Chapter Twenty-four – Lila.172
Chapter Twenty-three – Lila
Hope’s mouth had gone still before I fully woke, the small, reflexive pause of a feeding that was almost finished, her lips barely moving against me, her fist loosening its grip on my collarbone degree by degree the way her fists always loosened when she was running out of the energy required to hold onto things.
The nursery was cold enough that I could see my breath in thin, pale wisps at the lamp’s edge.
The lamp on the changing table had burned low in the night, throwing just enough amber to show me her face.
I did not know what hour it was. The window held a grey that was not yet morning and not quite the full dark of the middle hours, the particular grey of a sky beginning to think about something it hadn’t committed to yet.
Outside, wind moved across the yard in a low, steady pass, not the blizzard’s fury but the ordinary cold breath of a January morning, and I could hear it finding the gap at the bottom of the window frame the same way it always found that gap.
Somewhere in the walls, the old radiator ticked.
It had been ticking all night, a dry, intermittent sound, the metal contracting in the cold the way old metal did, and it had become part of the room’s particular silence the same way the woodsmoke smell had become part of it, present without being noticed until I looked for it.
The house had been quiet for hours.
At some point after the lamp had gone low, the men had gone.
I had not heard them leave exactly, had registered, somewhere below full wakefulness, the sound of feet careful on the old floorboards, the soft pull of the nursery door left at its crack.
They had left me and Hope in the room, which was what the room wanted.
The cedar smell of it was warm and close around the chair, and underneath it Hope’s smell, the milky, clean particular warmth of her, and underneath that the faint, layered ghost of all of us from earlier, the way a room held onto what had been in it.
Hope stirred. Her fist curled again against my collarbone, a slow, deliberate grip, the fingers flexing one at a time in the way she flexed them when she was deciding between sleeping and the world.
I looked down at her face and did what I had been doing since they put her in my arms in the lantern-lit bedroom twelve hours ago: I looked at it the way you looked at something you were learning, slowly, feature by feature, the same way you learned a road.
The curve of her nose. It was mine, Cole had said so in the nursery, plainly and without sentiment, the way he said accurate things, and I found I could see it now, the particular soft line of the bridge, the round tip of it, the way it sat in the center of her face with the uncomplicated rightness of features that had landed where they were supposed to land.
Her dark lashes fanned against her cheek, impossibly fine, pressed flat in sleep.
The single damp curl at her hairline that had been there since she arrived and had not dried, or had dried and dampened again, a thing her body seemed committed to.
Her mouth, slightly parted, one corner of it bearing the ghost of a shape that was not yet a smile and was not not one, either.
She had Ethan’s hair. Dark and decided. I had known it would be, had known it the moment I saw the color of the first fine strands in the lamplight of the bedroom while Cole held her and stood too still, and I had held the fact of it somewhere below my ribs since then without taking it out and looking at it directly.
I looked at it now. His hair, on her small head, and her expression, the faint skeptical quality of a person who had not yet decided whether the world was acceptable, which was not his expression and was not mine and was entirely her own.
My thumb moved to her cheek.
I traced the curve of it in the slow, deliberate way you traced things you wanted to memorize, the warmth of her skin, the fine texture of it, the slight give of new flesh over new bone.
She did not stir. Her fist opened and then closed around nothing, a reflex, and her breathing went on in its quiet, certain way, and I held her and breathed with her.
My eyes moved to the mural.
It was still there, which was a foolish thing to think and I thought it anyway, because in the low amber of the lamp and the thin grey of the window the wall had changed from what it had been in the evening.
The colors were quieter now, the pale cream of Hope’s name almost silver in the pre-dawn light, the painted wildflowers going grey at their edges and warm at their centers where the lamp still reached.
Her name in its looping letters, each stroke even and decided, the blooms moving outward from it in every direction like something that could not help but grow.
I had seen it for the first time last night and it had closed my throat, and now it did something else, something quieter and less urgent, it sat in the grey morning like a finished thing, a completed fact, the way the shelf and the crib and the mobile of four carved birds were completed facts.
The mobile turned above the crib in the slight warmth of the lamp.
Barely moving. The four birds in their slow, patient arc, the grain of unfinished wood visible even in the low light, the twine holding each one at its own height.
I watched them turn and thought about the hands that had carved them and did not finish that thought, because it went somewhere large and I was not ready to follow it all the way.
My free hand rested on the arm of the chair. Fingers loose.
I did not cry. There was nothing pressing at the back of my eyes the way grief pressed, nothing building toward anything.
There was just the cold room and the muted house and the slow grey lightening of the window and Hope’s weight against my chest, the reliable small warmth of her, breathing in and breathing out.
The wind moved across the yard again. The radiator ticked.
Outside the window the sky at its lowest edge had gone from grey to something faintly less grey, the first almost-commitment to morning, and Hope’s fist uncurled completely against my collarbone and her body went the particular way it went when sleep had won, completely, all at once, the weight of her settling more fully into my arms as though she had decided, finally, that I was sufficient.
I held her, and I did not move.
The four birds turned above the empty crib, patient in their slow circle, and I sat in the cold room with my daughter and my breath and the faint smell of woodsmoke in the walls, and the morning came on slowly outside the window, and I let it.
The sounds reached me before the light did.
A boot on the kitchen floor, the particular thud of someone moving with purpose through a space they knew well, unhurried but directed, and then the scrape of the back door against its swollen winter frame, the iron sound of the latch engaging, and then nothing, the cold silence of a door that had been opened and left shut behind someone who had gone out into the morning without needing to announce it.
Then, a second set of footsteps. Then a third, quieter, from the direction of the back hallway.
I looked down at Hope asleep against my chest. Her breath came warm and even against the hollow of my throat, her weight committed and unconscious, the small animal certainty of a person with nowhere else to be.
I shifted her carefully to my shoulder, one hand flat at the back of her head, and stood from the nursing chair with the slow, deliberate unbending of a body that had spent the night in a wood-framed seat not designed for all-night occupation.
The floorboards were cold through my socks.
I felt it in my ankles, in the arch of my feet, the cold of old pine that the room’s thin warmth had not reached.
The window faced east.
I crossed to it with Hope settled against my shoulder and looked down into the yard.
The light had shifted. The grey of an hour ago had gone to something else, pale gold at the horizon line, the sky above the barn still carrying the blue of not-quite-dawn but the east edge of it lit, the particular thin and certain light of a winter morning that had no interest in being romantic about itself.
The yard held the night’s cold in visible ways: frost-stiffened grass standing in its own shadow along the barn wall; the fence rails carrying a thin crust of snow that had not yet decided whether to melt or commit.
The dark wood of the barn stood against the pale sky with the clean, unambiguous quality of things that had been built to outlast the people who built them.
Cole was already most of the way across the yard.
He moved in the ground-eating way he moved when there was work that had a beginning and an end, and he intended to reach both without stopping.
A hay bale was hoisted under each arm, the dense, compressed weight of them, and his breath came out in hard white bursts that the cold morning took before they had a chance to linger.
His jacket was zipped. His boots left clear prints in the frost. He reached the barn and disappeared through the wide door without slowing, without looking up, without any of the gestures of a man who expected to be observed.
Movement to my left.