Lord Archer Catches a Contessa (Windermeres in Love #3)

Lord Archer Catches a Contessa (Windermeres in Love #3)

By Sofie Darling

Chapter 1

Chapter One

Archie stepped inside the Five Graces theater, holding a mug of beer in each hand, and felt immediately at home.

Not that he should.

He was a lord, after all. Lord Daniel Windermere, Viscount Archer, in fact.

And the Five Graces?

Well, it was a theater of “low” entertainment. A place where London accents ranged too broadly for the narrow confines of Mayfair drawing rooms. A place where bodies jammed up against each other without anyone giving such proximity a second thought. A place that, frankly, stank.

A place that Archie loved down to the marrow of his noble bones.

“Archie!” came a shout.

Above the fray, he found his best friend in the world, Lord Rory Macbeth, Viscount Kilmuir—his world overflowed with titled gentlemen—waving at him from their usual spot—fifth row, dead center.

Archie was adamant on that point. Whoever arrived first secured that pair of seats.

From them, one could sink into the performance and, most importantly, the music.

His eye flicked toward the edge of the stage.

Half hidden behind musty brown velvet curtains sat the piano, emitting the jangly tunes that would serve as the musical accompaniment tonight.

Sitting at the keyboard was George Fry, his nimble fingers flying across the keys, only missing a note here and there.

The man was quite proficient for never having had a proper piano lesson in his life.

Archie, on the other hand, had plowed through years and years of lessons. Sure, he’d groused and complained like any child, but he and his instructor had known the truth.

That Archie’s very soul was contained in those keys.

He entered the fifth row of seats, an apologetic smile on his mouth, one meant to charm as he jostled through, avoiding the knees of those already seated and stepping over entire laps when necessary, all without spilling a single, solitary drop of beer.

Still, his smile got him through. His was the sort of smile that charmed both women and men—women into his bed and men into friendship.

“Rory, old chap,” he called out.

“You’re late. I thought you were going to miss tonight.

” Rory accepted the mug of beer into his massive bear paw of a hand.

He was a great lumbering fellow by anyone’s measure.

With his head of auburn hair and towering height, he lacked English elegance and refinement, which was just as well, given he was Scottish.

Since the day they’d met at Eton, Archie and Rory had been fast friends.

“Not a chance,” said Archie, holding up his mug in a silent toast before knocking back a large swallow.

“What do you know about tonight’s entertainments?” asked Rory, swiping foam off his top lip.

“It’ll include a scene from Shakespeare, I believe,” said Archie.

Rory groaned. “Not bloody Shakespeare.” He took another great swallow of drink. With the surname Macbeth, Rory had suffered through enough Shakespeare jokes to last three lifetimes, half of them told by Archie. “I was hoping they’d got that lass on the swing back.”

Archie snorted. “Don’t we all.”

Rory’s bright blue eyes lit up in a wistful smile. “She was truly quite skilled with the way she could flip up and down and around that swing. It never failed to impress.”

“Or leave much to the imagination,” said Archie, wry.

“Well,” said Rory, his grin turned boyishly roguish, “two things can be true at once.”

The stage lights flickered three times, informing the audience that the night’s entertainment was set to begin.

Archie settled back into his seat, careful not to give the impression that he was wholly, utterly, perhaps desperately, invested.

For him, music was no idle or trifling thing, even in a place like the Five Graces, whose stage offered up all manner of entertainments on any given night.

Singers… Musicians… Acrobats… Magicians…

He’d once seen a bear with a white ruff around his neck dance across this stage.

But it was the music that drew him in Thursday after Thursday. To be sure, it wasn’t refined or remotely elegant, but it pulsed with a raw energy one didn’t find in the tame drawing rooms of the ton.

This place held the promise of inspiration.

Something that had been in short supply since he’d returned from Italy with his sisters last year.

For him, these Thursday night entertainments were serious business, even if to all the world he looked like nothing more than a carefree aristocrat out for a lark—a look that was his particular specialty.

The Lord Archer the ton knew was always up for a jape with his ever-present, devil-may-care smile.

Only he knew the truth of his passions.

Passion.

Singular.

Music.

It was everything to him.

Perhaps his sisters understood a bit of it, for it was known he was quite proficient at the piano. But he desired to be more than merely proficient, good, or even great. For here was the thing: his music, it obsessed him.

And when he watched a musician on stage—like George Fry up there now—inspiration sparked within him, and something else, too. Envy. Those men and women performing tonight were professional musicians, making a living from their skill.

He wasn’t.

He was simply a viscount who would someday be an earl.

In truth, he’d been at odds and ends since returning from Italy. It was the blasted composition he’d been working on for months. He hadn’t been able to get anywhere with it since setting foot on English soil. It was as if the muse had entirely abandoned him.

Apparently, his muse was Italian.

George Fry did something interesting with a minor key, and it sparked a little something within Archie. Perhaps his muse wasn’t Italian at all, but rather a Cockney gent from the East End.

The first performer was a man with a monkey.

The act centered around the monkey being more refined than the handler, much to the delight of the crowd.

Next came the Shakespeare. Although it was a scene from a comedy, Rory groaned and shut his eyes, snatching a quick nap.

Then out sauntered a magician with a flamboyant flourish of his cape, his assistant trailing behind.

Archie sat forward in his seat. He attempted to pay attention to the magic tricks, but his eye kept straying toward the assistant. The woman was quite fetching with sable brown hair that hung loose to the small of her back and luminous brown eyes and full, luscious lips the color of rubies.

That mouth… It was made for sin.

He should elbow Rory, for he knew his friend would want to catch an eyeful of her, but Archie couldn’t.

He wanted her for himself.

Whistles and catcalls shot through the haze of desire that had begun building inside him. Once he paid attention to the actual performance, he saw what was obvious to everyone in the theater.

For all her beauty, the woman was a terrible magician’s assistant.

She gave away one trick after another before the magician could complete them. Further, the more purple-faced and frustrated the magician grew, the more flustered and clumsy the assistant became, worsening the cycle to the point of farce.

Yet Archie couldn’t laugh along with his fellow theatergoers. Usually, he found this crowd invigorating in its democratic response to performance. If it was great, they cheered loudly. If it was terrible, they booed just as loudly. Tonight…

It felt like bullying.

Tonight, he felt the distinct urge to punch someone in the nose.

Over what?

Over a performer who had no business being on the stage?

Perhaps it was kinder this way. Perhaps the woman would realize the stage was no place for her and find another form of employment. Perhaps the crowd was doing her a favor.

Within minutes, thankfully, the magician and his beautiful, but hapless, assistant were ushered off stage by the compère. Rory startled awake, his blue eyes wide and unfocused. “What did I miss?”

“The magic act.”

“Oh, blast, why didn’t you wake me? The magicians are my favorite. Did he pull a rabbit out of a hat?”

“He did not.”

What the magician had done was pull a fair amount of lint from his hat, and the rabbit had hopped across the stage as if looking for his lost warren. Judging by the thunderous expression on the magician’s face, this, too, had been the fault of the assistant.

How had such a thoroughly untalented woman found her way onto the stage? The Five Graces might not have been the height of sophistication, but it was known for both its variety of performers and the quality of those performers.

He snorted.

It was her beauty, of course.

Rory slung back the remainder of his beer and burped into his hand. “Want another?”

“Funny you should ask,” said Archie, holding up his empty mug.

While Rory was gone, another two quick acts followed the magician. A scruffy, little dog who could perform all manner of tricks, including dancing on his hind legs, and a mime, who had the crowd transfixed by his inability to climb out of an invisible box.

Rory had just returned when the compère announced the next act. “It is my pleasure to introduce an opera singer making her stage debut tonight.”

Beside Archie, Rory groaned. “There are any number of drawing rooms in Mayfair where I could listen to a young lady caterwaul her way through Mozart, if that’s what I wanted.”

“A most beauteous young lady come all the way to our shores from enchanting Italy,” continued the compére, with a dramatic swish of his cape. “La Contessa!”

Into the quiet following the compére’s announcement stepped a woman, halting and unsure.

She was dressed like a ghost from the last century with her tall white powdered wig, beauty mark placed on a high cheekbone, and wide pannier skirt.

The costume was utterly ridiculous, which made it perfect for the Five Graces.

What wasn’t perfect?

Archie recognized the woman as the magician’s assistant.

Rory sat forward. “Now what do we have here?”

“She’s a stunner,” said Archie. Might as well get the obvious out of the way.

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