Chapter Thirty #3
Everyone agrees, and then El Chacal lights a low lamp and spends a few minutes preparing.
He unscrews the lid from a jar of minced garlic and instructs everyone to smear some on their shoes as a rattlesnake deterrent.
The smell reminds Lydia of cooking, of home, but she’s even more afraid of snakes than she is of nostalgia, so she’s generous with her new boots and with Luca’s.
Then the coyote outfits everyone with the water they must carry.
The jugs are heavy and awkward, but nothing’s more critical.
Lydia uses one of her canvas belts, looping it through the jug handles and then through the bottom straps of her backpack.
The bottles slosh and bang against her hips as she walks, so she tightens the straps to fix them in place.
Luca carries only one bottle; he can barely manage the weight of that.
The men carry four gallons each, and Nicolás also has a fancy hiking backpack that’s filled with water he can drink from a long tube over his shoulder.
They all try not to think about the heat of the desert, the distance they must walk to reach safety after they cross, and the quantity of water they carry.
The migrants stay in the positions El Chacal assigns for them, so the coyote is first, followed by Choncho and Slim, followed by Beto and Luca, Lydia, the sisters, and then Marisol.
The rest of the men are at the rear. They move north at a pace that’s rapid enough to be almost startling, and Lydia tries to watch Luca’s nearly invisible outline ahead.
The fresh air is cold moving through their lungs, and after those fidgety days in the apartment, it’s exhilarating to be moving their bodies northward across the starlit earth.
There’s no talking, but their footfalls against the uneven terrain and their bodies’ small sounds of exertion take on the qualities of conversation.
Everyone concentrates on not falling, not stepping wrong, not bumping into the person in front of them.
They stay alert to the real danger of twisting an ankle.
They try, but mostly fail, to suppress their fear of the unseen, omnipresent Border Patrol.
There’s no fence in this stretch of desert because there’s no need of one.
They are roughly twenty miles east of Sasabe and twenty miles west of Nogales, where the Pajarito Mountains serve as the border fence.
It’s cold. Luca is wearing every item of clothing they bought at that Walmart in Diamante before they left Acapulco: jeans, T-shirt, hoodie, warm jacket, and thick socks.
His new boots are tied and double-knotted.
Papi’s baseball cap is stowed carefully in the side pocket of Luca’s pack, and he’s wearing the warm stocking hat and scarf he got from the old lady in Nogales, but even with all that, even though he feels damp with sweat along his spine, his nose and fingers are freezing.
He wishes they’d thought to buy gloves, too.
Sometimes El Chacal makes the quick whistle, and they all stand absolutely still and silent until he gives the double-click command for them to continue.
There’s one place where Luca can hear the electronic hum of some unseen machinery.
Choncho falls into step beside Luca and points up to a blinking red light mounted high on a post nearby.
They’re almost directly beneath it. It swivels.
And when the blinking red eye looks away, El Chacal makes the double-click, and they move very quickly, almost at a run through the darkness, until they are up and over a small ridge, beyond the sweep of that swiveling, mechanical eye.
“Congratulations,” Choncho whispers loudly to Luca. “You’ve just outsmarted your first United States Border Patrol camera.”
Luca grins in the dark, but Lydia feels a lurch in her stomach, a passing grief at what that must mean.
“We are in the United States already?” she whispers.
“Yes,” Choncho says.
Lydia expected the crossing would be momentous.
That it would happen in an instant, that she would, in the space of one footstep, leave Mexico and enter the United States.
She expected to be able to pause, however briefly, so she might look back and reflect, both physically and metaphorically, at what she’s leaving behind: the omnipresent fear of Javier and his henchmen.
After eighteen days and sixteen hundred miles of endurance, she wants to feel that she’s slipping his noose.
But she wants to look further back than that, too, to her life before the massacre, to her happy childhood in Acapulco.
The orange bathing suit she wore every day during the summer of her sixth birthday.
Diving from the cliffs at La Quebrada when she was a teenager.
Walking on Barra Vieja with her father when she was still small enough to hold his hand without embarrassment.
The million endearing grievances of her mother.
College, Sebastián, the bookstore. Holding Luca outside her body for the first time.
Lydia expected there would be a moment when these notions would flood through her, all at once, like a small death.
A portal. She’d hoped, like one of those desert rattlesnakes, to shed the skin of her anguish and leave it behind her in the Mexican dirt.
But the moment of the crossing has already passed, and she didn’t even realize it had happened.
She never looked back, never committed any small act of ceremony to help launch her into the new life on the other side. Nothing can be undone. Adelante.
The sky is clear and there are stars overhead, but the moon is new, so even when it rises, it offers no light to their path.
Ideal conditions for crossing, the coyote assures them as they stumble through the dark.
For an hour they trudge through the desert without speaking.
At eleven o’clock, they take shelter beneath a rocky outcrop because, the coyote explains, these are prime border patrolling hours, and la migra is thick in this sector.
He tells them to rest, but none of them do.
They sit in fear, their eyes blinking like inadequate lamps.
They pass three hours that way, listening to the foreign sounds of the desert all around them.
It’s terrifying to hear grunting and snuffling and clicking and shrieking, sometimes at a distance, sometimes rather close, and to not be able to see what kinds of creatures are creating all that racket.
It’s a queer, vulnerable feeling to sit without armor among nocturnal animals, knowing they can see you and smell you and feel you there.
Knowing that you’re blind to their presence should they decide to approach.
Every one of those migrants prays while they wait.
Even Lorenzo remembers that he once believed in God.