the empty desks, Brynja calls after me from the doorway. “Going home?”

“Dinner with Sigrun,” I say. “Good,” she says, too quickly. “You need people right now, not police files.” Her words follow me down the stairwell.

Sigrun’s house smells like butter and thyme and something simmering slow. She left the office earlier than me, to start the cooking. The heat fogs the windows. She greets me in slippers, hair pinned messily, wooden spoon in hand. “Shoes off. You’re tracking half the fjord with you.”

The warmth hits harder than I expect. I peel off my coat, hang it on the hook, and watch her move in the kitchen; quick, efficient, motherly in a way that never feels forced. Pots clatter, steam rises, the faint sound of old jazz from the tiny speaker on the counter.

“You cook like it’s a performance,” I say, sitting at the table.

“It is,” she says. “For a one-person audience who refuses to take a vacation.” She ladles soup into two bowls, sets thick bread on a board, and gestures. “Eat before I decide to adopt you.”

The broth is rich; lamb, root vegetables, a sweetness I can’t name. “You could make a living just doing this,” I tell her.

“I tried once,” she says, smiling. “Turns out journalism pays worse, but the ingredients are cheaper.”

For a while we talk about safe things: deadlines, editors, the time Brynja accidentally sent an unfinished obituary to print. We laugh until the tension eases from my shoulders.

Then Sigrun leans back, studying me over the rim of her glass. “You haven’t checked your messages, have you?”

I pause. “No.”

“There are more letters to the paper. Some are fan mail, others… not. The kind that uses words like justice and cleansing. The moderators are deleting most, but still.” She shakes her head. “I don’t like it.”

I stare into my bowl. “I’ll lay low for a while. I eventually promised Halldórsson I’d take it easy.”

“Good.” She seems genuinely relieved. “You don’t always have to be the one chasing ghosts. Let them rest once in a while.”

“I don’t think ghosts rest,” I say.

“Then maybe it’s the living who should learn how.”

She changes the subject, mercifully. We talk about her husband, who works in Akureyri half the week, and her grandson who’s highly intelligent.

She shows me photos, tells me how the boy already writes better than either of us.

I tell her it’s because he has a sane mother.

She laughs, swats my hand, pours more wine.

When the soup is gone, she brings out skyr with berries and sugar, insisting it’s “a proper ending to any day that tries to kill you.”

For a brief moment the world feels ordinary again; just two women, tired and warm, sitting at a small table in a small kitchen while snow piles quietly outside.

She watches me finish the last spoonful. “Stay the night,” she says suddenly. “The weather’s turning. Roads will ice.”

“I’ll be fine. It’s a short walk.”

“You said that last week before you slipped on the curb.”

“I’m careful now.”

Her look is the mix of exasperation and affection she’s perfected. “Text me when you’re home, at least.”

“I will,” I promise. “And thank you. Really.”

She waves me off, pretending not to care, but her eyes linger as I pull on my coat.

The town we live is small, and Sigrun’s house isn’t far from mine.

Snow muffles the town’s noises; the wind has settled into a steady breath. Streetlights blur in the falling flakes, making halos that fade as soon as I step through them.

For once, the stillness feels kind. My footsteps crunch in the snow, rhythmic, familiar. The streets are mostly empty; only a few cars moving cautiously through the turns. I think about Sigrun’s kitchen, the warmth, the easy laughter. It feels like a place from another life.

When I reach my house, the windows glow faintly, the color popping. I fish for my keys, fumble once, push the door open. The smell of soil and candle wax greets me, same as always.

I set my bag down, hang my coat, take off my boots and exhale.

I go to the living-room window and crack it open just enough for a thread of night air to slip through.

The cold carries the smell of sea and snow.

I find the half-crumpled pack in the drawer beside the books and light one.

I almost never smoke; it’s an old reflex that belongs to stress and sleeplessness.

The first draw tastes like paper and salt.

Smoke coils into the dark like a thought I should not have had.

For a moment the town is perfectly still. The distant harbor lights shimmer through the frost, faint as candle-flame. I tell myself that quiet means safety. I tell myself lies.

When the cigarette burns low, I crush it into the ashtray, close the window, and move toward the kitchen. The house hums softly with heat. I reach for a glass, fill it halfway with water. The tap’s hiss is the only sound; until something hits the back wall hard enough to shake the counter.

The glass slips. It shatters on the tile, a scatter of stars across the floor.

Another sound follows; the deep, groaning thud of the front door meeting force, then a rush of air so cold it bites. A gust sweeps through the hall, slamming papers from the table.

Voices, two of them, low, urgent, speaking a language that rolls too quickly for me to catch. Boots scrape. The sound is deliberate, practiced.

Every cell in my body contracts. I back away, heart hammering loud enough to drown reason. “Who’s there?” The question comes out small, brittle.

They answer by stepping into view; two men easing out of the shadows at the edge of the hallway.

Not lunging. Not rushing. Just… emerging.

Their hoods fall back enough to show their faces, pale from cold, eyes steady in a way that doesn’t match the panic clawing my throat.

They don’t wear masks. Men who plan to do terrible things usually do. These ones seem comfortable being seen.

The first man’s skin has a tired gray cast, the kind you get from too many nights lived wrong; too much coffee, too little sleep.

A thin scar cuts through one eyebrow, not jagged, not fresh, just old and familiar, like it’s been part of his face for years.

He studies the room, not me, as if measuring exits and obstacles rather than my fear.

The second is heavier, built like someone who lifts more than he talks. Hair clipped close, shoulders squared in a posture that somehow looks prepared rather than threatening. His gaze flicks to my bare feet, to the glass on the floor, then back up, something unreadable tightening around his jaw.

My breath catches on itself. Instinct takes the wheel.

I spin and run; bare feet sliding across shards, pain blooming bright and sharp, but I don’t stop until I reach the living room.

My hand hits the window latch; frozen, stiff, unmoving.

The back door sticks, winter-swollen. A choked sound rips out of me, half sob, half effort.

By the time I turn, the man with the eyebrow scar is already near the only window that can open, body angled, not blocking me, exactly, but taking the space before I can.

Footsteps follow behind me, but they’re not fast. They’re measured. Controlled. Not hunters closing in, more like men used to entering unfamiliar rooms and trying not to knock things over.

“Easy,” the taller one says, voice flat but not sharp. Not the tone of someone eager to drag or hurt. More like someone trying not to startle a cornered animal.

I press myself against the wall anyway, lungs seizing. “Help!” I scream, too loud, too raw.

The heavy man flinches; not irritated, not angry, more like the sound hits somewhere sensitive under all that muscle. His hands lift a little, palms half-open, like he’s reminding me he’s not carrying anything.

“Hey—hey. Easy, Elara.”

He knows my name.

His words come out low, almost careful. Not soothing, but cautious, as if he’s stepping through a room full of tripwires.

My hands shake so hard I can barely keep them up. “Stay back,” I say, even though my voice collapses on the last syllable.

The scarred man shifts his weight. Subtle. Practiced. “Look—we don’t want things to escalate.”

Then, outside, a sound that doesn’t belong here: the deep, rolling growl of an engine, close, cutting through the snow-muffled street. A car; heavy, powerful, the kind that shouldn’t be out in this weather.

Both men freeze. They look at each other, something sharp passing between them. One mutters a curse.

Headlights sweep across the frosted window, twin beams slicing through the room like blades of daylight.

The engine revs once; low, controlled, but with that unmistakable edge of power.

And I realize whoever’s out there isn’t passing by.

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