Barrett (Saltwater Kings MC #20)
Prologue
Barrett
The marina ledger doesn't care that it's almost midnight.
I've been staring at the same column of numbers for twenty minutes, and they still don't add up the way I need them to.
The lamp on my desk throws a tired yellow circle over the papers.
Everything outside that circle is dark — the compound office, the hallway, the whole building settling into the kind of quiet that only comes this late.
My father built this place out of nothing.
A handful of riders. A borrowed dock. A promise that brotherhood could be something you built with your hands instead of something you were just born into.
He turned that promise into an institution.
Anchor Bay leans on it now, whether the town wants to admit that or not.
I still remember him standing at this exact window, years ago, pointing out at the water and telling me that a marina wasn't really about boats.
It was about giving people a reason to stay somewhere long enough to call it home.
I didn't understand what he meant back then.
I was maybe twelve, more interested in the motorcycle he'd promised to teach me to ride than in the philosophy behind a dock lease.
I understand it now. I understand it every single day I sit at this desk.
Dominic got the gavel. He got the weight of being president, the eyes of every member on him every time he speaks, the responsibility of holding the whole club together when things get hard.
He's good at it in a way I never could be — steady, decisive, born for the chair the way some men are just built for certain rooms.
I got something quieter. The contracts. The licensing.
The spreadsheets nobody else wants to look at, the zoning variances, the tax filings, the thousand invisible threads that keep an entire waterfront economy from unraveling.
I'm good at it. I like being good at it, most days.
There's a particular satisfaction in making the numbers behave, in finding the clause buried on page forty that saves the club a hundred thousand dollars, in being the reason nobody upstairs has to worry about whether the lights stay on.
Tonight isn't most days.
I don't know exactly what's wrong. Nothing catastrophic, nothing I can point to and name.
Just a low hum of restlessness that's been building for months, a sense that I've built an entire adult life around being useful without ever stopping to ask what I actually want underneath the usefulness.
I'm thirty years old. I run a piece of my family's legacy competently enough that nobody questions it.
And some nights, like tonight, I sit alone in this office long after everyone else has gone home and wonder who I'd be if the Voss name wasn't attached to every decision I make.
My phone buzzes against the desk, and I already know who it is before I look. There's a rhythm to Wren's texts, a particular impatience in how fast they come, like she's been waiting to send them and finally ran out of patience.
Wren: You missed your physical. Again.
Wren: Barrett.
Wren: If you die of something preventable because you're too busy being a martyr, I will resurrect you and kill you myself.
I laugh, and the sound surprises me in the empty room. It's the first real laugh I've had all day, maybe all week, and it comes so easily it almost startles me — the way it always does with Wren, like she has some direct line to whatever part of me stays lightest.
Me: Noted. I'll schedule something.
Wren: You said that three weeks ago.
Wren: I'm not asking as your doctor right now. I'm asking as the person who's known you since we were five and would like you to keep existing.
I look at the screen longer than I need to.
There's something about the way she says things — blunt and soft at the same time, like she can't help caring even when she's annoyed — that gets under whatever armor the day has put on me.
It's a skill she's had my entire life. Even at five years old, before either of us understood what caring about someone actually cost, she had a way of saying exactly the true thing without dressing it up.
I think about the day we met, the way I've thought about it a thousand times without really examining it.
Five years old, both of us on the pier with our families, the two of us circling each other with the particular suspicion small children have for other small children.
I pushed her off the dock. I don't even remember why — some five-year-old logic that made perfect sense at the time and none whatsoever now.
She came up sputtering, furious, and instead of crying, she grabbed my ankle and pulled me in after her out of pure, uncomplicated spite.
We surfaced laughing. Our parents laughed too, standing on the shore, already predicting — correctly, as it turned out — that the two of us were going to be inseparable.
Twenty-five years later, we still are.
Wren Calloway has been there for every version of me.
The kid who used to race her down the pier every summer, both of us convinced we'd finally win this time.
The teenager who showed up at her house the night his mother left and didn't say a word, just sat on her porch steps until the sun came up, because there wasn't anything to say and she understood that without needing an explanation.
The young man who watched her cry at her own grandmother's funeral and held her hand the whole service, the way she'd hold his years later at his father's.
The man who buried his father with her hand wrapped around his, holding on so tight neither of us could feel our fingers by the end, the whole club and half the town watching Barrett Voss come apart at the seams for the first time in his life and Wren simply standing there, present, unshaken, letting him.
She's the only person who's never once looked at me and seen the Voss name first. To Wren, I've always just been Barrett — the boy who couldn't swim as well as she could, the teenager who broke his arm trying to impress her doing something monumentally stupid on a dirt bike, the man who calls her at two in the morning when the weight of running the family business gets to be too much and needs a voice that doesn't ask anything of him except that he keep talking until the panic passes.
Me: Tomorrow. I promise.
Wren: I've heard that before too.
Me: This time I mean it.
Wren: You always mean it. That's the annoying part.
I set the phone down and look at the ledger again, except now the numbers blur a little, and it isn't from exhaustion. It's something else, something I don't have a clean name for yet, sitting low in my chest the way it has, if I'm honest with myself, for longer than I've let myself admit.
Fifteen years. That's how long Wren Calloway has been the person I call first when something good happens and the person I call first when something falls apart.
Fifteen years of fries stolen off my plate at compound barbecues, of her voice being the last thing I hear before I fall asleep on bad nights, of a friendship so constant I've never once had to think about whether it would hold.
It's held through everything. My father's death.
Dominic's presidency. Every crisis this club has weathered, every celebration it's earned.
It's held through every girlfriend I've had who eventually complained, gently or not so gently, that Wren always seemed to come first. It's held through every relationship of hers that ended, every late-night phone call where I talked her through a bad breakup and quietly, privately, felt something I never let myself examine too closely.
She's family. She's my person, in the specific way that makes the word not big enough.
What I haven't let myself think — not really, not in the sentence form it deserves — is that somewhere in the last fifteen years, family stopped being the whole truth.
I close the ledger. The numbers can wait until morning. My phone lights up one more time.
Wren: Get some sleep, Voss.
I stare at that for longer than a text like that should require.
There's nothing unusual in it. She's said some version of it a thousand times, in a thousand different tones, over a thousand different nights.
But tonight it lands differently, and I sit in the dark office turning it over, trying to figure out why a five-word text from my best friend is suddenly the most interesting thing that's happened to me all week.
Barrett Voss is thirty years old. Smart enough to run a company.
Steady enough to hold a club's business on his shoulders.
Capable of standing in front of a city council and arguing a legal point with the confidence of a man twice his experience.
And catastrophically, embarrassingly oblivious to the one thing that's been sitting in plain sight for fifteen years, waiting for him to finally look up and see it.
I turn off the lamp and head home, already thinking about what I'll say to her tomorrow. It doesn't occur to me — not yet — that the question isn't what I'll say.
It's what I've been too afraid to say for a decade and a half.
Driving home along the harbor road, past the boats knocking gently against their moorings, past the dark windows of the shops my father's generation built and mine is fighting to keep, I think about the marina and the licensing and the expansion projects sitting on my desk, all the things I've told myself matter most. And underneath all of it, quiet but unmistakable now that I've let myself notice it, is a single thought that follows me the whole way home.
Something in my life is about to change.
I don't know it yet, not in any way I could put into words if someone asked me directly.
But some part of me — the part that's been circling the same truth for fifteen years without ever quite landing on it — already knows exactly where that change is going to start.