Chapter 4 LILY

LILY

"...Happiness hit her like a bullet in the back…"

Florence and the Machine fills my ears, bright and soaring, while I stand frozen in a doorway staring at three men who look just as shocked to see me as I am to see them.

The music wraps around me like insulation. Like safety. Like the world can't touch me as long as the sound keeps playing. It's been my soundtrack all day. Through the grocery store shift that started at seven this morning. Through the bus rides across town for the concierge service.

But now the optimism in the lyrics feels wrong. Misplaced. Florence doesn't know what room I just walked into.

This morning, I was packing my backpack for the day. Double-checking that I had everything. Headphones. Wallet. Keys. Protein bar because I wouldn't have time for lunch. That's when I saw it.

The bottle.

Macallan Sherry Oak 25. Tucked in the side pocket where I'd stashed it two days ago for safekeeping.

My stomach dropped so fast I thought I might be sick.

I was supposed to leave it at the last apartment. I forgot it.

The bottle is obscenely expensive. And if the client thought I stole it, if they reported it, I'd be fired. No explanation. No second chance. Just gone.

I can't be fired.

Not now. Not when I'm weeks away from handing over the keys to the only home I've ever known. Not when I still haven't figured out where I'm going to live or how I'm going to afford it. Not when my savings account is so close to empty that one unexpected expense could wipe me out completely.

I called my boss. Tried to sound calm. Professional. Like I wasn't thirty seconds away from a full panic attack.

She told me to breathe. That it was fine. The clients weren't arriving until tomorrow afternoon. Just drop the bottle off tonight. Problem solved.

So I decided to go straight after my shift. Fix the mistake. In and out.

I punched in the code. The lock disengaged with a soft click. The door swung open into darkness.

I didn't think twice. Just walked in. Headed straight for the living room where the bar cart was.

And found them.

"...The dog days are over…"

Florence sings it like a promise. Like something good is coming. Like the hard part is behind us and all that's left is light.

But standing here, staring at three men whose stillness feels more dangerous than movement, I'm pretty sure she's wrong.

Their postures are too controlled. Too ready. Like they're waiting for a reason to move.

The one closest to me is tall. Older than the other two.

Around forty, maybe. Broad through the shoulders.

His face is weathered, lined in a way that says he's spent a lifetime outside.

Or in places that age you faster. Light brown hair.

Stubble along his jaw. His eyes are steady.

Watchful. He looks at me like I'm a problem he needs to solve.

The one on the left is the biggest. Tallest. Most physically imposing in a way that makes the room feel smaller.

Part of his head is shaved. Tattoos crawl up his neck, dark lines that stop just below his jawline.

Pale blue eyes that cut through the dim light like a blade.

He's staring at me with an expression I can't name.

Not surprise. Not anger. Something sharper.

Something that makes the hair on the back of my neck stand up.

The third man is standing too. But his posture is wrong. Stiff. Like he's bracing for something. Dark hair. Strong features. Sharp jawline. Green eyes that should be looking at me but aren't.

They're focused somewhere past my shoulder. Above my head. He's blind.

They're all intimidating. All dangerous in a way I can't articulate. All unsettlingly attractive, though that feels like the least important thing I should be noticing right now.

The biggest one takes a step forward. His mouth moves.

I can't hear him.

The music is too loud. My heart is too loud. Everything is too loud.

My brain finally catches up to my body. I reach up, yank the earphones out.

The music cuts off.

The silence that replaces it is violent. Oppressive. Like someone turned off all the sound in the world and left me standing in a vacuum.

"Who are you?"

The big one's voice is rough. Amused. Like this is entertaining.

I open my mouth. Nothing comes out. My throat is too tight. My lungs too empty.

He smiles. Slow. Predatory. "You look lost. Should you be here?"

"I'm Lily." The words tumble out too fast. Too high.

"I work for the concierge service. I forgot the bottle.

I was told that nobody would be home. I'm so sorry.

It was a mistake. Please don't get me fired.

I was told nobody would be here until tomorrow.

That's why I used the code. I wouldn't have come in otherwise.

I swear. I was told the apartment would be empty. "

I'm repeating myself. I know I'm repeating myself. But my mouth won't stop moving and my brain won't tell it what to say.

The older one steps forward. His voice is calm. Controlled. Final. "We changed our arrival date. You weren't informed."

I nod too fast. Too many times. "I'm sorry. I'll leave. Right now."

The big one moves closer. Too close. The kind of close that invades space without touching.

He reaches out.

For a second, I think he's going to grab my wrist.

But he doesn't. His fingers brush mine as he takes the bottle from my hands. The touch is brief. A second. Maybe less.

But I feel it everywhere.

A jolt that runs up my arm and spreads across my chest. Pure reaction. Involuntary. The kind my body delivers without asking permission.

I don't want to react to him. But I do anyway.

He grins like he felt it too. Like he knows exactly what just happened. "No harm done. Especially when you're delivering my favorite."

I blink. My thoughts stutter. Restart. "Your favorite?"

He holds the bottle up to the light. "Excellent taste."

I don't know what to say. Don't know if I'm supposed to say anything.

His eyes drop to my other hand. "What's that?"

I glance down. The loaf of bread. Wrapped in brown paper. I'd forgotten I was holding it.

"Fig and black pepper bread," I say. My voice sounds steadier now. Almost normal. "I baked it this morning. It pairs well with the whiskey. With the blue cheese or prosciutto I stocked yesterday."

I shift my weight. Angle my body toward the door. "I'm really sorry for interrupting. I'll go now."

I take a step.

He moves into my path. Not aggressive. Not threatening. Just there. Blocking the exit without making it obvious that's what he's doing.

"Hold on." His smile widens. "What you just described sounds… mouthwatering."

He glances at the other two men. The older one's face is stone. The blind one's jaw is tight enough to crack teeth.

"Problem is," the big one continues, looking at me now, "we wouldn't know where to start. Would you mind putting something together for us?"

The blind one speaks for the first time. His voice is cold. Flat. A command, not a suggestion. "That's not necessary. Leave the bottle. Go."

The big one looks at the other men. Something passes between them. A challenge, maybe. A warning. "We still have business to discuss." Then his eyes land on me. "And I'm starving. We'll pay you, obviously."

There's something happening here. Something beneath the words. The tension between them is suffocating. The way the older one has positioned himself between the other two like a barrier. The way the blind one's hands are clenched into fists at his sides.

I should leave. Walk out. Forget this ever happened.

But if I leave now, after barging in unannounced, after interrupting whatever this is, my boss might decide I'm not worth the trouble. Might decide the company is better off without someone who makes mistakes like this.

And I can't afford to lose this job.

"You don't need to pay me," I say quickly. "I'll put something together. It won't take long. I'll be out of your way before you know it."

I don't wait for permission. Just turn and head for the kitchen.

Behind me, I hear voices. Low. Urgent. Arguing. I can't make out the words. Just the heat of them.

I focus on the task in front of me. Open the refrigerator. Pull out the blue cheese, prosciutto. Find the balsamic in the cabinet. Grab a cutting board. A knife.

My hands are still shaking. I press them flat against the counter. Force them to steady.

Then I start working.

Slice the bread. Thin, even pieces. The rhythm is familiar. Comforting. Muscle memory taking over where my brain left off. This, I know how to do. This, I'm good at.

Arrange the slices on two wooden boards. Lay prosciutto on some. Crumble blue cheese, drizzle balsamic, add a crack of black pepper.

Tapas style. Simple. Fast. Professional.

The smells ground me. Pepper. The sharp tang of aged cheese. The sweet burn of balsamic reduction.

I can fix this. I can make this right.

I carry the boards back to the living room. The men are seated now. Around the ottoman. The tension hasn't lessened. If anything, it's thicker. Heavier.

I set the boards down carefully. Then I crouch beside the blind one. Keep my voice low. Soft.

"The board is right in front of you," I say quietly. "Blue cheese with balsamic on your left. Prosciutto on your right."

He goes completely still. Every muscle locked.

I straighten up.

The other two are staring at me. The older one's expression is unreadable. The big one looks surprised. Intrigued. Something else I can't name.

Heat crawls up my neck. Did I do something wrong?

"I'm sorry," I say automatically. "I should go."

I grab my bag from where I dropped it near the door. Shove my earphones into the front pocket. My fingers fumble with the zipper.

Then I walk toward the door. Not running. Not quite.

The lock clicks behind me. The hallway is fluorescent bright after the darkness of the apartment. I squint against the sudden light.

I lean against the wall. Let out a breath I didn't know I was holding.

That was wrong. All of it. The tension. The way they looked at each other. The way they looked at me. The silence that felt like a threat.

It’s done. Over. I don't have to see them again. A strange moment I can forget about as soon as I get home and collapse into bed.

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