Afterword
When writing historical fiction, particularly a Regency romance with a strong art and mystery component, balancing historical accuracy with narrative liberty is always a challenge. While I strive for authenticity, there are moments where small liberties are necessary to serve the story.
Given that Sebastian is a well-traveled art lover and connoisseur, it is reasonable to assume that The Birth of Venus may have been accessible to him during his time in Florence.
I took the liberty of assuming that he saw it there, as it is one of the most recognizable and celebrated works of the Italian Renaissance.
When the painting reveals its message, Lorenzo will need Henrietta’s help with the clues it discloses. But Henri’s excursion to procure what he needs will turn out to be more perilous than they anticipated.
Soon she is bound and gagged on the way to Calais. Lord Gabriel Ashford has kidnapped her with no explanation. Which is rather infuriating because, until now, she rather liked the gentleman.
Can Henri and Gabriel come to terms before her reputation is ruined? And can they work together to solve the hidden clues while avoiding the danger that it represents?
Find out in the next Treacherous Treasures book, Miss Bigsby and the Very Short Courtship, in which Henri’s bid to help uncover the mystery of Matteo’s work takes an unexpected turn, and she just may be required to marry the dangerous Lord Gabriel Strathmore to save herself from ruin.