18 #3
Ripley and I struck up an odd little friendship in the month or so I was there.
I never got the story on his personal life other than he didn’t seem to have one.
He was good to me though, in spite of my moods.
I never knew if it was because he felt sorry for me or grateful because of Duke or if he felt like he needed to keep an eye on me until the movie came out.
Maybe he was just a decent man. I had started to think of him as my uncle, just like Charlie had told me he was in the Algonquin all those lifetimes ago.
Ripley went out and picked up salads from one fancy restaurant or another and we ate them together in the evening, drank Chablis.
Sometimes we watched a movie but just as often we didn’t.
He liked to play honeymoon bridge and I knew how.
“The only ingenue in Bel Air who plays honeymoon bridge,” he liked to say while I shuffled the deck.
I always wanted a cigarette after dinner but the property had been scrubbed of tobacco.
Everyone who worked for Ripley had been instructed not to buy them for me.
“You look like an eighth grader when you smoke,” he said. “It’s not attractive.”
Which was how I quit. I didn’t mind too much, as smoking made me miss Duke.
Ripley didn’t talk to me about Duke but I knew things were in the works.
He’d sent a casting director out to Tom Lake to see the play and the next week a stack of headshots were left on the kitchen counter after a meeting and Duke’s was in there, just another pretty boy in a thick stack of pretty boys.
I took the picture back to the pool house and cried on it.
I was always thinking that he might come for me.
He must have known where I was, and showing up was the kind of thing he would do, walking into the pool house in the middle of the night, especially a pool house Ripley owned.
“Where’s my girl?” he’d call. “Where’s my birthday girl? ”
Ripley told me to keep the door locked but I never did.
My agent got me an appointment to see some big--time California hand and foot specialist who cut off the plaster cast, x--rayed my ankle, examined the incision, and reported with no small amount of wonder that everything looked fine.
He replaced the plaster with a lightweight fiberglass cast and gave me a walker, which made me feel born again.
I used the crutches for interviews because, as Ripley explained, crutches were sexy and youthful and walkers were walkers.
After two or three days, Ripley arranged a screening on the studio lot and we watched Singularity together with some friends of his and some studio people and some of the people in the movie, though not the famous actress, who was shooting in Quebec.
“She’s not in Quebec,” Ripley said, not bothering to lower his voice. “She just got wind of how good you are.”
I was good, or the person in the film who strongly resembled me was good.
She had just finished playing Emily in the University of New Hampshire production of Our Town .
She had taken a leave of absence from school four weeks before finishing her junior year and still had every intention of going back.
She had never heard of Duke or Sebastian or Pallace, did not know Tom Lake existed.
Seeing the movie made me think that it wouldn’t be so hard to get back to that place. Three years wasn’t such a long time.
I did the interviews on crutches and everyone was charmed.
I crutched out on The Tonight Show in a hot--pink sleeveless dress, my good foot in a ballet slipper, my arms all muscle and sinew.
I crossed a stage with a nice, rhythmic swing and dropped down in the chair next to Johnny Carson.
Carson was old by then, tired of the job, but my crutches and cast sparked something in him.
“Wow! Will you look at her?” he said. Then I smiled and waved.
I’d nailed it before I ever opened my mouth.
The next morning when I called my grandmother she started crying on the phone. “Everybody’s calling me ,” she said. “Like I did something.”
I did help the movie, Ripley was right about that.
Even if it wasn’t a summer blockbuster, it did better than anyone thought it would and I got the credit, me and my ruptured Achilles.
Every interviewer wanted to talk about my tennis game, ask if was I planning to take on Steffi Graf once the cast came off, and every time I laughed like no one had ever made the joke before.
Publicity was the most acting I’d ever done in my life, and it did nothing to dissuade me from the idea that I was finished.
I didn’t want anyone curling my hair or straightening my hair or telling me to look up while they applied my eyeliner.
I didn’t want anyone touching me. All the things that feel reasonable when you’re trying to be an actress feel unbearable once you’ve stopped.
Jane Pauley said I was America’s daughter, and I said that was good because I was going home.
Ripley took me to the airport himself in the MG.
He was being nostalgic. He never drove the MG.
He parked the car and walked me in, pitching ideas all the way to the gate.
“You’re making a big mistake,” was the very last thing he said to me.
I didn’t know if he meant it or if he was lonely.
I knew he liked having me around, but surely other actresses could be found for the pool house.
I was done. I gave him a kiss and crutched off into the sunset.