26. Serena

SERENA

Iwake up to my husband holding our daughter.

That sentence should be simple. It is not.

Nothing about us has ever known how to be simple. We could turn a grocery list into emotional warfare if given the wrong lighting and one meddling widow with access to edited footage.

But for a few seconds, before my body remembers it has recently evicted a whole human, before my heart remembers every crack, I lie there and look.

Rocco is in the chair beside my hospital bed. Not asleep. Of course not.

His shirt is wrinkled. His sleeves are rolled to his elbows. His hair is a mess. There is a dark bruise of exhaustion under each eye, and his jaw is rough with stubble.

He looks terrible. Beautiful, obviously, because God is petty and gave him cheekbones even after everything. But terrible.

Cara is asleep against his chest. Tiny. Wrapped in the hospital blanket with the stripes. Pink little face turned toward his throat. One hand has escaped and is pressed against his shirt like she is already making demands.

Good. Start early, baby girl.

Rocco holds her like he’s been handed a bomb that breathes. Carefully. So carefully my throat hurts.

His other hand rests near the call button, not on it. Ready. Waiting. Like he has decided his entire job is to hear the first sound either of us makes.

Not because anyone ordered him. Not because the organization needs him to guard the next Castellano the way it guards a dock or a shipment.

There’s a man on the door for that—I can see his shoulder through the glass, and I stopped being frightened of that shape months ago.

This is different. Rocco wants to be first.

That thought is dangerous.

I let my eyes fall shut for one second. Nope. Still there when I open them.

Rocco. Cara. The soft gray morning light.

The storm has gone. Rain still beads on the window, but the sky is pale and tired. Same.

Lucia is asleep in the visitor chair with her coat over her knees and Rocco’s phone still in her bag, one strap looped around her ankle. She sleeps like a woman who expects theft, betrayal, or men.

Reasonable.

The room smells like hospital soap, coffee, and baby. Baby is a smell. No one prepared me for that.

Warm milk. Cotton. Skin. Something sweet and new because it belongs to me.

My daughter.

Oh. There it is. The tears.

I don’t even try to stop them. They slide into my hair because I am lying flat and dramatic.

Rocco sees immediately. Of course. His eyes lift to mine. His whole face changes.

“Pain?” he whispers.

I shake my head.

“Bleeding?”

“Normal,” I whisper.

“Dizzy?”

“No.”

“Hungry?”

I think about it.

“Violently.”

His mouth curves. Small. Careful because the baby is sleeping.

“Lucia saved three biscuits.”

“From who?”

“Me.”

“Good woman.”

Cara makes a tiny sound. Both of us freeze.

It is ridiculous. She is seven hours old and already controlling the room with one squeak. Queen behavior.

Rocco looks down at her. His face goes so soft I have to look away.

Not because I hate it. Because I love it. And loving it means something now.

My body feels like a house after a storm, windows open, furniture moved, water everywhere.

“How long was I asleep?” I ask.

“Almost two hours.”

“You held her the whole time?”

“Most of it.”

“Rocco.”

He looks wary.

“The nurse took her for a check beside the bed. Lucia held her for twenty minutes and claimed she didn’t like it.”

Lucia’s eyes open.

“I said no such thing.”

Cara stretches one tiny fist. Lucia’s face cracks.

“Fine,” she says. “Mild affection.”

I laugh, then wince. Everything below my ribs is offended by laughter.

Rocco starts to rise.

“Don’t,” I say.

He freezes halfway out of the chair. Cara continues sleeping like she didn’t just control a mafia boss with a twitch. Powerful child.

“I’m okay,” I say. “Just sore.”

He eases back down.

“Sore,” he repeats.

“Extremely.”

“Do you want the nurse?”

“No. I want food.”

Lucia sits up and rubs under her eye.

“Finally. Motherhood has improved your priorities.”

“I was always food-motivated.”

“True.”

Rocco reaches for the packet of biscuits on the side table with one hand while balancing Cara with the other.

The man can coordinate men across continents, but watching him fight a biscuit packet one-handed with a newborn on his chest is possibly the best thing that has ever happened to me.

He struggles for ten full seconds. The packet wins.

“The plastic is defective.”

“Obviously,” I whisper.

Lucia takes it, opens it in one clean rip, and hands it back.

“There. Try not to start a war with a snack.”

He offers me a biscuit. I take it and eat it like a starving raccoon. No shame.

I gave birth. I’m above shame and below dignity.

“Has your phone exploded?” I ask after the second biscuit.

Rocco’s eyes flick to Lucia’s bag. Not with longing. Habit. Then back to me.

“Probably.”

“Do you want to check it?”

His answer is immediate.

“No.”

Too immediate. I narrow my eyes.

“Truth.”

“Part of me wants to,” he says. “The part that counts fires and dead men and unwatched docks and thinks if I’m not personally holding the wall, every captain who ever knelt to my name starts sizing me for a grave.”

Lucia mutters, “Men and walls.”

Rocco keeps his eyes on me.

“But the bigger part wants to sit here and hold our daughter while you eat biscuits.”

Oh. That’s not fair. That’s too good for a woman wearing mesh underwear and sitting on an ice pack.

“Bigger part?” I ask, because I need to be sure.

“Much bigger.”

I believe him. That still startles me.

Belief with scars. It looks around first, then steps forward anyway.

“You should check eventually,” I say.

“Eventually.”

“The world didn’t stop because I had a baby.”

Cara squeaks.

Lucia says, “Rude. It absolutely should have.”

Rocco looks down at Cara.

“It did for me.”

My heart turns over. Careful, stupid thing. You have stitches in places. Maybe.

I’ve decided not to ask too many questions yet. The nurse said second-degree tear and repair and I said lovely and floated away mentally.

“Bring her here,” I say.

Rocco stands slowly. His side must still hurt. His face tightens.

“Stitches?” I ask.

“Sore.”

“Good answer.”

He brings Cara to me with both hands, careful as sunrise. The nurse helped me hold her earlier, but I was shaking and crying and half out of my mind from labor. This time I’m only tired, sore, and eighty percent made of feeling.

Rocco lowers her into my arms. My daughter settles against me with a tiny sigh.

That sigh destroys me. Completely.

There is no Serena before the sigh and Serena after the sigh. The old one is gone. Sorry to her. She had a good run and very nice hair on certain days.

“Hi,” I whisper.

Cara’s face scrunches. Her mouth opens. No cry. Just outrage in rehearsal.

“I know,” I tell her. “Everything’s bright and people keep touching you. Very rude.”

Rocco sits on the edge of the bed. Not too close. Close enough.

His hand rests near my knee on top of the blanket. I look at it. Then at him.

He starts to move it away. I put my hand over his. He stills.

Always that little stillness now. Like he’s trying to remember he’s allowed to receive too.

“You can touch the blanket,” I say.

His mouth twitches.

“Good to know.”

Lucia makes a gagging sound from the chair.

“I’m happy for you both in a deeply irritated way.”

“That’s your love language,” I say.

“My love language is people doing as I say.”

Rocco says, “Accurate.”

Lucia points at him. “Do not agree with me while looking pleased. It ruins the effect.”

Cara startles at the sound of Lucia’s voice. Tiny arms jerk. My heart leaps into my throat.

“Is she?—”

“Normal,” Rocco says quickly. “Startle reflex.”

He looks embarrassed.

“Binder.”

“Of course.”

She’s fine. Tiny. Startled. Fine.

My body doesn’t know how to accept fine yet. It wants to guard every breath with alarms.

Maybe that never stops. Maybe this is motherhood. Being cracked open and handed a person smaller than your fear.

There is a knock on the door. Not a medical knock. Softer.

Lucia stands before anyone can answer. She checks through the small window first. Then looks back at me.

“Matteo.”

Rocco’s hand under mine goes still. Not pulling away. Just still.

The old hurt. Jealousy. Fear. The part of him that hates another man’s name in this room. The part that’s human and not yet saintly, thank God.

But he doesn’t let it become my burden.

He only says, “Do you want him in?”

It takes me a second.

“Yes.”

Rocco nods. Not happily. But fully.

Lucia opens the door. Matteo steps in with flowers.

Not the Rafe kind. Thank God.

These are messy, bright, slightly too cheerful flowers wrapped in brown paper, and I know instantly Lucia bought them.

No man alive chooses flowers that look like a tiny farmers market exploded.

Matteo holds them in one hand because his other arm is still in a sling.

His bruises have gone yellow at the edges—Rafe’s men took a price out of him the night they came for Rocco, and he paid it without giving up a single name.

There is a small cut near his eyebrow. He looks tired, awkward, and so dear to me that I have to blink hard.

“Hi,” he says.

Of course. Everyone in this story has one opening line.

“Hi,” I whisper.

His eyes go to Cara. He stops walking. Everything in his face changes.

Soft. Painful. Not his. Still loved.

“Oh,” he says.

Just that. Oh.

Rocco’s hand stays under mine. Tension runs through him, but he doesn’t move.

Matteo comes closer slowly, like the baby might object. Honestly, she might. She’s new but powerful.

“This is Cara,” I say.

“Cara.”

“Cara Lucia Castellano.”

Lucia makes a sound from near the door. Still pretending she is not destroyed.

Matteo looks at Lucia, then back at the baby.

“Good name.”

“She screamed like she approved.”

“Smart girl.”

Cara makes a tiny grunt in her sleep.

Matteo smiles. It’s the kind of smile that hurts to see because it should have belonged somewhere easier.

To a man who didn’t love the mother. To a life where love arrives in neat little boxes and nobody has to stand beside a hospital bed pretending flowers are not a goodbye.

I look down at Cara because it is safer.

If ads affect your reading experience, click here to remove ads on this page.