17. Luna

LUNA

I've been handled my whole life. I didn't survive a crime war to be handled by a man who kisses like an apology.

Except he hadn't kissed me yet. That was the joke I kept telling myself in the dark of the compound's east room, hunched over a screen that had gone quiet on me twice in twelve hours.

The first silence belonged to Shadow. I'd asked him the plainest question I owned, whether he had ever lied to me about who he was, and I'd watched the little cursor blink and blink and never turn into words.

The second silence belonged to Ethan, whose channel had been a tomb for days.

So when Ethan's name lit up my private thread near dawn, I nearly knocked the water glass off the desk lunging for it.

His first message was an apology. "Luna. I know I went dark. I'm sorry. It wasn't safe to talk. Please read all of this before you decide I'm a coward."

Then the rest came fast. "I found something.

Not a rumor. A person. He worked intake at a data farm that Nightjar bought out four years ago, and he remembers a kid who would not stop asking about a sister named Luna.

He remembers because the kid drew a helix on the wall of the room they kept him in. "

My hands went cold. Danny used to doodle that same double coil in the margins of everything, on the back of my hand with a ballpoint when I was scared, on the fogged window of our foster placement so I would have something to trace.

"He's willing to talk," Ethan went on. "In person, one time, no phones.

There's a shuttered laundromat off the old canal road, back room, tomorrow just after dark.

He'll only sit down with you. Not a handler, not a bodyguard, you.

He's as scared of your Bratva as he is of the people who took your brother.

Come alone or he walks, and Danny's trail dies with him. "

Then came the closer. "I wouldn't ask if I didn't believe it. You're the only person from before who ever told me the truth about anything. Let me give you something back."

I read it four times. I read it the way you press a bruise to check it is still real.

Every wrong note was there if I wanted to hear it: the convenient helix, the insistence on alone, the whole thing shaped like a key cut for exactly my lock. I knew what a lure looked like. I had built HELIX to strip the paint off men who baited hooks like this for a living.

And still, my brother had drawn our secret sign on a wall in the dark and asked for me, and some starving animal part of me stood up in my chest and started planning a route to the canal road before my brain could file a single objection.

I sat with the compound sleeping around me and I did the math on how to slip out.

Kirill patrolled the north gate in ninety-minute loops.

There was a service door past the laundry that Baba Luda propped for the delivery of bread.

I could be through it and gone before anyone counted heads.

I would burn this whole fortress down for one hour in a room with someone who had seen Danny's face.

That wasn't a decision. That was gravity.

I was pulling my boots on when the door opened without a knock.

Pavel filled the doorway the way bad news does, all at once and impossible to talk around.

He was dressed, which meant he hadn't been sleeping either, and his eyes went from my face to my boots to the glowing thread on the screen behind me, and I watched him read the whole story in about two seconds.

"Don't," he said.

"You don't even know what it is."

"A laundromat off the canal road. A man who only meets the girl, never the guns.

A detail about your brother sharp enough to cut a vein.

" He crossed the room and turned the monitor toward himself without asking.

"It's Cole. And it's a trap, and it's a good one, because it was written by someone who studied you. "

Color climbed my neck fast. "You read all that in two seconds?"

"I've been reading Cole since the night we got hit." He said it flat, like it was a thing I already owned, and that was worse. "The credentials that came through during the assault routed through his channel. I've had Zoya tracing him since. His silence wasn't fear, Luna. It was a pause to reload."

The floor tilted. "You've been investigating Ethan. Behind my back. This whole time."

"To protect you."

"He's my friend." My voice cracked on it and I hated that. "He's the one person from my whole ruined life who came back and said he believed me, and you were pulling him apart in the dark, and you decided I didn't need to know."

"I didn't have proof of intent. I still don't. I have a shape.

And the shape is a man aiming your dead brother at your chest like a rifle.

" Something ugly moved under his calm, and it wasn't fear for the mission.

It was older and dumber than that. "And you'd walk to him.

Alone. For a sliver of a chance to grieve in a nicer room. "

There it was: the jealousy, naked for half a second before he shuttered it, and God help me I clocked it, and it enraged me more, because it meant this wasn't clean, it wasn't only about keeping me alive.

"You don't get to do this," I said, standing so we were closer to level, which we were not, because he had almost a foot on me and a lifetime of learning how to end conversations with his body.

"You don't get to decide which of my griefs are safe.

You don't get to file my friend as a threat and keep the file locked and hand me the safe parts when it suits you.

I have been handed the redacted version of my own life since I was six years old.

Foster men, case workers, your Pakhan, all of them so sure they knew the safe amount of truth for the little girl to hold. "

"You're not a little girl."

"Then stop guarding me like one." I was shaking now, all of it coming up at once, the fury and the wanting braided so tight I couldn't tell which was pulling.

"You're thirty-eight and you're lethal and you've spent your whole life controlling every variable in every room, and I am a variable, and you cannot stand that you can't lock me down.

That's what this is. You'd rather cage me safe than lose me free. "

He went very still. When men like Pavel go still it usually means someone is about to get hurt, but this was a different stillness, the kind right before a wall gives.

"Yes," he said.

He gave me just the one word, and it knocked the next insult clean out of my mouth.

"Yes, I'd cage you. Yes, it's ugly. You want the real words, Luna, here they are.

" He didn't raise his voice. He lowered it, which was so much worse.

"I have buried people I was supposed to keep.

I learned young that the world takes what you love to teach you not to love it.

And then you walked into my compound with your terrible tool and your sharp mouth and your grief you carry like a knife you refuse to put down, and I did the one thing I swore I'd never do again.

So no, I cannot watch you walk into a room built to kill you.

Not because you're a girl. Because I would not survive it.

That's the thing under the control. I can lose the war. I can't lose you."

The room got very quiet. Somewhere far off a pipe knocked. My anger was still there, but it had nowhere to stand anymore, because he had stopped defending the cage and just shown me the terror it was built to hold.

"You don't get to say that to win," I whispered. "You almost kissed me and you walked away and you never told me why, and now you say you can't lose me. Pick a lane."

"I know."

"You can't just..."

"I know," he said again, and then his control broke, and I felt it break, I saw the exact second the discipline he had worn like armor his whole life simply came apart in his hands.

He kissed me.

It wasn't the kiss I'd been half building in my head for days, the triumphant one, the finally.

His hand came up to the side of my face like he was catching something he had already decided he shouldn't hold, and his mouth found mine slow and certain and then not certain at all, and it was heat, God it was so much heat, but under the heat there was something bent double with sorrow.

He kissed me like a man saying goodbye to a version of himself, like there was a truth in his throat he was swallowing whole so it couldn't get out into the air between us.

I tasted the weight of it. I curled my fist into the front of his shirt and pulled him closer, and he made a low sound against my lips that was almost pain, and even as I opened to him, even as my whole body lit and leaned and wanted, some watchful part of me stood off to the side and took note: that an apology was soaked all the way through it, that he was kissing me and grieving me at once, and I couldn't for the life of me name the thing he seemed to be sorry for.

When he pulled back he pressed his forehead to mine and breathed like he had run somewhere.

"Okay," I said, unsteady. "Okay. So you lock the doors and I sit here and hate you safely. That's the plan."

"No."

I blinked up at him. "What?"

He stepped back. It cost him. I could see it cost him, the way stepping off a ledge costs you, and he did it with his eyes open.

"You're right about one thing. It's your grief.

It's your brother. It's your call." His jaw worked.

"If you decide to go, you don't go alone.

You go with my people in the walls and a way out in your pocket and me close enough to reach you.

But the deciding is yours. I won't take it from you.

I won't be one more man who handed you the redacted version. "

"You think it's a trap."

"I'm nearly certain it is." His voice roughened. "And I'm giving you the choice anyway, because taking it would make me exactly what you said I was. So choose, Luna. I'll follow you into it either way."

I stared at him. This was the man who controlled every variable, who couldn't stand an unlocked door, and he had just picked up the one thing he was most afraid to lose and set it in my open hand and stepped back from it.

I saw what it did to him to do that. His whole body was a fist he was refusing to close.

And I understood, standing there with my mouth still warm from him, that I was falling, not the careful kind but the kind you don't climb back out of. He had handed me my own freedom while it terrified him, and nothing in my entire managed life had ever hit me so hard as being trusted like that.

And in the very next heartbeat, so fast it stole my breath, the guilt came.

Because eight months ago I'd given a piece of myself to a man on a screen I had never touched, a voice in the dark called Shadow who knew the shape of my grief better than anyone alive, and the night before, that man had gone silent when I asked him for the truth.

And here I was with someone else's kiss on my lips and my heart tipping toward the man in the room.

It felt like a betrayal. It felt exactly like cheating, like I was two-timing a ghost I had never even seen, and the shame of it sat in my chest right beside the falling, the two of them wound so tight I couldn't have pulled them apart with a blade.

I didn't know. I couldn't have known. I looked at Pavel and ached for a faithlessness that didn't exist, mourning a man I had never lost, in the arms of the one I was already losing myself to, and I had no idea at all that they were the same.

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