Chapter 4

Jude

The corridor between Ward C and the medical wing is forty-two meters.

I've walked it nine times since they put me in this building.

Two guards per transfer—it should be four, but they're short-staffed today.

Standard formation—one at my left shoulder, one at my right, half a step behind.

My wrists sit in front of me because the cuffs feed through a waist chain and the waist chain threads through a belt loop on the escort vest, which gives me roughly fourteen inches of play between my hands.

Fourteen inches is enough.

The guard on my left is new. Young. Keeps his radio clipped high on his vest, which means he'll have to reach across his body to key it. Two seconds, maybe three, depending on whether panic locks his fingers.

The guard on my right is Dane Ryan.

Dane has been on shift rotation in Ward C for two years.

I know his schedule, his boot size, the hitch in his right knee from an old football injury that makes his step slow.

He drinks with Rick Dutton after Thursday shifts and calls his ex-wife on Sundays when he's sober enough to pretend he's fine.

It's funny what you hear when the guards don't think anyone's listening.

He's walking too close. His hand sits on my upper arm where it shouldn't be, fingers digging into the muscle above my elbow. Whatever they injected this morning has my hands slow. Not my head. They've started sedating me even when I'm not attacking the staff.

Dane leans in. His breath smells like coffee and the mint gum he chews to cover the coffee.

"Hear the new monitor's been writing you up as stable." His voice stays low. Meant for me. Not for the kid on my left. "Stable. That's a good one."

I keep walking.

"Clipboard woman thinks she's going to save you." His grip tightens. His thumb presses into the nerve bundle between my bicep and tricep. It hurts. He knows it does. "Rick thinks she's cute. I think she's stupid. Walking into your cell like she's visiting a fucking puppy."

My jaw locks.

"Women like that." He adjusts his hold, crowding me toward the wall so my shoulder hits it. The new guard glances over. Dane shakes his head and the kid looks straight ahead again. "Women like that don't last. Somebody always teaches them where the line is."

Dane's hand moves to my shoulder. Squeezes. His other hand drops to my waist chain and pulls it taut so the belt digs into my hip bone.

"Between you and me," he says, "I give her a month."

I stop walking.

Dane's hand is still on my shoulder. His weight is forward, leaning into the push. His feet are planted wrong—too close together, right foot turned out because of his knee. The new guard is half a step behind on my left side.

I drop my center of gravity, twist my right shoulder toward Dane's body, and drive the heel of my cuffed hands into his extended wrist. The radius and ulna break under the strike.

His grip releases. I'm already inside his reach.

My elbow drives upward into his shoulder joint from underneath and the ball pops free of the socket—a wet crack that bounces off the corridor walls.

Dane screams.

His other hand swings for me. I catch the fist between both palms, lock his fingers, and wrench the hand sideways until bones give. I feel them snap.

He drops. His knees hit the concrete and his shattered hand cradles against his chest and his scream thins to a wet, continuous whine.

The new guard hasn't moved. He stands with his mouth open and his right hand frozen halfway to his radio. Dane is on the floor between us, folded over his own arm, and the corridor fills with the sound of him trying to breathe through it.

"Key your radio, kid," I tell him.

He does.

The swarm takes under a minute. Faster than their average. Four men from the end of the corridor, two from the checkpoint behind us. Shields up, formation tight, boots moving together. They pin me face-down on the floor and someone drives a knee into my spine hard enough to empty my lungs.

I let them.

Cold floor against my cheek. The taste of dust and floor cleaner. Hands wrench my arms up behind my back and a second set of cuffs goes on over the first. Someone's boot presses the side of my head into the ground and holds it there.

"Code White, I repeat, Code White, medical corridor. Patient restrained. One officer down. Need medical and the sedation nurse."

Nurse Devina's shoes click down the corridor a minute later. Short steps, fast, always half-running. She kneels beside me and I hear the needle puncture the vial stopper, the tap of her finger against the syringe barrel clearing the air.

"Full stack," someone says above me. "Hudson's orders."

Not the incident dose. The stack they use when they want me gone.

The needle goes into my shoulder, the plunger drops, and the chemical hits my bloodstream cold. It spreads from the injection site outward—shoulder, neck, chest, down through my ribs, into my stomach. My fingers go first. Then my jaw. Then the corridor starts to smear and melt away.

The last thing I process before I lose the room: the response team's formation held a gap on the left side, second man from the wall.

Sloppy. Exploitable. Without the stack in my blood, I'd go through all six of them.

At Bragg, my pain threshold tested anomalous and I tore through solid doors bare-handed that the rest of my cadre needed breaching tools for.

Three years of bodyweight work in a cell hasn't changed anything—the drugs just give them a head start.

Then I'm gone.

I come back in pieces. The ceiling first—different ceiling, different cell. Solitary. It runs on a schedule I can't track.

The cell has no window. The light stays on—fluorescent, the same flat white whether it's morning or midnight.

They feed the doses through on a timer I can't see.

Door opening, Devina's shoes, the needle, then the floor tilts again and the ceiling blurs and my body sinks into the mattress until there's nowhere left to sink.

I try to count the injections. I lose count after the fourth. Might be the fifth. The drug stacks on itself, each dose landing before the last one clears, and the gaps between lucid and buried get shorter until there are no gaps at all. Just a gray wash that swallows time and detail.

The tray slot opens and closes. I don't eat. Devina comes back—hand on my arm, needle in the vein, the cold spreading before I can brace for it. "Stay still," she says. I wasn't moving. Guard boots pass my door without stopping.

My fingers curl, slow, one at a time. The usual sedation slows me down. This buries me.

I breathe because I make myself breathe.

The injections keep coming.

Somewhere in the gray, it hits me. The real penalty.

No pen click.

The door opens and closes on Devina's schedule and the tray slot cycles and the guards pass in the corridor. But the sound I'm listening for doesn't come. No light footsteps. No lock cycling at a different time. No voice asking me how I'm feeling.

She's not coming.

I've survived worse boxes than this one. Leavenworth. Pueblo. The hole they put me in after I killed the Aryan Brotherhood's shot-caller with a lunch tray. The worst thing in all of them was the boredom, and I'm built for boredom.

But this time, the gray feels heavier. The cell feels smaller. I catch myself listening for her and I can't stop.

The fog starts to thin on what must be the seventh day. They pull me out of solitary, cuff me, walk me to the visitors' room. I know the route. I've walked it twice a year since they put me here—every time Kent Ashton decides a phone call won't cut it.

Kent sits across from me with his hands flat on the table, his suit jacket buttoned and his hair pulled back tight. I've seen this face before. Cross-examination mode—composed and furious underneath it.

I've been upright for six hours. Long enough for my hands to close on command. Long enough for the room to hold still. My mouth still tastes like aluminum and my left eye won't track right, but I can sit in a chair and that's what Kent needs from me right now.

"How many days," I say.

"Seven." He doesn't move. "Seven days, a full punitive stack, and a guard in surgery. You dislocated Dane's shoulder and broke four bones in his hand."

"Three."

"The hospital counted four."

I don't argue. My count might be off.

Kent leans forward. His fingers press harder against the table. His knuckles are white.

"Every incident goes into Hudson's file," he says.

"Every Code White is a justification for escalation.

You know this. I've told you this a hundred times.

You're giving him what he needs to bury you, Jude.

Stop being such a fucking idiot. You're working against me trying to get you the hell out of here. "

"Dane put his hands on me."

"I don't care."

I hold his gaze. Kent holds it back. Twenty-five years and he's the only person alive who doesn't look away from the man I've become.

"He talked about her," I say.

Kent's brow creases. "Who?"

"The monitor."

"The court-appointed monitor." He says it slow. He filed the motion that put her there—he knows exactly who she is. What he doesn't know is why I care. "Hope Turner. That's what this was about?"

I don't answer.

Kent leans back and studies me. I've known this man since we were six years old and I can count on one hand the number of times I've caught him off guard. This is one of them.

"She isn't scared of me," I say. "Everyone in this building is afraid of me. She isn't. She sits in there and asks me how I slept and writes down everything I say. No matter what I do or say to her, she doesn't show any fear."

That's more words than I've given anyone in months. Kent knows it.

He's quiet for a moment. Then he moves on.

"Her access has been suspended. Pending review of the incident and your psychiatric evaluation.

Hudson pulled the sessions the day they put you in the box.

" He pauses. Lets that land. "She can't come back until you're cleared for standard monitoring.

Kennedy has to sign off. Hudson has to approve.

Every day you're in here is a day your new little obsession isn't."

I don't move. My hands stay flat on the table, mirroring his without meaning to.

"You understand what I'm telling you," Kent says.

"Her reports are the only counter to Hudson's file.

Every time she walks into your cell and writes down what she sees, it goes to the court.

The court sees a man who is stable, lucid, and over-medicated.

That's the case. That's what gets you out of here.

" His voice drops. "When you break a guard's hand, Hudson doesn't see a man defending himself.

He sees a patient who proves every dosage increase was justified.

And the monitor who was documenting otherwise gets locked out. "

"She'll come back."

"Not if you keep giving them reasons to pull her.

" He leans in. "Listen to me. This facility is one incident away from a sedation protocol that puts you in a permanent chemical hold.

I've seen the draft. Hudson has it written.

Continuous infusion, round-the-clock monitoring, a dosage that makes the stack look like aspirin.

It goes into effect the next time you trigger a Code White, and once it's in place, no court motion I file will move fast enough to undo it before the damage is done. "

Neither of us talks for a while.

"You want her to keep coming?" Kent's voice is flat.

"Give the court a patient worth releasing.

A cooperative patient is a patient worth observing.

More sessions. Longer sessions. Sessions outside a cell.

Every privilege expands with your behavior and contracts with your violence.

That's how this works. You just haven't cared enough to play the game. "

"And now?"

"Now you want something. So play their fucking game."

I lean back. The chair is bolted to the floor and the chain between my wrists clicks against the table edge.

Kent watches me long enough to see the answer before I give it.

I'll behave.

I know what it looks like. Keeping my face neutral.

Sitting through Kennedy's sessions and feeding him the breakthroughs he puts in his papers.

Walking the transfer corridor with guards who crowd me and mouth off and believe they're safe, and letting them believe it.

Letting men like Dane breathe. Letting the ones who talk about her keep their limbs.

All of it for a woman who heard me describe fourteen kills, asked a follow-up question, and told me to eat the toast like I was a fucking toddler.

The coldest plan I've ever made. And underneath it, the thing I can't plan around—I want her in the room.

Not for the case. Not for the court. I want the sound she makes when she clicks the pen, and the way she crosses her ankles when she sits, and the coffee-and-coconut smell that fills my cell for an hour after she leaves.

"When does Kennedy schedule the evaluation?" I ask.

The corner of Kent's mouth twitches. "I'll make sure it's this week."

He stands. Buttons his jacket. Then he stops.

"Jude."

"What."

"Be a good boy and don't touch the staff."

"Yes, Dad, I heard you."

He leaves. The guard locks the door behind him.

I sit in the bolted chair with the fluorescent light humming overhead, the aluminum taste still coating my tongue and the bruise on my spine where someone's knee drove in, and I think about her footsteps. The ones that don't speed up when they reach my door.

Tomorrow I'll do everything they've spent three years trying to make me do. I'll comply. I'll cooperate. I'll be the patient Hudson claims he wants and watch the confusion spread across his face when I give him exactly what he's asked for.

That should scare them more than anything else I've done in here.

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