Chapter 2 #2
"Good. And Delaney." She leans forward slightly. "Your own financial accounts. Do you have access to anything that's solely in your name?"
I think. "My personal checking. My retirement account." I pause. "He doesn't have passwords for those."
"Keep it that way. Don't move money— not tonight, not without guidance because it flags things— but don't give him any more access than he already has.
" She pauses. "I'm going to recommend you to someone.
A good divorce attorney. Someone who isn't your best friend, because you need someone who can be completely professional of the conflict I'd have the moment I sat across a table from him. "
I hear the word divorce and it lands in my chest like a stone dropped in still water. Ripple and ripple, and ripple.
"Is that…” I hear myself asking. "Is that where we are?"
Dana looks at me. "Where do you think you are?"
I think about the shoes. The two wineglasses. The matching robes. Eight months. The anniversary toast.
"Yeah," I say. "That's where we are."
She nods once. "Okay. Then we do this right."
I listen to the voicemails at 1:15 in the morning.
I don't know why. Dana's asleep in the other bed, finally, after I spent forty-five minutes convincing her I was fine and another hour talking through the practical to-do list she'd started on her phone. The room is dark. My phone is a small, bright rectangle in black.
Jason's voice fills my ear.
"Delaney, it's me. I know you're not going to pick up, and I don't blame you. I just…I need you to know that what you saw tonight — I know what it looked like, I know, but I just need to talk to you, and I can't do that over a voicemail, I need you to let me?—"
I pause it.
I need you to let me.
That's the whole architecture right there. He needs me to let him explain. He needs me to give him the space to construct the narrative that makes this understandable. He needs my cooperation on his story.
I think about our wedding. The venue my mother loved, and Jason thought was a little much, but didn't argue about. The vows he wrote himself, actually wrote himself, and I stood at the altar and thought this is a man who means what he says. I was twenty-five years old and completely certain.
I press play on the second voicemail.
"Hey. It's me again. I've been sitting here and…
I don't know what to say that makes this okay.
I know nothing makes this okay, I just— I've been under so much pressure, Laney, I know that's not an excuse, I'm not saying it's an excuse, but I need you to understand what these last few months have been like.
I wasn't— this wasn't about you. This was never about you.
You've been amazing. You've always been?—"
I stop.
I put my phone face down on the nightstand.
I stare at the ceiling.
This wasn't about you.
He means it as comfort. I can hear that — the sincerity of it, or the closest thing to sincerity he can manage right now. He means, don't take this personally. He means your failings are not the reason. He means it to be kind.
But what I hear is: you were so far from the center of my thinking that what I did wasn't even about you. You were furniture. You were the life I came home to. You just weren't relevant enough to factor in.
I don't cry.
I've been waiting to cry all night, and I still can't do it, which probably means something clinical that I'm not interested in right now.
Instead, I pick up my phone and open the notepad app, and I start a list.
I don't have a name for the list yet. I just start with what I know.
Take the documents out of the safe.
Open a separate account.
Call the attorney Dana recommends.
Don't go home until I'm ready.
Don't answer calls from Jason until I have a plan.
I stare at the list.
Then I scroll down to the text thread that got buried under Jason's messages— Mercer Custom Homes. The Millhaven cottage.
Unknown
Hi Ms. Hart — Ethan Mercer, Mercer Custom Homes. I can do an inspection on the Elm Lane property this week if you're still interested. No charge for the assessment. Let me know which day works.
I read it twice.
The cottage has been sitting empty since Elise died six months ago.
I kept meaning to go back. There was always something — a work thing, a Jason thing, a reason that felt real.
I stood at Elise's funeral in April and looked at the people who had loved her — Mags from the coffee shop, neighbors, the entire fabric of a life in a small town — and I thought, I should come back more. I should go back to that porch.
I never did.
The roof needs looking at. There's a leak I've been worried about since the late-summer storms. Elise left the cottage to me — not to us, to me, specifically remember how Jason had gently suggested more than once that we should probably sell it, that it was an asset sitting idle, that Millhaven wasn't exactly convenient to anything.
I didn't want to sell it.
I think about the porch, the garden Elise kept with such devotion and the blue mug with the chipped handle she never threw away because she said imperfections were interesting.
I think about the list on my notepad.
I'll add one more line.
Go to Millhaven.
I stare at it for a long moment. Something in my chest doesn't exactly lift — it's too soon for anything to lift — but it moves. Slightly. Like something that was stuck has found the smallest amount of give.
Dana's breathing is slow and even in the other bed. Outside, Raleigh is doing whatever Raleigh does at 1:30 in the morning. Somewhere across town, Jason is at the home we once shared, probably staring at his phone, waiting for me to answer.
I put my phone down.
I close my eyes.
I'm a woman in a hotel room with a list that doesn't have an ending yet.
But it has a beginning.
That's enough for tonight.