Final Impressions
IT HAS BEEN a little more than seven months since I left the chateau. It’s been a little more than seven months since I have seen or heard from the man I left behind.
When I returned to the States, I was given a deadline of two months. I had two months to somehow make sense of everything I had learned while staying in Bordeaux.
At first, I found it extremely difficult to sit down and write a tale of two people so obviously in love, knowing where the story would eventually lead.
However, in the end, I discovered that in writing it down and telling the world, I once again found myself that much closer and connected to them both.
It’s Friday night and has just turned six p.m. I stand in my room, slipping into a golden cocktail gown I purchased for the evening.
As I turn my back to the full-length mirror, I look over my shoulder and down my spine to my most recent addition.
There, on the lower curve of my back, are two perfect F-holes, stark in their inky boldness against my pale skin.
Every Friday evening, I go out to the local theater to watch the city’s orchestra. I have developed quite an intense obsession with classical music. As soon as I returned from France, I purchased season tickets to the local symphony.
Hiding my secret away from the rest of the world, I zip up the gown, then slip my heels on and make my way to the front door. I open it to find a short, stocky man standing there and a large rectangular box resting against the wall.
He glances down at a clipboard and then back at me. “Are you Gemma Harris?”
I frown and tilt my head. “How can I help you?”
“I was told to deliver this to you,” he informs me, holding out the clipboard.
Again, I find myself looking at the box marked Fragile.
“I didn’t order anything,” I say, looking at the work order. Nothing on the page gives me any clue as to what is inside the package.
“Oh, I know, ma’am. This was shipped in late last night from a gallery over in France. We were told to go ahead and deliver it to you as soon as it arrived, no matter the charge.” He chuckles. “Looks like someone bought you a very nice gift. Do you want me to bring it inside for you?”
Moving aside, I tell him, “You can just put it in here by the door.”
He picks up the piece and shuffles it into the foyer. After he places it against my living room wall, he smiles and tips his cap at me. After returning his friendly grin, I close the door, locking it tight, then stare at the box leaning against the wall of my small apartment.
A gallery in France? It has to be from him. Of course it is. Who else do I know that lives in France that would send me— Well, send me what? A painting?
Forgetting all about the symphony, I kneel in front of the box and run my hand over the brown surface. When I realize I need scissors, I stand and run into the kitchen. After returning to the mysterious box, I cut through the binding and slice through the tape.
When I finally rip apart the cardboard, I’m greeted with a lot of bubble wrap. I tear through the padding at record speed. When I finally get to the framed image, I’m almost relieved that it’s facing the wrong way.
I kneel back down in front of the painting as my heart races a million miles an hour. What am I going to see when I turn it around? Is it a painting of her? Maybe it’s one of the prints. A copy of one of the six? I have no clue.
As I move to turn it, I notice a small envelope down in the left corner. It’s taped to the back of the frame. Scrawled across the smooth white paper is my name in the same handwriting painted on the plaque by his house.
I take the envelope and open it, then flip over the small card inside. I hold my breath as I stare down at the words printed so eloquently in black pen.
For the lady we never let go of.
Blind Obsession
You are both mine.
P.
I can feel the tears threatening as I sit reading those words over and over. Leaving that day so many months ago is something that will stay with me for as long as I live. Holding the card close to my heart, I think back to that final day at Chateau Tibideau.
The sun was shining, and the day was perfect.
I remember standing outside the chateau on the gravel drive, waiting for Phillipe to come and say goodbye to me.
I was still raw from the night before, when he had walked away from me.
As I look back now, I can understand why he did what he did.
He didn’t want to make things harder than they already were.
Although how that could have been possible, I wasn’t sure.
As soon as I felt him come up beside me, my heart cracked and splintered just a fraction more.
I looked up at him. He was dressed in black wool slacks and the hunter-green sweater.
His profile was one that I would never forget.
Just over his shoulder, I saw the plaque that I had seen on my very first day here.
Reaching over, I dared to touch his arm one last time.
He turned his head, looking down at me. His green eyes were distant and devoid of any emotion. The man had once again locked himself away, and there was nothing I could do to help him.
Instead, I asked softly, “What does that mean?”
He looked over his shoulder before turning back to me. “Les vrais paradis sont les paradis qu’on a perdus.”
His voice was so smooth and deep. I realized in that moment just how much I would miss it.
He turned to look back out at the vineyards. “It means, The true paradises are paradises we have lost.”
Staring up at him, I willed him to look at me one more time, but he did not. Instead, he clasped his hands behind his back, and I felt the dismissal and distance more than I ever had before.
Moving down the steps, I made my way to the small red Toyota that I had rented and climbed inside. I refused to cry in front of him, but as I pulled away, I wiped tears that had finally escaped.
As I drove farther down the gravel path, I looked in my rearview mirror to see a haunted man staring back at me—and I could have sworn that I once again saw the curtain in the house move.
I knew I was leaving him where his heart was—in the chateau that was slowly crumbling into the ground but rested only miles from the place where he’d lost his soul many months before.
I left him there with her.
I place the card down on the floor beside me and reach out a trembling hand. Pulling the picture out of the box, I turn it to face me. Sitting back on my heels, I stare at the image.
There, seated in the soft chair that he sat in up in his studio, is me. He painted me in the dress I wore that final night. I had my legs crossed, and I was sitting opposite a mirror.
I move in closer to run my finger over the image he so patiently and, as far as I can see, lovingly created.
That’s when I notice the image in the mirror.
He painted me looking away from the distorted reflection, but I notice the hair is darker.
In fact, it is black, and the face is slightly different as well.
He managed to capture me and her in one painting, with Diva resting by my feet.
I am entranced, and as my eyes become misty, I grip my hands in my lap and let the tears stream down my cheeks. I cry for everything I learned during my time with him, and as I stare at the painting before me—painted by a man I can tell is so obviously in love—I cry for everything we cannot be.
Wiping the tears from my face, I blink twice, clearing my vision. That’s when I see, down in the bottom-right corner, one of the most famous signatures in the world scrawled beneath two simple lines.
Love looks not with the eyes
but with the mind.
The very words she gave to him.
As I sit there alone in my apartment, I let my mind drift a million miles away to the place where I left my heart.
Into the empty room I’m left kneeling in, I whisper, “I love you too.”