Best Man, Worst Mistake

Best Man, Worst Mistake

By Sadie Rooke

Chapter 1

HALLIE

Six years ago

For a year before he ever kissed me, Elias Ravndahl bought bread he didn't eat.

Every Sunday, seven a.m., my stall at the Millbrook market, back when the whole bakery fit in the bed of a borrowed truck.

Same order, the seeded loaf, same three minutes of talk while I wrapped it, this tall, serious friend of my brother's, back in the country after a decade of building something in rooms I'd only heard about, standing in the wet grass in a good coat counting out cash like the transaction mattered.

I was young and mouthy and I charged him double once to see if he'd notice. He noticed. He paid it. He came back.

I found out about the bread from his doorman, of all people, a year in.

I was dropping off a birthday cake for Theo and the doorman saw the bakery box and lit up and said, you're the bread.

Elias Ravndahl did not eat bread. Never had.

Fifty-two seeded loaves had gone to the doorman, the night porter, a security guard named Ademar, and the doorman's mother, who apparently prayed for me.

I confronted him at Theo's party with a slice of cake in my hand like evidence. He looked at me the way he looks at a number that's finally resolving, and said, "I don't come for the bread."

"Then why do you come?"

"You're the only Sunday I want."

I married my whole life to that sentence. That's where the name came from, not a pet name exactly, more like a job title. Sunday. His mouth was my favorite place it lived.

So. The rehearsal dinner. The Thornsea estate, a dress the color of good butter, a glass of champagne in each hand.

Theo had lost the toast schedule, my brother could run a hundred million dollar deal and not miss one piece of paper, and somebody had to tell Elias where he'd been moved to after dinner, and I'd volunteered, because volunteering to go find Elias Ravndahl was the kind of chore I'd been assigning myself for six years.

Down the back hall, past the coatroom, to the little estate office the wedding coordinator used.

The door that never latched. We'd discovered that at the walkthrough in April: he'd leaned on it mid-sentence and fallen halfway into the room, and I'd laughed so hard the coordinator asked if I needed water, and Elias had straightened his jacket and said, with total dignity, the house has opinions.

That became a thing we said. All spring. The house has opinions.

Through the door, his voice. Low, in the register I thought lived on my side of a room. I listened for words.

It took me a moment to understand there weren't going to be any.

A woman laughed, soft, pitched for him alone, and I knew whose it was; I'd listened to Celeste's laugh land on my fiancé all spring like weather I'd decided not to check. And under it, the sounds there was only ever going to be one word for.

The champagne went on being champagne. Down the hall behind me the party made its warm noise: my mother's voice riding above the quartet, Theo shouting something about the salmon.

Here's something I'd tell you about doors that don't latch: you don't open them. You touch them.

The door swung four inches. The house after all had opinions.

He was inside her. Her dress, his hands, the movement of him. There was no other thing it could be. And his hand was cradling the back of her head, careful, fingers spread, the way you hold a thing you don't want marked.

It was not the sex I couldn't survive. It was that he was being loving and gentle.

Celeste saw me over his shoulder. She didn't jump. I'll give her that forever: she didn't jump.

He turned, and his face did something I have thought about for six years: it went from one man to another man, like a channel changing, and his mouth started my nickname. The ours one. The job title.

"Sun—"

I set the champagne down. That's what I did.

There was a credenza in the hallway, a skinny antique thing with a lamp on it, and I set both glasses on it, side by side, exactly level, the way you'd stage a photograph, because my hands wanted a job and that was the job available. Then I walked back up the hall.

I want to say the party went silent when I came in.

It didn't. Parties don't know anything. The quartet was sawing away at something in six-eight, my mother was mid-story, and the cake — I'd built our wedding cake myself, three tiers, boxed since morning in the estate kitchen, its little rehearsal cousin sitting on the head table under a dome — the cake sat there being finished and perfect, which one of us had to be.

I worked the ring off. It didn't fight me. It came off like it had been waiting with its coat on.

Elias's seat was empty, third from the end, his champagne untouched because he'd been in a meeting. I dropped the ring into his glass. It made a sound like a small bell, once, going down, and sat at the bottom throwing gold at everyone, and nobody noticed that either.

"Hal?" Theo, from the middle of the table, half up out of his chair, holding the toast schedule he had not lost after all.

My brother's face. Even now that's the part of that night I take out least often.

His best friend was thirty feet down a hallway inside another woman, and Theo was standing there in the light with papers in his hand, happy, worried about the running order, and I understood with a clarity I've never had before or since that I could take the hallway away from him or I could take the wedding, but if I took both, I took his whole life's architecture, thirty years of it, and mine was already gone, and one of us might as well stay furnished.

So I smiled. I'm a good smiler. Ask anyone.

"The wedding's off," I said, to Theo, to the table, to the dome over the little cake, in the voice I use for we're out of the sourdough, can I interest you in the rye. "Enjoy the cake."

And I walked. Through the warm noise going wrong behind me, past the place cards I'd lettered myself, out the tall doors, down the front steps into the blue evening in a butter-colored dress with no bag, no phone, no plan, and the gravel ate my heels so I took them off and carried them, and the valet, nineteen, terrified, holding keys to cars I couldn't drive, asked me if I was all right.

"Never better," I said. I was a house with the front wall pulled off, all my rooms showing. "It's a beautiful night."

It was, is the insane thing. I remember every star.

My mother got to me at the end of the drive.

Then Theo, then two aunts. There were a lot of questions in the next hour, and the next week, and for about a year after that, and I answered every single one of them with nothing, because every true sentence had a hallway in it and the hallway had Theo's whole life in it.

Cold feet, I said. Changed my mind. I'm sorry about the salmon.

Let them think I was flighty… flighty was free, flighty cost nobody anything but me, and I was already paying anyway.

He tried to call that night, and for some nights after. I sat on Jenna's floor eating rehearsal-dinner leftovers she'd stolen on her way out, and we watched his name light the screen until the screen went dark, over and over, like a lighthouse for a ship that had already sunk.

Six years now. My brother still loves him. My mother still asks about him, warmly, at holidays.

Nobody in my family knows why I left. I made sure of that.

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