CHAPTER ONE
Kari refreshed the browser on her laptop for the third time in ten minutes and got the same nothing she’d been getting for two days.
She was sitting cross-legged on the bed in a rented room on a frontage road outside Albuquerque, the curtains drawn, the air conditioner rattling in a way that had stopped bothering her around day four.
The laptop was balanced on a pillow. Her sidearm was on the nightstand beside a half-eaten bag of trail mix and a phone she checked so often the gesture had become involuntary—a tic, like blinking.
Two weeks since someone had tried to kill her in her own home.
Fourteen days of this room, this routine, and this low hum of waiting that sat behind her ribs like a second heartbeat.
She'd left the reservation the morning after the attack, driving a rental because her Jeep had taken enough rounds to total it.
She'd called Captain Yazzie from the road and told him she needed personal leave—didn't explain why, didn't give him a timeline, and he'd granted it without pressing, which either meant he trusted her or he'd heard enough about the shooting to know not to ask.
She'd told almost no one where she was going. Ben knew. Daniels knew. Her father knew. Ruth knew she was safe, but not where.
That was the size of the world she trusted not to get her killed.
Standing in the wreckage of her kitchen with glass crunching under his boots, Daniels had laid out a plan: simultaneous distribution, media and congressional oversight at once, too big to bury.
He had contacts. A journalist at the Arizona Republic who’d been investigating corporate land fraud for years.
A staffer on the Senate Committee on Indian Affairs who owed him a favor from a previous case.
The decoded notes, the financial trail, the shell company documentation—all of it packaged, all of it ready.
We go today, he’d said. No more waiting.
That had been fourteen days ago.
Kari closed the laptop and set it on the mattress beside her.
The room was small enough that she could see every corner from the bed—a habit she’d developed without deciding to, the way she now slept with her weapon within reach and woke at sounds she would have ignored a month ago.
The door had a chain and a deadbolt, both engaged.
The window faced the parking lot, where her rental—a white Nissan that looked like every other white Nissan in New Mexico—sat in a spot she’d chosen for its sightlines to the road.
She picked up her phone. No messages from Daniels.
No missed calls. She opened the browser and checked the Republic’s website again, then the Albuquerque Journal, then the Santa Fe New Mexican.
Nothing about Devco Holdings. Nothing about lithium deposits or land fraud or two decades of suspicious deaths on and around the Navajo Nation.
Nothing.
She was staring at the phone when someone knocked on her door. Three knocks, a pause, two more. The pattern she and Daniels had agreed on.
Kari moved to the door with her hand near her weapon, checked the peephole, and opened it.
Paul Daniels looked like he hadn't slept.
He'd been with the FBI for twenty-six years before the Devco investigation had threatened not only his pension but his life as well—and now he was the closest thing Kari had to a partner in whatever this had become.
His shirt was wrinkled in a way that suggested he'd driven straight here from somewhere far away, and the lines around his eyes had deepened since she'd last seen him. He was carrying a paper bag from a gas station—coffee, probably—and his shoulders had a set to them that Kari recognized from years of watching people deliver news they didn’t want to deliver.
She stepped aside and he came in. He didn’t sit down. He put the bag on the dresser and stood there looking at the drawn curtains, the laptop on the bed, the sidearm on the nightstand, taking in the shape of how she’d been living.
“It didn’t work,” he said.
Kari leaned against the wall by the bathroom door and waited.
“Sandra Reyes at the Republic. She was ready. She had the story drafted, sourced, her editor was on board.” Daniels rubbed the back of his neck.
“Then she got a call from a law firm in Phoenix—Cahill, Wentworth and Rowe. They represent a client they declined to name. They told her that publishing allegations based on stolen documents and unverified claims from disgruntled individuals would expose the paper to significant legal liability. They cited specific statutes. They knew what she had, Paul. They knew the shape of the story before she’d shown it to anyone outside her newsroom. ”
“They have someone at the paper.”
“Or they have the phones. Or the email. Doesn’t matter how—what matters is they knew.
” He picked up one of the gas station coffees and held it without drinking.
“Sandra called me that night. She said her editor pulled the story pending legal review. Legal review that’ll take months, if it ever concludes at all. ”
“What about the Senate staffer?”
“Worse. He stopped returning my calls three days after I sent the package. When I finally got him on the phone, he said his office had ‘reprioritized’ and couldn’t pursue the matter at this time. His exact words. Scripted.”
Kari looked at the ceiling. A water stain spread across one corner in a shape like a lake on a topographic map.
“So they shut it down.”
“They shut it down.” Daniels set the coffee back on the dresser, untouched.
“And then I started thinking about what happens if I push harder. Find another journalist, another congressional office, another avenue. Every person I hand this to becomes a target. Not a theoretical target. A real one.” He looked at her directly.
“Your mother handed her research to people she trusted. She’s dead.
Ben talked to the wrong person about what he found on that land.
They kidnapped him and beat him for three days.
You got briefed on the evidence and twelve hours later someone was waiting in your house with an automatic rifle. ”
He didn’t finish the thought. He didn’t need to.
“So what are you saying?” Kari kept her voice even. “We just sit on it? Wait for them to come after us one at a time?”
“I’m saying that what we have isn’t enough.
Not because it’s not true—it’s all true, every word of it.
But it’s deniable. Anna’s notes can be dismissed as the obsessions of a woman the FBI already wrote off.
The financial records are complicated enough that Devco’s lawyers can tie them up for years.
Ben’s testimony about the airfield is one man’s word against a corporation with a hundred attorneys.
” Daniels sat on the edge of the dresser, and the cheap wood creaked under him.
“We need physical evidence. Core samples from the deposit. Documentation of the mining operation. Something that can’t be explained away or buried in motions. ”
“You’re talking about going onto Devco’s land.”
“Eventually. Yes.”
“We were supposed to be past this, Paul. We were supposed to be done.”
“I know.”
The air conditioner cycled off and the room went quiet. Outside, a truck downshifted on the frontage road, the sound fading as it passed.
Kari had known. Somewhere in the back of her mind, during all those days of refreshing the browser and checking the phone, she’d known it wasn’t coming.
The story wasn’t going to appear. The calls weren’t going to be returned.
Twenty billion dollars bought a lot of silence, and Devco had been buying it for twenty years.
“I need some air,” she said.
She didn’t go outside—she hadn’t abandoned basic caution. She cracked the window two inches and stood beside it, feeling the dry heat push against the air conditioning. Daniels stayed where he was and let her think.
Her phone rang.
Not Daniels’ ringtone. Not Ben’s. An Albuquerque number she didn’t recognize.
She answered.
“Detective Blackhorse? My name is Claire Marshall. I’m the coordinator for the FBI’s Art Crime Team, based out of the Albuquerque field office.
” The voice was direct, no wasted words, a tone shaped by years of being the only woman in rooms full of men who expected her to be softer.
“I’m calling because I need help with a case, and your name keeps coming up. ”
“I’m not taking cases right now.”
“I understand. And I wouldn’t be calling if this weren’t urgent.
” A brief pause. “Three Indigenous artists have disappeared over the past four months. Two of them are dead. The third is still missing. The bodies were staged to recreate the victims’ own artwork, and I’ve got a team of art crime specialists who are very good at what they do, but who don’t have the cultural knowledge or the investigative background in violent crime to handle this. I need someone who has both.”
Kari looked at Daniels. He’d gone still, listening to the half of the conversation he could hear.
“How did you get my name?”
“Your work on the Pemberton case in Los Angeles. The ultra-marathon murders. You have a specific skill set, Detective. I’d like to brief you in person if you’re willing.”
“I’ll think about it.”
“I’ll be at the field office tomorrow at eight. I hope to see you there.” Marshall hung up without pleasantries.
Kari set the phone down and told Daniels what Marshall had said. He listened without interrupting, his eyes narrowing as she described the case.
“Art Crime,” he said. “That’s a different division entirely. Different chain of command from anyone who’s been blocking us.”
“I noticed that too.”
“You should take it.”
“Paul.”
“Listen to me. Right now you’re sitting in a motel room waiting for something to happen.
You’re isolated, you’re vulnerable, and if Devco decides to take another shot at you, nobody’s going to hear it.
Working a case with the FBI puts you inside a federal operation with agents around you every day.
That’s safer than this.” He gestured at the room.
“And it puts you in a position to build relationships in the Bureau that we’re going to need when we’re ready to move on the real problem. ”
“While you do what?”
“While I keep working. Your father and I have leads we haven’t run down yet. We’ll be quiet about it.”
Kari picked up her phone again and dialed Ben’s number. He answered on the second ring, the way he always did when her name came up.
“Hey.”
“How’s Ruth?”
“She’s fine. Fed me dinner twice today. I think she’s decided I’m too thin.” A pause. “How are you?”
“Daniels is here. The plan didn’t work.”
Ben didn’t answer immediately. She could hear wind in the background, which meant he was outside, probably on the porch of wherever he was staying with Ruth. “How bad?”
“Bad enough that we’re back to square one on getting it public. But something else came up.” She told him about Marshall’s call. About the missing artists, the staged bodies, the FBI asking for help.
“Take it,” Ben said, without hesitation.
“You sound like Daniels.”
“Daniels is right. You need to be around people, Kari. Not just for safety. You’ve been alone for two weeks and I can hear it in your voice.”
She didn’t answer that.
“Take the case,” he said. “Do what you do. I’ll keep your grandmother safe and I’ll be here when you need me.”
After she hung up, she noticed Daniels was already putting on his jacket. “I’ll check in when I have something. Use the secondary number if you need to reach me—I’m assuming my primary is compromised.”
“Paul.” He stopped at the door. “Thank you for trying. I know you put yourself out there.”
He nodded once, the way he did when words weren’t going to improve anything, and left.
Kari stood in the quiet room and looked at the laptop on the bed, the browser still open to Arizona Republic’s front page. A story about water rights. A story about a highway expansion. The same nothing that had been there all day.
She closed it. She packed her bag. She set the alarm on her phone for six and lay down on the bed with her weapon on the nightstand, the chain on the door, and the window cracked two inches against the heat.
Tomorrow she'd go to the FBI field office and listen to what Claire Marshall had to say about dead artists and staged bodies. She'd work the case, and she'd be useful, and she'd make allies in a building full of federal agents, some of whom might be honest.
And underneath all of it, like groundwater moving beneath the desert floor, the real work would continue. The lithium. The murders. The twenty billion dollars that had cost her mother’s life.
It wasn’t over. In fact, she sensed it was just beginning.