CHAPTER EIGHTEEN

GABE

Mina has a concussion, two stitches inside her lip, and no fracture.

I repeat the list while the emergency physician speaks because the alternative is putting a bullet through the man Felix has locked in a freight office.

Mina sits on the examination bed. Her left cheek is swollen. Dried blood marks the collar of her blouse.

“No work for forty-eight hours,” the physician says.

“Define work,” Mina answers.

“Anything requiring concentration, driving, lifting, screens—”

“So breathing with ambition.”

“Rest.”

He looks at me. “Someone should monitor her tonight.”

Mina points to the wedding band on my hand. “He has documentation.”

The physician leaves before the conversation becomes billable.

My mother calls before I can speak.

She heard about the cemetery from Victor, who heard before I reached the hospital. Information continues to move toward him faster than toward me.

“Let me speak to Mina,” Elena says.

“She is being discharged.”

“Then put the phone beside her.”

Mina takes it. “Hi, Elena.”

My mother does not ask whether she was foolish. She asks whether the stitches hurt, whether the physician checked her pupils twice, and whether she owns blackout curtains.

“I have curtains,” Mina says.

“Gabriele will try to wake you every hour.”

“Doctor said every two.”

“He will negotiate down.”

Mina looks at me. “That has been his pattern.”

My mother sighs. “Do not let him turn fear into authority. He learned it from his father and perfected it after Paolo.”

“I can hear you,” I say.

“Good.”

She tells Mina to call her directly if she needs anything, including a different place to stay.

Mina’s expression changes. An exit offered without pressure.

“Thank you,” she says.

After the call, she hands me the phone. “Your mother offered witness protection.”

“She dislikes my waterfront residence.”

“Fortified glass mausoleum.”

“She chose the architect.”

For half a second, Mina smiles despite the swelling. Then she looks at the evidence pouch in Felix’s hand and the room becomes serious again.

I stand beside the bed, not touching her.

“You should have told me,” I say.

“You should not begin the apology by prosecuting me.”

“I’m not apologizing yet.”

“Promising start.”

I take the chair. “I removed your choice. You responded by making one without me. One failure does not erase the other.”

“Yes.”

“I’m sorry.”

She studies my face as if checking for a hidden provision.

“For the tracker?”

“For deciding refusal was permission. For making you hide a risk because you expected me to turn knowledge into confinement.”

Her eyes lower to my hands.

“That is inconveniently specific.”

“You prefer honesty.”

“I do.”

“You also left a note instead of telling me.”

“I know.”

“Why?”

“Because if I heard you say no, I either had to obey you or admit I was choosing the risk.”

“You were choosing it.”

“Yes.”

The answer costs her. Good. Mine should have too.

Felix enters with a sealed evidence pouch containing the cassette.

“Our cemetery guest is Anton Bell,” he says. “Former freight handler. Fired three years ago after an equipment injury. Since then, contract security and collections. Ruggiero’s nephew paid one of his shell companies last month.”

“Too easy,” Mina says.

“I agree.” Felix places a tablet beside her. “Bell’s phone had one active number. Burned ten minutes before he entered the chapel. No messages recovered yet.”

“What did he say?” I ask.

“Lawyer.”

“He doesn’t have one.”

“Victor sent one.”

Mina and I look at each other.

Felix continues. “Said every contractor used by a captain deserves representation.”

“Generous,” Mina says.

“Also this.” Felix opens the access log. “The cemetery service gate was queried yesterday using my credential.”

I read it twice. “Where were you?”

“With you at Corso Maritime. Nine cameras and twenty employees.”

“Cloned.”

“Has to be.”

Or Felix is the leak and arranged an alibi. The thought enters because it must. He sees it.

“Test it,” he says.

Mina looks between us. “That is trust in this family?”

“No,” Felix says. “Trust is him testing before shooting.”

I hand the tablet back. “Suspend your credential. Audit every use for six years.”

He nods. No offense. No performance.

“One more thing,” he says. “The tracker inventory is clean. I gave Jo the signed list. No hidden devices remain.”

Mina closes her eyes briefly. “Thank you.”

Felix leaves.

Mina watches the door. “You are going to question Bell.”

“After you are home.”

“I want the cassette copied first.”

“Felix is doing it.”

“Independent copy.”

“Anika?”

“Yes.”

I send the instruction. Not because I distrust Felix more. Because the evidence should not require trusting any single family.

“And Bell?” she asks.

“What about him?”

“Do not let Victor’s lawyer isolate him before you know what he was promised.”

“He asked for counsel.”

“Then he gets counsel. Not counsel selected by the person who may have ordered the shooting.”

“We cannot force him to choose differently.”

“We can tell him who paid.”

Felix arranges a secure video connection from the freight office with a public defender present. Mina remains in the hospital room, camera off, listening through my phone. Bell appears on screen with his left knee braced and his scar reddened where the lantern hit him.

“Victor sent an attorney,” I say.

The public defender looks at Bell. “Did you request that attorney by name?”

Bell hesitates. “No.”

“Do you want to speak with him?”

“He said he represents the local.”

“The local fired you three years ago,” Mina says from off camera.

Bell’s face changes. “Who is that?”

“The woman you hit,” she answers.

His gaze moves toward the speaker. Shame is not present. Irritation is.

“You broke my knee.”

“It was damaged before I arrived.”

The defender holds up a hand. “No substantive questions unless my client agrees.”

“I agree,” Bell says. “I want out.”

“Out of what?” I ask.

He looks toward the closed office door. “Sarto said the girl would lead Corso to Sal. Said I only had to scare her into the garage and play the tape. The shot at Bellaforte was supposed to miss.”

“It hit Michael,” Mina says.

“Wind changed.”

As if weather owns the wound.

“Who cut her brakes?” I ask.

“Not me. Car was already marked when I got the route.”

“By whom?”

“A maintenance guy. I never saw his face.”

“How did you enter the chapel?”

“Tunnel from North Shore. Sarto’s man gave me the old map and her key.”

Mina’s fingers close around the edge of the hospital blanket.

“Who cleaned Paolo’s medal?” she asks.

Bell looks at her speaker. “Lawyer.”

“Name.”

“Kessler. Sarto’s legal runner.”

The same man waiting to represent him.

Bell agrees to a recorded proffer in exchange for protection from Victor. He gives Felix the burner pickup, the motorcycle storage unit, and the account used to pay him.

When the screen goes dark, Mina leans back against the raised bed.

“The obvious answer was planted,” she says. “But the planted answer still committed the crimes.”

“Ruggiero’s money reached Bell.”

“Through Victor’s lawyer.”

“We follow both.”

She nods, then winces at the movement.

I nearly tell her she has done enough.

Instead, I ask, “Do you want to continue now?”

“No. I want the key and the route logs. Then I want six hours without a Corso deciding anything near my head.”

“Reasonable.”

“That sounded painful.”

“It was specific.”

I take a brass key from my pocket and place it beside her hand.

The new chapel key. Cut after the breach.

“There are two,” I say. “Yours and Jo’s. I have no copy.”

“Security?”

“Waits for entry.”

“You hate that.”

“Yes.”

She touches the key with one finger.

Then I give her a second tablet.

“Every route log we have. Original scans. Victor, Ruggiero, Corso, Vassallo. Nothing redacted.”

Her gaze lifts. “The audio?”

“The analyst has thirty hours left.”

“Gabe.”

“I will give it to you before then if he fails.”

“That is still you controlling the time.”

“Yes.”

I do not dress it as protection.

She considers that.

“Thirty hours,” she says.

“Agreed.”

I drive her home in the morning. Upstairs, I make toast badly. She eats half and falls asleep on the sofa because she refuses to let me near the bedroom.

I sit on the floor beside the door, where she can see me if she wakes.

At noon, her fingers move in sleep and find the new brass key on the table.

They close around it.

She wakes at one forty and finds me still on the floor.

“That sofa reclines,” she says.

“You were asleep on it.”

“There are two ends.”

I move to the far end. She pulls the blanket higher and watches me check her pupils with the flashlight setting on my phone.

“Do that again and I will report you to Anika.”

“The doctor said monitor.”

“The doctor did not deputize you.”

“Headache?”

“Four out of ten.”

“Nausea?”

“No.”

“Vision?”

“Unfortunately clear.”

I write the answers in my phone. She watches.

“What else is on that list?”

“Time, medication, water, food.”

“You made a spreadsheet.”

“A note.”

“With columns.”

I turn the screen away.

Mina reaches across the cushion and takes my wrist, not the phone. “You can be afraid without turning me into a task.”

The statement is not accusation. That makes it harder.

“I don’t know how,” I say.

“Start by sitting here and not checking anything for five minutes.”

“If you lose consciousness—”

“I am already lying down.”

I set a timer for five minutes.

She sees it and laughs, then winces at her lip.

“Close enough,” she says.

I do not mistake that for forgiveness.

I let it be what she chose to hold.

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