13. Sophie #2

"I mean — I was. For weeks. Months, if I'm honest, which I am apparently doing tonight whether I want to or not." My hands are doing something I don't authorize, twisting the hem of my sweater into a knot. "But that's not — that's not actually the thing. I'm afraid I'm not—"

I stop. The sentence just stops, hangs there in the air between us, unfinished, the way it's stopped every single time I've gotten close to it since the construction site six weeks ago.

Grant crosses the room in four steps. He doesn't touch me — his hands stay at his sides, careful, deliberate — but he stands close enough that I have to tip my head back to look at him, and something in his face has changed.

The cold is gone, replaced by something that looks almost like recognition, like he's finally reading the right chart.

"Finish it," he says.

Quiet. Not a demand. An invitation, low and steady, the same voice he probably used on frightened people in worse rooms than this one, in worse countries than this one, for nineteen years.

I look at him. At the scar through his eyebrow I've never asked about. At the five o'clock shadow that's been there, apparently, since roughly four o'clock. At the whole unreadable architecture of a man who has spent his entire life taking care of everyone except himself.

"I'm afraid I'm not worth staying for," I say.

"There. I said it. It's stupid, and it's been sitting in my chest for five years, and I hate that it's still true even now, even with you standing in my kitchen having turned down two hundred thousand dollars for something you could apparently get anywhere.

I don't know how to make it stop being true just because you keep showing up.

I don't know how to just — believe it. Believe that you're not going to wake up in six months and realize you gave up an entire life for the woman who used to bring casserole to your mother's kitchen because nobody better was available to marry your brother. "

It comes out in a rush, messier than I planned, all the edges still raw.

I'm crying by the end of it — not delicately, not the tasteful single-tear crying of women in movies, but the real, ugly, breath-catching kind, and I hate it, and I can't stop it, and some small clinical corner of my brain is already cataloguing my own face for later mortification.

Grant doesn't say anything for a second. He's very still, the way he gets when he's absorbing something that costs him to hear. Then he turns, walks to my kitchen counter, and picks up the succulent.

It's such a strange, specific thing to do that I actually stop crying long enough to watch him do it, baffled. He carries it back and sets it down on the table between us, careful with it, like it's something that matters.

"You've kept this thing alive for a year," he says.

"Through your divorce. Through twelve-hour shifts you came home from too tired to feed yourself, let alone a plant.

Through a summer you told me once you don't even remember most of.

" He looks at me, not the plant. "You didn't do it because it was easy, Sophie.

You did it because that's what you do. You keep the things that are worth keeping, even when you're barely keeping yourself together. Especially then."

He pauses.

"I'm not leaving," he says.

Three words. No speech. No paragraph of careful reassurance, no rehearsed line from the truck ride over. Just that, standing in front of a spiteful, thriving succulent, like it's the most obvious fact in the world and he can't understand why it needed saying at all.

Something in me — the thing that's been braced for five years, the thing that flinches before it's even been hit — finally, finally lets go. Not all at once. In pieces, like ice cracking on a lake, one long fracture at a time.

"I'm aware this is extremely inconvenient timing," I say, and my voice cracks right down the middle on the last word, "but I'm in love with you."

It's not elegant. It's not the speech I would've written if I'd had time to prepare, if I were the kind of woman who plans her declarations of love with the same rigor she plans a differential diagnosis.

It's just true, and it's out, hanging in my kitchen next to the succulent and the wine he barely touched and the dish towel I refolded roughly nine times.

Grant doesn't say it back.

He crosses the last three feet, pulls me in against his chest, and says my name. Just that. Sophie. Once, low, against my hair, like it's the only word he's got left in him and it's carrying everything the others couldn't manage.

That's his I love you. I understand it instantly, the way I understand a chart at a glance after eight years of reading them — this man does not do declarations.

He does staying. He does turning down two hundred thousand dollars and standing in a kitchen holding a plant like it's evidence in a trial he's determined to win.

He just said everything he had, in one word, and I heard it, and it is, somehow, completely enough.

"Okay," I say into his chest, my voice muffled and wrecked. "Okay. That's — good. That works."

I feel him laugh, silent, more breath than sound, his chest moving under my cheek. "That works," he repeats, like it's the funniest thing he's heard all week.

"I'm processing a lot right now, Grant. Give me a second to be eloquent."

"Take your time."

"I'm in love with a man who thinks I'm not leaving is a complete emotional monologue."

"It got the job done."

"It really did," I admit, and pull back just far enough to look up at him, and something about his face — unguarded now, none of the careful stillness left in it — makes my chest ache in an entirely different, entirely better way than it did five minutes ago.

He kisses me then. Slow, and certain, one hand coming up to frame my jaw like I'm something he's been waiting a long time to be allowed to hold this carefully.

There's no five-week countdown hanging over it, no expiration date scrawled somewhere in the back of either of our minds.

It's the opposite of every kiss we've had before it — unhurried, landed, like something that's been in freefall for months finally, finally touching ground.

This is, without question, the best terrible decision I have ever made in my entire life. And I am going to enjoy every single minute of finding out how right it is.

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