Chapter 35

NICO

The front door of the main house goes down in one breath.

Marco’s team moves through it and I move with them and the front parlor opens before us and the two men in it are already down by the time I clear the threshold.

I do not look at them. I look at the table by the wall.

A soft-boiled egg in its cup, half-eaten.

A spoon at the rim. A cup of coffee going cold. Chicory. The Bratva blend.

He was sitting here when we breached.

He heard us coming and he didn’t run.

That’s the first thing that is wrong.

The library is next. Weapons store now, the books replaced with cases. Two more of his men. Marco’s team has them before I reach the doorway.

I walk past without slowing. The corridor.

Original wood floors, the boards loose in exactly the places Yelena said they would be loose.

Yelena walked these floors. She mapped them in the Moscow safehouse, drunk on cheap vodka in the dark of the morning, telling me every board, every room, every sight line.

She got me here. She planned every step of this.

The corridor ends at the dining room door.

It is open.

I walk in.

The room is longer than I expected. The chandelier. The maps on the table. And then him, at the head of it, and my body goes very, very calm the way it does when something I have been bracing for finally arrives.

Alexei is at the head of the table.

Restrained. Alive. Silk robe over a white shirt and pants. The gray at his temples thicker than before. The hands bound behind the chair back. Two of Marco’s men at the corners of the room, one at the door.

The eyes have not changed.

That is the thing about Alexei Morozov. Everything else on a man changes.

The face softens. The body slows. The voice loses certainty.

His eyes have not changed in the years since I last stood in a room with him, and they are the same eyes that watched Yelena die and calculated, even then, exactly how much of what I was seeing he could use.

The smell hits me before I am ready for it. Damp stone and closed air, the concrete room flooding back, and I breathe through it before it takes me under.

In for four. Out for four. My hands are at my sides. My face is the Consigliere’s face. I have been wearing it since I was twenty-three years old and if I let it slip now, in this room, in front of this man, everything Yelena died for goes with it.

He watches me put it on. His mouth moves.

“Nico.”

Not a greeting. A tool. The way he says it, flat and deliberate, like he owns the name.

I do not answer.

I cross to the position Yelena’s schematic called for. Two steps from him. Outside his reach if the restraints go. I look at the maps on the table. Shipping maps. Three of them, weighted at the corners with the original salt-and-pepper set. A satellite phone face-down on a stack of papers.

He was on a call when we breached.

“Ty ne speshil.” You took your time.

I keep my eyes on the maps.

“Ya dumal, ty bol’she ne priyedesh’.” I thought you wouldn’t come. A pause. The temperature in his voice drops the way it dropped in the concrete room before he gave the order. “A long time to carry a dead woman’s name.”

My jaw tightens. I do not speak.

“I left her alive on purpose.” His English is perfect.

Unhurried. He uses it because he wants me to feel the threat in my own language.

“Did you understand that, in the room? I could have finished it quickly. I chose not to.” The pause is surgical.

“I wanted you to watch. I wanted you to sit in that chair and feel every second of what you couldn’t stop.

” He tilts his head. “You were supposed to break. Most men do.”

Milochka. Find Milochka. Promise me.

I keep my eyes on the maps.

“My man didn’t check in.” A flat statement. “That’s how I knew you walked out. One guard, one prisoner, and somehow the prisoner left and my man didn’t.” A pause. “I thought about that for a long time. What kind of man does that, in that condition, after what he watched.”

The maps on the table are Yelena’s. The shipping routes she traced through months of fieldwork.

The financial threads she documented before she died.

Alexei has been making decisions with them for years and never known she sent copies to me before the end.

He has been running her intelligence without knowing it belonged to her.

She got him here. Not me. Her.

“Where is she?” Still that tone. Still curious.

Still patient. “I have been wondering if she survived what I put her through. The network is not kind to girls who think too much of themselves. Dmitri’s daughters both had that problem.

He raised them to believe they were more than they were. ” He tilts his head. “Is she broken?”

I look at the salt-and-pepper set on the maps.

He is trying to crack me before she arrives. He knows what my sending for her means. He is calculating: if he can make this room about Moscow instead of what is about to happen here, he walks out of this with Nico Santoro’s guilt on his hands and Mila’s arrival meaning nothing.

He will not.

“Nichego ne skazat’?” Nothing to say? He leans forward the inch the restraints allow.

“You were a different man in Moscow, Nico. You spoke then. You argued. You made promises you couldn’t keep.

” The voice drops quieter. “I remember the sound you made when she went down. I’ve kept it. For difficult days.”

The air in the dining room is very still and I am not going to let him see what that sentence did to me.

My hands are at my sides, open, flat, loose. I breathe. I count. I stay in the room and I do not go back to the concrete floor and I do not hear Yelena’s voice and I do not let this man touch the years I have been carrying because they are mine and they do not belong to him and they never did.

“You’re quiet.” Genuinely bemused now. “Interesting. I expected — “ He stops. The earpiece. He heard it. A change in my posture, some fraction of attention moving to the right side of my face, and he caught it before I could control it.

Marco. Earpiece. Quiet.

“Renzo and Mila at the oak alley. Ninety seconds.”

I keep my eyes on the maps.

“Ah.” The voice goes very still. “You brought her.”

He looks at the door for the first time.

The first real crack, not the half-second twitch I caught earlier, but a man recalculating, the patience fraying at the single edge he did not account for.

He believed she would be too broken. He believed the network would have done to her what it does to most.

He is about to find out that the girl he sold at sixteen is the one who ends him.

“She won’t be able to look at me,” he says, and there is something in his voice now that was not there before — the faintest edge of something that is not certainty. He is trying to convince himself as much as me. “She has never been able to. Even as a child she — “

He finds what he is looking for. The patience settling back into place, the calculation completing, the man deciding which knife to pick up next.

“You know what you did, don’t you.” Not a question.

The voice of a man reading a room. “Yelena was safe. Years of safe. Unhappy, yes. Compromised, yes. But alive, and mine to manage, and not a problem I had to solve.” He lets that land.

“Then you came. A man from New Orleans with a family name and a clean suit and a promise she wanted to believe. You put the idea in her head that she could leave. That someone from outside would come and take them all away and she would be free.” A pause.

One word at a time. “She moved because of you. She died because you made her hope.”

My jaw is tight because he is not wrong and we both know it.

“You know our world, Nico. You have been in it since you were a child. You know what it costs to move against a Pakhan. You knew it in Moscow and you offered her the deal anyway because you wanted the intelligence and you were willing to spend her life to get it.” His voice drops quieter.

“You didn’t save her. You used her. I just finished the job. ”

That’s not—

It is partly true and I know it is partly true and I have been living inside the partly-true version for years and I cannot fully argue with it and he knows I cannot fully argue with it and that is exactly why he said it.

“And now.” He tilts his head toward the door.

“You’ve done it again. Another Zakharov girl.

Another promise of safety from a man who lives in violence and calls it protection.

” The voice is almost gentle. Almost regretful.

“She is going to die because of you. The same way her sister died because of you. You walk into women’s lives and you light them on fire and you call it love. ”

The room goes white.

Not the walls. Behind my eyes. Everything I have been holding since the concrete room, everything I buried and carried and performed over for years, and it has been waiting for exactly this sentence, this man’s mouth on her name.

I am around the table before I have decided to move.

My fist connects with his face and the operator at the corner is still turning when I hit him again.

The crack of it. His head snapping left.

The chair scraping back. Blood at his mouth immediately, the split lip opening fast, and I hit him again before he can turn back, this one at his eye socket, and he goes the other way and the chair nearly goes over.

“Nico.”

Marco’s voice in the doorway. Flat. Not a warning. A fact.

I don’t stop.

My hand in the collar of the silk robe, his face level with mine, the blood from his mouth on my knuckles, and I am going to keep going until there is nothing left of this face, until the voice that has been living in the back of my throat for years goes quiet, until I have taken back every single thing this man took from Yelena and from Mila and from me in a concrete room in Moscow while I was held down and made to watch—

Marco’s hand on my arm. Hard. Pulling.

“Nico. She’s here.”

Two words.

I stop.

My chest is heaving. My knuckles are split and wet. Alexei’s head hangs forward, blood dripping from his chin onto the silk robe, one eye already swelling shut. He is breathing. Alive. He has to stay alive for Mila.

Marco pulls me back another step. I let him.

I straighten. I roll my shoulder. I look at my hand, the blood there, his not mine, and I close my fist and open it and close it again and breathe until the white recedes and the room comes back and I am the Consigliere again, or near enough.

I turn my head toward the door.

The gravel outside. The oak alley. The cadence of boots I have memorized in the compound hallways, late at night, coming to find me.

Then her. The soap from the compound. The faint warmth of her reaching me before she crosses the threshold, the smell I have been falling asleep beside for weeks, and everything in me goes quiet the way it only goes quiet for her.

All of it, the blood on my hand, the white behind my eyes, Alexei’s voice and the years it has lived in me, goes still.

She is here.

If ads affect your reading experience, click here to remove ads on this page.