8. Dante

EIGHT

Dante

T he footage lagged for three sick seconds, then caught like a trapdoor.

She moved through the alley at two in the morning, jacket pulled up, head down.

The light hit a flash of amber — her hair — then a hand reaching into a jacket pocket.

The woman in the frame matched Mirella’s gait.

I watched her shoulder, the small crescent scar on her forearm, the way she tucked her jaw when she hesitated.

My throat went dry. I killed the feed before the camera focused on the face.

I don't do surprises. I do answers. I did not wait for them.

Her door was ajar. She was on the bed, a mess of hair and sheets, like she always looked after too little sleep and too much company.

Her back rose and fell slow as tide. The scent of her — cigarette smoke and citrus from my cologne, some cheap perfume that clung to the nape of her neck — pulled at something raw behind my ribs.

"You're awake," she said without turning.

"Tell me why you're in an alley at two A.M."

She blinked a slow, amused blink. "Because I like moonlight walks now? Is that what you want me to say?"

My laugh was a dry thing. "Cut it."

She sat up, hair falling wild. The room cooled where she moved. She wore my jacket, sleeves pushed to her elbows, the collar scarred by my scent. I wanted to bury my hands in the fabric, not in her hair.

"You saw the footage," she said.

"I watched someone wearing your jacket reach for a pocket," I corrected. "I saw the scar. I saw the hesitation."

"You're making a movie out of pixels," she shot back. "You know how footage lies."

"Then explain it." My voice was low, the same voice I use when someone has ninety seconds to decide between breathing and not.

She swallowed. The joke left her. "I met someone. He?—"

"Marco," I said. Saying his name felt like slamming a hinge closed.

Her shoulders tightened. "He called. He said?—"

"You called him back," I finished. "You hid his number."

"Blocked," she said too quickly. "Blocked. I didn't— I didn't answer him."

"You hid the contact after you texted him 'why now?'" I walked to the dresser. I didn't touch her. I was a map of restraint and my hands were maps too; they remembered violence as easily as tenderness.

Her laugh this time was a fragile thing. "Okay. You found my dumb, impulsive string of poor decisions. Happy?"

I should have let her have it. I should have. Instead I asked a question that burned at the answer: "Did you let him put you in that alley?"

Her face flinched. She stood, and for a second I could see the small, hard set of her spine that used to take down men twice her size. "I didn't— I didn't betray you."

"You didn't have to," I said. "If someone used you—if someone used your jacket, your hands, your scar—then you were the weapon. The city's the weapon. The problem is I don't know which."

She came forward then, too close, and the heat of her was a theft. Her fingers found the inside of my wrist where the crescent scar browned the skin. "Dante."

My name in her mouth pulled like a vise. "This is not a conversation about trust, Mira."

"You call me that now," she said, amusement returned like a shield. "That's a step."

I moved away. "You hid Marco and you met?—"

"He blackmailed me," she said. "He sent a photo. He said he'd put it where Enzo's men couldn't miss it unless?—"

"Unless what?" I asked.

"Unless I did a favor. I said no."

Her voice broke on the last word. I wanted to pick that break up and hold it like a shard of glass. I wanted to put it back together and never let it cut her again. Instead I watched my own hands curl into fists.

"You said no," I repeated. "Then why is there footage of you in that alley?"

"Because he set me up." Her eyes were quick and raw. "Because he makes people look guilty and then sells them the only proof he has. He?—"

"Is that your excuse?" I cut in. "That he's good at lying? I'm not buying a story I can recount later when it suits you."

She took a step closer, the air between us electric. "You were there. You saw how?—"

"I saw what I saw," I said. "And it's not enough."

Her laugh was a gasp. "You sound like a father lecturing a kid who broke a window."

"Maybe I'm trying not to sound like a man who watched someone he cares about become bait." The words left like shards. "Maybe I'm trying not to sound like someone who keeps people and then has them taken."

She reached for me. "Don't."

I didn't let her touch me. Instead I heard a knock on the door — three sharp, official knocks. The sound split the room open.

Enzo's voice called in the hallway before the key turned. "Dante. I need two words."

I didn't like the way the room tilted. I opened the door while Mirella stood in the doorway, still barefoot and defiant. Enzo stood there in his suit, the hair at his temple neatly grey, the same man who could kill conversation with a look. He almost smiled. "Good morning."

"You're early," I said.

"You invited me in," he said, stepping past. He looked at Mirella and the smile sharpened. "And you, apparently, have made yourself comfortable."

"We spent the night," I said before she could answer.

Enzo's gaze flicked to me, then to the coffee table where my laptop sat closed. He didn't ask about footage. He never asked me to repeat facts I already knew. He asked the question people with authority always ask: "Are you going to keep her here?"

"Yes," I said. My voice was more dangerous than I'd planned. "She stays."

Enzo tilted his head the way someone looks at a painting that offends their taste. "You know the ramifications of that choice."

"You're welcome to take her in for any interrogation you see fit," I said. "But not here. Not under my roof."

"Actually," Enzo murmured, "it's not your roof to decide under."

My hand found the small scar along my jaw, the crescent that matched hers like a disgusting symmetry. "Then try to take her and you'll see how badly that goes for you."

There was a tension in Enzo's smile that didn't reach his eyes. "Always dramatic, Dante."

"You think I'm acting?" I asked.

He stepped closer, lowering his voice. "I think you're making a choice that will embarrass everyone if it fails. Bring trouble to the family."

"She's not a problem to be handed like a ledger," I said. I said it so quietly he might have missed the heat. "She's a person."

Enzo's eyes caught mine, and for a fraction of a second I saw curiosity instead of calculation. "You get sentimental around women, you get sloppy."

I remembered what our father had told me once about giving people rope. I remembered the woman I lost at twenty-two. I remembered the way love had been an invitation to be punished. The memory was a consuming thing. It cooled my blood into a blade.

"I won't make her a sacrifice," I said. "So either stand down, or we find out whether you're disciplined enough to do it yourself."

He left it there. He tipped his head as if conceding a minor point. "For now," he said. "But if this spirals?—"

"It won't spiral," I said. "Not if I can help it."

He gave me a look that said he both believed and wanted to test me. He turned and left.

When the door shut, the silence was savage. Mirella's hand touched my arm. "You aired me in front of him."

"You think he needed any theatrics?" I asked. "I was giving him a warning."

She shook her head. "You were giving me away."

The words hit harder than any blow. I stepped back. "I don't want anyone to remember you as a liability."

"Then don't leave," she said. Her voice was small and dangerous in the same breath. "Don't walk out the door and pretend it will keep me safe."

"I can't pretend," I said. Because the truth lived in my bones: intimacy equals target. Love had killed someone I loved. If I stayed, Enzo's men would watch, Marco would thread leverage, and I'd be the magnet. I believed that. I had to believe it to move.

She laughed once, sharp. "Stop being noble. Say you don't want me because you're afraid."

"I'm afraid," I admitted. Saying it felt like spitting into a storm. Her fingers curled into my shirt. "Afraid I'll ruin you."

"You're not mine to ruin," she said. "I'm not?—"

"Yes, you are," I said. "To anyone who gets close. I kill with my choices."

She pressed her forehead to mine. Her breath was warm, tasted of whiskey and something sweet. "So leave," she whispered. "Walk out and be brave. I'm not staying for you."

I didn't walk out. I gave in to the gravity of her mouth.

What followed was all the things the rest of us pretend we don't know about each other — the catch of breath, the memory of violence and tenderness in the same touch, the way she fit against me as if we'd been built to press into the same broken shapes.

We were quick and loud in clothes for the first minute, hands mapping familiar ground.

My fingers remembered the scar at her forearm and the small tattoo at the base of her neck.

I tasted the seam of her lip when she breathed my name like an apology.

She pushed me to the bed, and the sheets became a battlefield where we both surrendered.

"Don't go," she said between kisses.

"I am," I managed. "Later."

"Later is forever to you," she countered, voice rough.

I rolled us so I could look at her face, up close.

The streetlight painted gold across her cheek.

Her pupils were blown. There was a bruise that hadn't been there yesterday along her hip — new, or maybe old and I hadn't seen.

I memorized the indented way her collarbone caught the light.

"If staying with me destroys you," I said, "I have to be the one to leave. "

She laughed then, and it was wet. "Who taught you to make people choose sacrifice? Not me."

"Someone I failed," I said.

She grabbed my face and held it like a promise. "Then stop failing me."

We moved slow after that, as if learning a new refrain. I checked in with words between breaths. "Is this okay?" "Yes." "Do you want to stop?" "No." Her consent was sharp, repeated, not an afterthought. We took each other in a way that asked permission and returned tenderness.

When it peaked, she said my name like a prayer and I said hers like a plea. Her body was warm and real under my hands. I felt the friction of wanting and also the ache of leaving braided together. After, we lay tangled, breathing a ragged truce.

I pulled out the small leather pouch from my pocket. It was heavy with the sound of home: a tiny talisman my mother had given me the night she kissed my forehead and told me to be careful. I hadn't meant to take it out. But the gesture was necessary, a small, private religion.

I placed it on her pillow with more gentleness than I gave to most people.

"What's that?" she asked.

"A promise I can't keep," I said, uselessly honest.

"Don't," she warned.

"I have to go," I said. "I can't be the thing that gets you taken apart."

She reached for my hand and held it. Her nails left crescents on my palm. "You think leaving keeps me alive," she said. "You think absence is protection."

"Sometimes it is," I said.

She laughed, a broken sound. "You're a selfish saint, Dante. You think the best thing you can do is hide. The best thing you can do is stay and fight."

"That fight is bigger than me," I said. "And I am its fault."

She tightened her fingers. "Then fight with me, or fight to stay. Don't choose exile and call it mercy."

I wanted to. I wanted to promise and collapse into that want. Instead I stood. I dressed in silence. She watched me, eyes burning with a thousand little accusations and a softer thing I couldn't name.

"Leave it," she said, nodding at the talisman.

"I won't forget you," I said.

"You never forget," she said, and the truth in that hurt like a blade.

I moved to the door and paused. For a second — a stupid, human second — I thought about turning, about taking her back into my arms and letting the family, Marco, the city, decide how to answer that. I thought about her face when I kissed her name, about the way she had fit into my ribs.

I stepped into the corridor. The penthouse door closed behind me with a click that sounded like a verdict.

My phone buzzed in my pocket as I hit the stairs. One message, one damned message from a number I didn't want to see.

Marco: You remember the terms.

I felt the old anthrax of guilt bloom in my gut. I didn't look back. I wanted to. I wanted to turn and fight, to tell her it wasn't exile I wanted but a chance to save her without being her ruin.

Instead I walked away. The rain began as a whisper against the city, and my shoes hit the pavement. My palms itched for her. My chest felt hollow and loud.

I kept moving until the door closed behind me and I could no longer hear her breath. The talisman on her pillow would be small comfort. The question was whether she would accept it — or find me and refuse to let me leave her life.

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