Leonid

She comes out of the bar exactly three minutes after I step onto the sidewalk, and I know that because I count.

I always count. Time matters to people who understand leverage, and Victoria understands it better than she wants to admit.

I don’t turn when the door opens behind me.

I don’t need to. I can feel her hesitation like a shift in the air, the moment where instinct wars with defiance and she weighs her options one last time.

Run again, or walk toward the man who already knows where she’ll go if she does.

When I finally face her, she’s standing just inside the glow of the bar’s light, shoulders squared, chin lifted, like posture alone might remind the world she isn’t owned.

The street is narrow and damp, old stone buildings rising on either side like witnesses that have seen worse crimes than this one.

The night smells faintly of rain and exhaust and history.

I gesture toward the sedan waiting at the curb, black and unremarkable and lethal in its efficiency. “After you,” I say, polite enough to sound almost civilized.

She doesn’t thank me. She doesn’t hesitate, either.

She moves with deliberate control, sliding into the back seat and positioning herself as far from me as the leather allows, eyes already tracking exits, mirrors, reflections in the glass.

She’s cataloging threats, mapping angles, pretending she’s not acutely aware of how close my knee is to hers when I follow her inside and shut the door.

The car pulls away smoothly. No rush. No drama. That alone unsettles her more than brute force ever would.

“You’re not very subtle,” she says, staring straight ahead as the city begins to blur past the windows.

“I didn’t come here to be subtle,” I reply, watching the way her fingers curl against her thigh, nails pressing lightly into denim.

The city thins as we drive, medieval streets giving way to wider roads and darker stretches of land.

She tries to memorize the route, I can tell.

It won’t help her. My estate isn’t marked on any map that matters, and even if it were, she wouldn’t make it three feet past the gates without me knowing.

When those tall iron gates finally open, utterly silent, she goes still with recognition.

Power speaks a language she understands fluently, even if she’s spent her life pretending not to understand it.

The house beyond is stone and glass, modern lines anchored to something older and heavier beneath.

Lights glow warm behind wide windows. Guards move without being obvious.

Nothing is rushed because it doesn’t need to be.

Inside, she pauses just past the threshold, taking it all in. Marble floors. High ceilings. Clean lines and expensive restraint. No clutter. No warmth meant to soften. This place doesn’t invite. It asserts.

“No chains,” she says sarcastically, eyes flicking from camera to corridor to the broad staircase curling upward. “That’s new.”

I shrug out of my jacket and drape it over the back of a chair with deliberate care. “I won’t need them.”

She turns then, looks at me, anger flashing bright and fast. “You think I won’t try to run.”

“I know you will,” I tell her, and the certainty in my voice makes her pause. “You’d disappoint me if you didn’t.”

I step closer, not enough to crowd her, but enough that she feels the shift, the invisible line where space becomes control.

“Every exterior door is unlocked,” I continue calmly.

“But every exit monitored. You’ll have access to most of the house and grounds, but you won’t be able to get beyond the edge of the estate. ”

“And if I make it out?” she asks, eyes sharp, daring me to lie.

“Then I’ll chase you, catch you, and drag you back.”

That lands. I see it in the way her breath stutters before she can stop it, the way her mind immediately starts tearing the promise apart, testing it for weakness.

“That’s it?” she says. “That’s your big plan?”

“For now.”

She studies me, suspicion etched into every line of her face. “What do you get out of this?”

I smile. “You.”

She snorts. “What do you want from me?”

“Everything,” I say easily, because there’s no value in pretending otherwise.

I turn and walk toward my office without checking to see if she follows. Curiosity always beats fear with women like her. When she steps inside the room behind me and stops short, I know she’s seen it.

The photograph.

It hangs alone on the wall behind my desk, framed simply, deliberately. Her, caught mid-movement at the masquerade, eyes sharp with focus and defiance. Not posed. Not smiling. Alive in a way most women in our world never are.

“You’ve been watching me,” she says, voice low.

“Yes.”

“For how long?”

“Since the masquerade. The night you stole from me.”

Silence stretches between us, heavy and charged. Finally, she laughs, breathless and incredulous. “What did I take from you?” she asks, shaking her head with disbelief.

“My watch.” Anger simmers behind my words. I expend a lot of energy keeping it from breaking through. “Distinctive enough that you wouldn’t have been able to sell it, so I assume you threw it away.”

“Then you don’t know me as well as you think you do,” she spits back. “You really think I’d ever choose this? Willingly choose to take from strangers who have done nothing to harm me?”

I step closer until there’s no space left between us, close enough that she has to tilt her head back to meet my gaze. I don’t touch her. Touch would cheapen this moment.

“I think,” I say quietly, “that you felt you had no choice.”

Something fractures behind her eyes. Just a hairline crack. Enough.

“But I don’t think you understood the consequences of your actions, either.”

I step back and gesture toward the door. “Mariska will show you to your room. Dinner is in an hour. You’re free to explore the house.”

“And if I don’t come down for dinner?” she asks.

“Then I’ll assume you’re plotting,” I state with a grin.

Her mouth curves into a sharp, dangerous smile. “I already am.”

She turns and walks away, spine straight, steps steady, carrying her fury and her intelligence and her hunger for escape up the stairs like weapons she’s not ready to set down.

I watch until she’s gone.

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