Chapter 16

Gabriel

At eight forty in the morning, I sign the last page that removes me from the future I was raised to inherit.

At four in the afternoon, I stand at the back of a glass corridor and watch my sister walk toward the one she chose.

Emergency strips glow beneath low white roses. Battery candles warm the windows against the pale sea. Both exits remain clear. Every chair faces west.

Ivy built a wedding out of what the storm left her.

My job is smaller.

Keep the Ashford guests inside her rules. Get Beatrice seated before the family enters. Do not let the press outside become Emma and Daniel’s story. Do not make myself the reason anyone remembers today.

Emma reaches Daniel at the wide center panel. He takes both her hands. She laughs before the officiant finishes the first sentence, and Daniel laughs with her.

The chairs that would have belonged to Helena and Celeste are gone.

Emma promises to say what she needs before resentment says it for her. Daniel promises that love will never require either of them to become less visible.

I keep my attention on my sister.

It finds Ivy anyway.

She stands near the west exit in a deep blue dress, one hand resting beside the radio clipped discreetly at her waist. The narrow dressing on her forearm disappears beneath the sleeve. She watches the aisle, the doors, the staff, and the couple in that order.

Then Emma says, “I do,” and Ivy smiles.

Daniel kisses his wife while the corridor fills with applause.

Outside the property line, three news vans wait on the coastal road.

I see them when the guests move into the ballroom for cocktails. So does Uncle Frederick, who catches my arm before I reach Beatrice.

“Shouldn’t your people clear that?” He nods toward the windows. “Someone will get a photograph before dinner.”

“Seabriar security is enforcing Ivy’s media rule,” I say. “Stay inside the marked guest areas and don’t speak to the press.”

“But if they approach the family—”

“You follow Ivy’s rule.”

I remove his hand from my sleeve and give the same answer to five more relatives. I do not call security or offer the press a statement.

The vans get photographs of the sea and the gate.

Inside, Emma and Daniel enter the reception to a roar.

Daniel steps on Emma’s dress during their first dance. She announces that annulment remains available, and he kisses her until she laughs.

The room belongs to them.

I sit with Beatrice, confirm her nurse has the evening schedule, and answer two questions about tomorrow’s transportation. I do not toast. I do not approach the microphone. I do not ask Ivy for a private minute.

Ivy crosses the room around me for nearly an hour. Each time, I remember the word that stopped me and the trust required to say it.

Emma appears beside my chair while the band changes songs.

“I have a request,” she says.

“Today suggests I should agree.”

“It isn’t for you.”

Of course it isn’t.

Emma turns as Ivy approaches with a seating card in one hand.

“The band owes me one song because Daniel tried to bribe them with eighties power ballads,” Emma says. “You can say no. I am not matchmaking, healing the family, or deciding what it means.”

Ivy looks at her. “Did you rehearse that?”

“Daniel made flash cards.”

Across the room, Daniel raises his glass.

Ivy’s gaze comes to me.

I stay seated. “You don’t owe me a dance.”

“I know I don’t.”

The answer is quiet. Certain.

Then she sets the seating card on the table and holds out her hand.

I take it only after she leaves it there.

The band begins something slow. Ivy places one hand on my shoulder. I settle mine at her waist and leave room for refusal.

She closes some of it herself.

My body recognizes the exact distance.

Recognition is not a promise.

We move through half a verse before she speaks.

“You’re still leaving after the reception.”

She saw the form.

“Yes.”

“No meeting requested.”

“I had no right to make you manage my goodbye.”

Her fingers tighten once against my shoulder. “What happens when you get back to Manhattan?”

This is not the place I would have chosen to tell her. It is the first time she has asked.

I give her the answer without dressing it as a gift.

“This morning I made every decision final. I resigned from Ashford Grand and gave up the succession and the family vote.”

Her step misses half a beat, then recovers.

“This morning?”

“At eight forty. Tomorrow I confirm it publicly, but nothing can give it back.”

“Before the wedding.”

“Before I knew you would speak to me today.”

“Tomorrow’s appearance?” she asks.

“The decisions are already effective.”

“And the divorce?”

The word lands between our bodies without moving them apart.

“I will sign without conditions. You do not have to attend tomorrow. You do not have to watch.”

Her face remains controlled. Her thumb presses once into the fabric at my shoulder.

“You don’t get to make any of that sound noble.”

“I’m not trying to.”

“Then what are you trying to do?”

“Answer what you asked.”

I do not tell her what the signatures cost. The consequences belong to me.

The song ends.

I release her before the applause starts.

“Thank you for the dance,” I say.

Ivy looks at me for one long second.

Then she picks up the seating card and returns to her reception.

At eleven fifteen, I close the staff-cottage door behind me. My suitcase is packed. The car is scheduled for six thirty.

I take off my jacket and leave my phone facedown.

I do not send a message.

I do not ask for one more thing.

* * *

The knock comes at eleven thirty-seven.

I know it is Ivy before I open the door. No one else at Seabriar knocks twice with that exact, impatient pause.

She stands beneath the cottage light in the same blue dress. Her hair is loose now. The staff radio is gone.

For a second, neither of us moves.

“I saw your checkout form,” she says.

“I know that now.”

“I didn’t come because you filed those papers.”

“I believe you.”

Her mouth tightens. “Stop saying you know before I finish.”

“Go on.”

She steps into the cottage and closes the door herself.

“I still want you,” she says. “Tonight, I am taking that much for myself. It is not forgiveness. It does not stop the divorce.”

Hope rises anyway. I let it rise. I do not hand it to her as a responsibility.

She takes my face in both hands and kisses me.

The first contact is hard enough to push me back one step. I catch myself against the table instead of closing my arms around her. Ivy follows, tasting of champagne and mint, and opens two buttons of my shirt.

I touch her waist over the dress. She leans into my palm, then turns her back to me and gathers her hair over one shoulder. My hand finds the zipper.

I draw it down. She steps out of her shoes and catches the dress before it reaches the floor, laying it over the chair instead of beneath our feet.

The practical movement is so completely Ivy that desire cuts through me cleanly.

Dark lace covers her breasts and hips. The dressing on her forearm is clean and flat.

I kiss the skin above one cup. She opens the rest of my shirt, pushes it from my shoulders, and hooks one finger beneath the waistband of my trousers.

“Tomorrow is still coming,” she says.

The words cut. Her hand closes around me before I can answer.

Then she kisses me again, and tomorrow disappears.

My hands move over her back and waist. She unhooks her bra and presses into me, dragging my mouth to her breast. Her fingers tighten in my hair when I suck harder.

That small sound she makes destroys the last careful thought in my head.

I kiss down to the lace at her hips. She shoves it down, climbs onto the table, and pulls me between her thighs.

Her heel digs into my back when my mouth finds her. Her hand covers mine and drives my fingers deeper. Once. Again. Then even that rhythm blurs.

There is only heat. Her taste. My name breaking in her throat.

She comes hard against my mouth, body tightening around my fingers, and drags me up before the aftershock leaves her.

Her kiss is wet and furious. She pushes my trousers down, closes her hand around me, and walks me backward toward the bed without letting go.

We fall across it together.

Ivy pushes me onto my back and lowers her mouth over me. Heat closes around me. My hands knot in the sheets until she catches one and presses it into her hair herself.

That is the last clear thing I understand.

Her mouth. Her hand. The brutal pull low in my body. I say her name, but it breaks before the second syllable.

She leaves me shaking on the edge and reaches for the toiletry case. A packet lands against my chest.

The wrapper tears between us. She kisses me while I roll the condom on, impatient enough to make my hands clumsy, then straddles me before the empty foil reaches the floor.

Her hand closes around me. She holds my gaze for one raw second and lowers herself.

The old rhythm tries to return. Six years of instinct. Husband and wife. A reflex my body still mistakes for forever.

Ivy breaks it.

She moves the way she wants now—harder, then slow enough to hurt—her nails scoring my chest when I reach between us. Anger stays sharp in her mouth. So does hunger. Nothing about the way she takes me asks for tomorrow.

She bends to kiss me. The taste of goodbye comes back, and for one terrible second I can think again.

Then she drags my mouth to hers and rolls beneath me.

Her leg locks around my hip.

“Deeper.”

One word. It burns everything else away.

I drive into her. The bed strikes the wall. Her body rises to meet mine, demanding every stroke, and the room narrows to the place we are joined.

No past. No morning. No divorce papers waiting in my suitcase.

Only Ivy under me, around me, pulling me closer.

Her rhythm shatters. My name tears out of her. She locks around me and drags me in with both legs, and whatever restraint I had left goes with her.

Pleasure blanks my vision. I bury my face against her neck and come with her body still pulsing around me.

For several seconds, the only sound is our breathing and the distant sea.

I start to lift my weight from her.

“Stay.”

I do.

When I finally move, cold air opens between us. By the time I return from the bathroom, she has pulled the blanket over her bare legs.

“Move over.”

I do that too. Ivy gets in beside me. I switch off the lamp.

For a while, we lie without touching.

Then her hand finds mine beneath the blanket.

I turn my palm up. She threads our fingers together.

I do not turn it into a promise.

Sometime after two, she moves closer and rests her head against my chest. I put one arm around her. Her breathing evens out beneath my chin, and her body fits against mine as if six years have not ended.

Morning will prove they have.

I stay awake long enough to understand that she is giving me the night. The morning still belongs to her.

Then I sleep.

Morning enters through the uncovered windows.

Ivy wakes before the alarm. She showers first while I make coffee and put two glasses of water on the table. When she comes out wearing her dress from last night, the zipper is still open at the back.

She turns without asking.

I close it.

The gesture belongs to this morning only.

At six twenty, we stand beside my suitcase.

“Last night was real,” she says.

“Yes.”

“The divorce is real too.”

“Yes.”

Her eyes search my face for resistance.

It is there. I want to ask for time. I want to tell her a night like that cannot be the final shape of us.

Want is not authority.

“After the ballroom,” I say, “I won’t actively enter your life again. No messages through Emma. No manufactured reasons to come here. If you need something from me, your lawyer knows how to reach mine.”

Ivy’s jaw tightens. “You make it sound easy.”

“It isn’t.”

“Good.”

I take the suitcase handle.

She walks me to the cottage door.

Outside, the morning is clear and cold. The wedding flowers still glow behind the corridor glass. Staff are not yet moving through the main house.

The black car waits beside the gravel path.

Ivy stops at the threshold.

“Goodbye, Gabriel.”

I face her while I answer.

“Goodbye, Ivy.”

Then I walk to the car.

I do not look back. Looking back would turn departure into a question she has to answer.

The driver takes my suitcase and opens the rear door. I get in.

“Ashford Grand?” he asks.

“The ballroom entrance.”

The car turns toward Manhattan. Toward the same ballroom where I let the world call Ivy a thief.

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