Chapter 19 #2
The baggage told an interesting story of its own.
Portia and I used similar trunks, of excellent make and quiet colour, discreetly marked with our ciphers.
Sir Cedric, on the other hand, had an enormous boat of a bag, peacock-blue leather stamped with his monogram in gilt letters six inches high.
Ludlow’s was a sober affair of brown calf, a small portmanteau barely adequate for a gentleman’s wardrobe.
It was mute testimony to his poverty, but at least he had a portmanteau at all.
Lucy and Emma had nothing here, I realised as I searched.
I had seen them thus far in only two dresses each, and it occurred to me then that was likely all they had.
Plain, sober colours for evening, and serviceable wool for day.
With a pair of stout walking boots each and a pair of evening slippers, this was their wardrobe.
I glanced again at Sir Cedric’s exotic baggage and shrugged.
I could well understand Lucy’s attraction to him.
He had spent more money on that single trunk than Lucy had seen in her entire life, I would wager, and when she married him, she would command a sizeable part of that fortune.
Such a man would wish his wife to be dressed in the first rank of fashion, noticeably, gaudily even.
After a lifetime of living in the shadows, dependent upon the charity of others, the prospect of such riches would be heady.
I moved to Charlotte’s trunk. It was small and fashioned of pale kidskin and completely empty, as were the others I searched.
I even poked through my own and those of the rest of the party who had come from Italy.
I had a notion Alessandro would mind terribly if he found out, so I searched his quickly and closed it with a stab of guilt.
I could not truly suspect him of any villainy, but that was the difficulty with murder.
It took more than a life; it killed trust as well.
I now looked more closely at everyone, scrutinising those I had known well, wondering what secrets lay hidden that friendship or family bonds could not penetrate.
And what of other, deeper and more abstruse emotions, I wondered, staring at Brisbane’s bag.
That he felt some attraction to me, I had no doubt.
Neither did I doubt he was fighting it with every weapon at his disposal.
He claimed to blame himself for the calamitous end to our first investigation, for the danger to me, but I felt in my bones there was more to his aloofness.
I ran a hand over the soft black kidskin, as if touching his possession could teach me about the man himself.
I suppose I could justify opening the trunk on the grounds that I meant to search all of the bags in the lumber rooms, but the truth is far simpler: I wanted to know more of him, and I thought there might be the slightest chance some article left behind in the bag could give me some enlightenment.
As if a bottle of toilet water or a spare comb could interpret a character as complex as Brisbane, I thought bitterly as I threw back the lid, cursing my own foolishness even as I hoped for some bit of illumination.
What I found was no bottle of toilet water, no broken comb or discarded pair of boots. It was a gown, a white gown of sheerest gossamer laid over silk, trailing fingers of cloudy white like fog on a windy night.
I stared at it for a long moment, scarcely believing my eyes.
I reached into the trunk cautiously, as if expecting it to move of its own accord.
The silk was cold to the touch, and when I lifted it, it foamed up, springing to life.
I jumped back, then approached it again, poking at it with a nervous finger.
Something sharp jabbed into my flesh and I jerked it back, staring at the bright bead of blood welling on my fingertip.
I wrapped my handkerchief carefully about my finger and inspected the dress more closely.
Each layer was fitted with a thin bit of wire at the hem, a wire that could be bent to one’s whim.
The layers could be made to trail out, even when the wearer was quite still, and the effect would be one of ghostly movement.
I laid it aside and removed the rest of the contents.
There was a bit of black veiling, sheer but without sheen or pattern.
A headdress of sorts followed, more of the white silk overlaid with gossamer tissue.
And below this was the most interesting find of all, a pair of pattens.
I had not seen them since I was a girl. They were for country-dwellers, an apparatus to strap over the shoes on muddy days.
Put simply, they were soles on high iron rings, lifting the wearer out of the muck.
They made a tremendous clanging sound as one walked, but as I inspected the bottoms, I realised these would be perfectly silent.
They had been fitted with black felt soles, rendering them noiseless, even on the stone floors of the Abbey.
I sat back, staring at the bizarre collection before me. Individually, the pieces were unusual enough; together they made a ghost, dressed in trailing white draperies, features obscured by a bit of black veiling, pattens to make it seem as if the spectre were floating above the floor.
Somewhat against my will, I was forced to admire the ingenuity behind the costume.
I realised as I looked closely, it had been assembled from bits and pieces found at the Abbey.
The white costume was one Aunt Hermia had worn to a midsummer masked ball.
Titania, I think she was. The pattens had been long discarded.
Old-fashioned and ungainly, they had been decaying in the lumber rooms for years.
I remembered them from my childhood. The bits of black veiling and felt were easily explained as well—a mourning bonnet stripped of its veil, a wide hat cut into soles.
The whole had been cleverly done, and all of it from here in the smaller lumber room.
It would not have taken more than a quarter of an hour to effect the necessary modifications, and hey, presto, a phantom was born.
But who? And why hide the costume in Brisbane’s trunk?
The latter question was easier to answer.
Brisbane was clearly too large to be the ghost. If a white gown was found in his trunk, it might occasion some snickering, but no real danger to him.
It was a nasty prank on the part of someone who did not wish him well, but it would not do him any lasting harm.
The greater question was who? And as I packed the costume carefully back into the trunk, I realised there was but one way to find out.
* * *
Feeling pleased with myself in spite of the meagre results of my search—Snow’s bag had been empty as well—I hurried down the stairs.
I had just crossed the gallery with the intent of meeting up with Brisbane in the bachelors’ wing when I happened to glance down the gallery toward the ladies’ bedchambers.
A flicker of movement caught my eye as Charlotte’s door opened and a familiar black head edged out.
Just then, I heard a footstep rising on the stair and leaned over the banister to see who approached.
“Charlotte!” I cried, rather more loudly than necessary. From the tail of my eye I saw the black head disappear and the door to her room close swiftly.
Charlotte nodded at me as she gained the gallery. She looked rosy from her outing on the boundary wall, her hands still tucked into a dainty muff of squirrel fur.
“I hope you have had a pleasant walk,” I said, my eyes lingering on a hairpin dangling just above her ear, the curl above it threatening to escape.
She did not flush, but I noticed her lips were pinkly moist and a little swollen. She licked them before she replied.
“Very pleasant, thank you.”
I dared not let my gaze slide past her shoulder for fear she would turn.
I detained her for a moment, asking inane questions about her comfort—Had she enough to eat at luncheon?
Was her bedchamber warm enough?—keeping my eyes firmly fixed on her face.
She replied that she was quite comfortable, and we exchanged pleasantries.
A few minutes’ worth of imbecilic conversation was all the situation required, I decided, and I was just about to take my leave of her when she laid a hand on my sleeve. Her expression, sweetly placid before, had taken on an anxious cast. Her eyes darted about, as if she feared to speak freely.
“My lady, I wonder…” She broke off, worrying her lip with her tiny, pearly teeth.
“Yes?” I prodded. The great irony of Charlotte King’s character was that when one craved silence, she chattered like a monkey, but when one wished her to speak, she was silent as an oyster. I gave her an encouraging smile, determined to pry her open.
She twisted her hands together. “I feel a vile creature for even suggesting such a thing, but I did wonder—the death of the curate, the disappearance of Lady Dorcas, the theft of the Grey Pearls—these terrible events might possibly be connected.”
I resisted the urge to pinch her for pointing out the obvious. It was unfair to expect her to handle these developments with any sort of equanimity. Those of us born into the March family enjoyed a long and illustrious heritage of drama and disaster. I endeavoured to explain this to Charlotte.
“My dear, of course they are connected. They all happened here, in our family home. But you must realise such things have been happening to us for more than three hundred years, and for four centuries before that prior to our taking up residence in the Abbey. One has only to read a history of the March family to see that we are an unprincipled, unpredictable lot. There have been beheadings and elopements, abductions and accidents. We are rather too accustomed to such things, I suppose.”