Eduard
The call comes at four-thirty.
“Popov wants to meet.” Jasper’s voice is flat and devoid of any emotion. Like that request is just another boring day in the office.
My gaze automatically sweeps over to Sammie, who is curled up on the sofa watching some British baking show or other.
“Fine, neutral territory, set it up.”
I join her on the sofa. The afternoon bleeds into night, I go down on her again while she still tastes of both of us. She comes apart on my sofa and I wonder if I could make her come in every room of this apartment before morning.
Jasper calls again at just after seven.
“The meeting is set up, eight o’clock, so get moving.”
He sends directions straight to my phone as I pull Sammie onto my lap for a kiss.
“I have some business to deal with,” I tell her, stroking a tendril of hair back behind her ear. “Then everything should go back to normal.
Disappointment flashes in her eyes, gone as quickly as it came.
“Okay,” she says. “Anything I can help with?”
I shake my head. “No, I shouldn’t be long.”
I hate leaving her.
Dmitri notices I’m not my usual self but keeps his thoughts to himself as he drives to the restaurant where I’ll meet Mechislav before heading into the meeting.
Mechislav is waiting inside the doors with two vehicles idling and six men I chose myself, and he takes one look at my face and skips the greeting.
"Terms or war?" he asks. That's Mechislav. Twenty years at my father's shoulder, then mine, and he's never once needed a sentence where a word would do.
"Terms," I say. "Unless they're stupid."
"They're Popov’s. Stupid is the family business." He falls into step beside me, handing me a thin folder as we walk. "Neutral ground is Orbeli's back room. Their choice, which means they swept it this afternoon, which means we swept it an hour ago. Vladislav is bringing four men and the nephew."
I stop walking. "Onisim is coming."
"Vladislav insisted." Mechislav watches me with the flat patience of a man who has known me since I was a boy in my father's office, learning what stillness is for.
"That's a message, Eduard. He's showing you the man who saw your woman, in a room where you can't touch him. He wants to know what she's worth."
"Then tonight is efficient," I say, “because he’s going to find out."
Orbeli's is an Armenian restaurant on the border of nobody's territory, which is why it's survived forty years hosting conversations like this one.
The back room smells like stale booze and old smoke.
Vladislav Popov is already seated when I come in, a wide, gray man in his sixties with a boxer's flattened knuckles and a merchant's careful eyes.
Behind his left shoulder, leaning against the wall with his hands loose at his sides, is the man who saw Sammie.
Onisim Popov. Younger than I expected. Still in the same way that concerns me, because it's the same stillness I practice, the kind that isn't natural and had to be built.
He watches me cross the room. I don't look at him at all. That's the first message, and it costs me something to send it, because the animal in my chest has been awake since Tuesday night and it wants to rip his eyes clean out of his head.
"Federov." Vladislav doesn't stand, but he inclines his head, which from him is about as much respect as he is ever willing to part with. "Sit. Eat something. Anahit made the dolma."
"I won't be staying long enough for dolma."
"Your father would have stayed for dolma."
"My father is dead, and you're doing business outside of the scope his son allows you to do business." I sit, unbutton my jacket, and lay one hand flat on the table. "So. Talk to me about Gerald Finch."
Vladislav spreads his hands, unhurried. "An internal matter. An accountant who moved our money into places our money should not have gone. It was resolved."
"It was resolved on my territory. In daylight.
Outside a building I was actively watching, which you knew, because Finch told you I was watching it, which is half the reason you shot him.
" I let that sit. His careful eyes flicker, once, confirming it.
"You could have resolved him in the eastern quarter.
In a basement. In the harbor. You resolved him on Calloway Street at closing time because you wanted to send a message. You wanted to know what I'd do."
"And what did you do?" Vladislav says, softly, and his gaze slides sideways toward the nephew against the wall. "You emptied a café."
The room is very quiet.
There's a version of this meeting where I pretend she doesn't matter.
It's the version my father would have played.
Never show them the wound, never name the thing you can't lose, starve them of the map to you.
I considered it in the car, turned it over, examined its logic, and rejected it, because they already have the map.
Onisim stood on that sidewalk and looked at her window and made his assessment.
Pretending otherwise doesn't protect her.
It just delays the conversation to a night when I'm not in the room.
So I give them the other version.
"Here are my terms," I say. "You pull back to the river.
Everything east of it stays yours, and I'll release the Finch ledgers to you instead of to the prosecutor's office, and the matter of you conducting an execution in my territory is closed.
No blood price. That's generous, Vladislav, and you know it's generous, and you'll take it, because your crew is overextended and your money is tangled. The last thing you can afford is me."
Vladislav's jaw works. "And in exchange."
"In exchange, nothing. That's the deal for the territory." I lean forward, slowly, and now, for the first time, I turn my head and look at Onisim Popov, and I let him see everything I've been keeping out of my face since I walked in. "This next part isn't a deal. It's information.
"The café on Calloway Street is mine. The woman who owns it is mine.
Her staff, her building, her customers, down to the animals sleeping in her window, all of it now sits under my protection, permanently, and that protection doesn't expire when this territory question is settled, and it isn't contingent on your good behavior anywhere else.
She saw nothing on Tuesday. There is no witness, there is no loose end, there is no variable.
There's only a line, and I'm drawing it for you tonight in a neutral room, as a courtesy. "
Onisim doesn't move. But something shifts behind his eyes, an adjustment, a recalculation, and I speak the rest directly to it.
"If she's hurt, I won't negotiate. If she's frightened, I won't negotiate.
If a Popov so much as orders coffee on Calloway Street and stands too long at the counter, I will take it as intent, and what happens after that won't be strategy.
It will be appetite, and it won't stop. There's no version of harming her that you survive.
Not you, Onisim. Not your uncle. Not the crew, not the buildings the crew stands in.
I'll spend everything my family has built, to the last man and the last dollar or ruble, and consider it well spent. "
The silence stretches. Somewhere in the front of the restaurant, a chair scrapes, life going on.
Vladislav studies me for a long moment, and I watch him understand it, truly take it in. The strangest thing moves across his flattened old face. Recognition. He glances at his nephew, then back at me, and he sighs like a man setting down a crate.
"Thirty years I knew your father," he says. "Hard man. Never once in thirty years did he sit in a room and hand me his own heart to look at." He shakes his head slowly. "Either you're a fool, Federov, or you're more dangerous than he ever was."
I grin, putting every ounce of what’s feral inside of me into it. "I'm not a fool."
"No," Vladislav says, after a moment. "I don't believe you are.
" He picks up his glass, drinks, sets it down.
"The river. The ledgers by Friday. And the café on Calloway Street doesn't exist. None of my people will remember the street is there at all.
" He looks at Onisim as he says it, and it's an order, and Onisim inclines his head a precise inch, eyes still on me, and I hold them until he looks away first.
Business concludes the way all Bratva business does, with details, with Mechislav and their advokat trading logistics. At the door, Vladislav catches my arm with his boxer's hand, and says, quietly, in the old language, "Does she know what she's worth?"
"She has no idea."
"Good," he says. "Keep it that way. A woman who knew she was worth a war would be insufferable." And he laughs at his own joke, wheezing, and lets me go into the night.
Dmitri has the car at the curb. I sit in the back and wait for the city to start sliding past. I take out my phone, and there's a message waiting from twenty minutes ago.
Sammie: Your television has 900 channels and I found the one that's just a fireplace. I have questions about your life choices. Also I saved you dessert but the situation is deteriorating.
I read it three times. Eight blocks east, above a street the Popov crew has agreed to forget, a woman in my sweatshirt is defending a dessert from herself in front of a broadcast fire, and I've just promised a room full of dangerous men that I'd burn everything I own down to the foundations for her, and both of these facts are true at once.
Me: Guard the dessert. I'm coming home.
I look at the word after I've sent it. Home. First time I've used it for that apartment in nine years.