Chapter 12 Nina
Nina
The air in the room shifts. My pulse kicks once, hard, but I keep my expression neutral. Professional.
Does he know about Chris? About us?
He must. These men didn’t survive by being careless about the people in their orbit. But the way he said it—not a threat, not even particularly pointed. Just a question designed to hit its mark.
Chris was undercover in Vicente’s organization—I know that much. But how much does Vicente know about the man who very likely helped orchestrate his fall? Did Chris wear a different name, a different face? Or does Vicente know exactly who Chris Longo is?
The thought chills me. Vicente was the operation—Chris lived in his world for years, close enough to gather intelligence that helped bring everything down. Close enough to—what? To earn trust? To betray it? What kind of proximity did that require?
Stop. Professional boundaries. Whatever Chris was to this man, whatever Vicente knows or doesn’t know about who Chris really is—that’s not my concern here. I’m their therapist, not an investigator piecing together classified history.
“In my experience,” I say carefully, “people change during separations. Coming back together often means learning who you’ve each become.”
Vicente nods slowly, like I’ve confirmed something. “Exactly. We’re not the same men who walked away from each other thirty years ago. Neither of us would want to be. But we haven’t forgotten who we were either.”
Arturo’s gaze flicks between us, reading the undercurrent. He doesn’t speak, but his posture has shifted almost imperceptibly. More alert.
I’m reminded why these men are in protective custody rather than prison. Why they’re assets instead of inmates. They see everything. Miss nothing. And they can weaponize a casual observation with razor accuracy.
“That must have been... challenging to navigate,” I manage.
“All the best things are,” Vicente says, settling back into the cushions like nothing happened. But his eyes never leave my face. “Wouldn’t you agree?”
I study them. The way they don’t look at each other, but they don’t contradict either. This isn’t a show. But Vicente has just shifted the power dynamic in the room, and I need to get it back.
“What are you hoping to get out of these sessions?” I ask, steering us back to safer ground.
This is where most couples stall. Where deflection takes over. But neither man looks away.
Vicente answers first. “Clarity.”
Then Arturo adds, “Endurance.”
That, too, matters.
“What’s the last thing you fought about?” I ask.
Arturo doesn’t answer. Vicente does.
“The garden. He doesn’t like the landscaper.”
“I don’t like being billed for bad design,” Arturo mutters.
“You tore out a whole bed of salvia because it clashed with the new sculpture we chose.”
“It did.”
The ease between them surprises me. Not the disagreement—that’s normal. It’s how they disagree. No edge. No underlying threat. Just two people who’ve earned the right to be particular about their shared space.
“So aesthetics matter to you both,” I observe.
“Control matters,” Arturo says.
“Balance,” Vicente corrects, then glances at his partner. “Though your idea of balance involves replanting the entire east garden because you didn’t like how the morning light hit the fountain.”
“The shadows were wrong.”
Vicente’s mouth quirks. “The shadows were fine.”
I watch this exchange, cataloging the rhythm. Arturo’s absolute certainty. Vicente’s gentle pushback. The way neither yields ground but neither escalates. Practiced. Safe. And identical to the pattern from the morning routine topic—one anchors, the other rounds it out. Never a stumble.
The suspicion from earlier sharpens into certainty.
“This is very polished,” I say.
Vicente’s expression doesn’t change. “Excuse me?”
“The banter. The one-word answers that complement each other. The charming disagreement about gardens.” I set my pen down. “One of you anchors, the other finishes. You never interrupt. You never stumble. That’s coordination, not conversation.”
They’re silent for a beat. Then Vicente spreads his hands, almost amused.
“Of course it’s theater, Dr. Palmer. We’re sitting in a room wired with federal surveillance equipment, faking couples therapy for an agency that cares more about our stability metrics than our landscaping disputes. What exactly did you expect?”
“I expected the theater,” I say. “What I don’t buy is that theater is all there is.”
He raises an eyebrow.
“You could have stonewalled. Drop some crumb of intel to make them happy then run out the clock with small talk and walk away. Instead you’re matching each other’s rhythm like you rehearsed it in the car.
Men who don’t care about the outcome don’t prepare for the performance.
” I lean forward slightly. “You have a therapist with my credentials sitting across from you and you’re faking it.
That’s like booking a session with a master chef and ordering a bowl of cornflakes.
So either you’re wasting my time, or somewhere underneath the choreography, there’s something you actually came here to work on. ”
Vicente glances at Arturo. Faster than the rehearsed looks. More raw. He wants this.
“You think you’re ready for what’s underneath the choreography?” Vicente asks.
“I think that’s my job to determine.”
Arturo speaks for the first time in several minutes.
“You sat down carefully when we started.” His voice is low, unhurried.
“You’re in pain. Managing it, hiding it.
You’ve shifted your weight three times in the last ten minutes—always to the right.
Your lips are dry but you’re rationing your water instead of drinking.
” His gaze doesn’t waver. “Concealer under the eyes—fresh, deliberate—but the pallor underneath is recent. A week, maybe two.” A pause.
“You’re recovering from something, Dr. Palmer.
I don’t need to know what. But you were carrying it when we walked in and you still tried to run this room.
” He tilts his head. “We notice these things. It’s how we’ve stayed alive. ”
My pulse hammers. My hands stay still. A low ache twinges through my abdomen, as if his attention summoned it.
Vicente leans back. The charm drains from his face—what’s left is older, harder, and very calm.
“Page thirty-one of my file,” he says. “There’s a redacted section about a warehouse in Guadalajara.
A man named Esteban Solis.” He watches my face.
“The file says asset eliminated. What it doesn’t say is that Esteban was my godson.
That I held him at his baptism. That I sat across from his mother at Christmas dinner three weeks before I gave the order.
” His voice doesn’t change. Same cadence he used to discuss the landscaper.
“What it also doesn’t say is why. Esteban had been using my supply routes to move girls.
Twelve, thirteen years old. For two years, under my name, behind my back.
” The calm in his voice is worse than anger.
“That’s who you’re sitting across from, Dr. Palmer.
A man who loved his godson and killed him anyway, because some lines don’t come with a second conversation. Still want to skip the cornflakes?”
The room is very quiet, except for the surveillance hum, and my own breathing. Both of them watching, waiting for the flinch, the widened eyes, the involuntary swallow.
I click my pen. Write Esteban Solis on my notepad.
“You held him at his baptism,” I say, “and you gave the order. And now you’re sitting in a room arguing about garden shadows with the man you love.
” I look up from the pad, waiting for either man to contradict me.
When neither does, I make a mental note and move on.
“That’s the distance you’ve traveled. That’s what I need to understand—how you got from there to here.
” I hold Vicente’s gaze. “So let’s try again.
How do you actually resolve your differences? ”
Vicente’s jaw works once, then settles. Arturo’s eyes narrow—consideration, reassessment.
The look between them is uncoordinated for the first time. A genuine question with no predetermined answer.
“We don’t always,” Vicente says. The veneer is gone.
What’s underneath is stripped down to rawness.
Tired. “It’s Arturo’s house. His family.
His staff. His daughter. Thirty years of history I wasn’t part of—and a woman we both loved whose absence fills every room.
” He pauses. “I walked back into a life that had closed around the space where I used to be. Some days I don’t know if I’m a partner or a guest who’s overstayed. ”
Arturo doesn’t look at Vicente, but his hand moves—just barely—across the cushion between them. Close enough to matter.
“You’re not a guest,” Arturo says. Low. Certain.
“Then why do I still knock before I enter rooms in my own house?”
“The garden, Vicente.” Arturo’s voice tightens. “The east garden. Why do you think I gave you that? You had gardens in Cancún. You spent hours in them. I remembered.”
Vicente turns to look at Arturo. The realization landing in real time that the argument about salvia and shadows and landscaping bills was never about any of those things.
“You remembered,” Vicente says. Quiet.
“Of course I remembered.”
“And then you argued with me about every plant I put in it.”
Arturo’s mouth tightens, the accusation hitting home because it’s fair, and he knows it.
“You’re the only thing in that house that feels like mine.” Vicente says it before he can stop himself—impulsive, raw, stripped of every layer of charm and calculation.
Arturo’s hand closes the distance on the cushion. His fingers over Vicente’s wrist. Brief. Deliberate.
The silence that follows isn’t uncomfortable anymore. It’s full.
“In your previous lives, compromise wasn’t exactly—”
“Our previous lives nearly killed us,” Arturo cuts in. Not sharp. Just factual. “Both of us. Separately and together.”