Chapter 25

TWENTY-FIVE

KNOX

I turn back to the table and she's gone.

Not gone like she wandered toward the trucks.

Gone.

I do a slow circle of the command area with my eyes and don't find her anywhere in it. The not-finding takes about two seconds and feels like two hours.

"Wyatt." I cross to him fast enough that he looks up from his phone mid-sentence. "You see Maren?"

"Not in a while." He's already scanning the lot behind me, same instinct I just had, same two seconds of not finding her. "She was right there ten minutes ago."

Her truck isn't in the lot.

I go back to the table. Jacob's pages are still there, untouched except for one thing. A column of numbers, circled twice in her handwriting, the pen pressed hard enough to nearly tear through the page.

"Give me the topo map," I say. "I want to check this against something."

Wyatt crosses to his truck, pulls the door open, checks the seat. Checks the floor. Checks it again like the second look might change the answer.

"It's gone," he says. "I folded it up an hour ago. I left it right there."

I look at the empty seat. Then back at the circled numbers.

She took it.

Holt is at my shoulder before I call for him, reading over my head the way he does, fast and silent. He goes still which means his brain finished the math mine's still working through.

"That's not a corridor waypoint," he says. "That's a runway heading."

"A what?"

"Elevation and heading, paired like that. I've read a hundred of these." His voice doesn't rise, doesn't change at all, and that flatness is somehow worse than if it had. "There's an airstrip out there, Knox. And she went and found it herself."

The ground moves under me for one full second. The kind of drop that has nothing to do with elevation.

"She wouldn't wait for a plan," I say. I've known Maren long enough to know exactly what she does with a piece of information nobody else has yet.

"No," Holt says. "She wouldn't."

Our horses stand at the picket line twenty feet away, staged for today's grid work, and I'm already moving toward Outlaw.

Holt swings up onto his stallion without a word, already turning him toward the tree line, already reading ground the way he reads everything, fast and complete and without a single wasted look.

We ride.

The spur road holds for the first stretch and then gives out into washout and deadfall exactly the way it always has.

Ground I've known since I was seven years old, ground my father put me on before he taught me to read a room or break a man's resolve.

Outlaw finds his footing without me having to ask him to.

I give him his head through the worst of it because there is no version of slowing down that I can survive right now.

We crest the last rise and I see her truck.

Parked at the tree line, exactly where she left it. My stomach drops in a way that has nothing to do with distance and everything to do with what an empty truck means out here.

"She walked in from here." Holt is already off his stallion, crouched, reading boot prints in dirt still soft from two weeks of storm runoff. "Recent. Moving fast, not careful."

I'm off Outlaw before he finishes the sentence.

The airstrip opens through the last stand of timber, a long flat scar of packed dirt with a windsock hanging dead in the still afternoon air.

No structures. No fuel tanks. Just ground somebody cleared decades ago and kept quiet ever since, sitting exactly on the seam where Sullivan land meets Blackwater lease meets national forest, the one stretch of county where nobody official has reason to look twice.

Her tracks cross the strip. Then a second set joins them, boots twice the size of hers, coming out of the tree line on the north side.

The story after that isn't one I want to be reading, and the ground tells it to me in about four seconds anyway.

A scuff mark, deep, one heel dragged sideways through the dirt.

Her phone, screen shattered, lying face-down in the dirt.

I pick it up. I don't know why. I shove it into my jeans pocket anyway, because leaving it here feels like leaving a piece of her behind and I'm not doing that, not today.

Tire tracks cut across the strip past where her boots stop.

Wide, heavy, the tread pattern deep enough that it wasn't a sedan and wasn't a truck either.

Something built to carry weight. A cargo van, maybe, judging by the width between the tracks and the way they dug in tight on the turn, like whoever was driving wasn't worried about being seen from the air and wasn't in a hurry to leave quietly.

They weren't hiding anymore. They were already finished.

"Knox."

Holt's level voice comes from twenty feet out, crouched near the edge of the strip. I cross to him and something in my chest turns cold and quiet in a way I don't have a name for yet.

A manila folder, half-buried, stepped on in the same motion someone dropped it.

Water-warped photographs of old survey stakes.

A page of coordinates that don't match any grazing lease filed anywhere I know of.

And underneath it all, a typed manifest, Blackwater's logo stamped clean across the header, a commodity code that has nothing to do with cattle.

I read it once. Then again, because the first read doesn't land the way it should.

The code isn't random, either. I've signed enough interstate freight paperwork to read a commodity class on sight, and this one is for geological samples.

Assay cores. The kind of freight that only exists when somebody has been drilling into ground they want tested quietly — and the only ground in this county anyone has ever been quiet about is riding the western horizon right now with a glacier on its shoulder.

Broken Sky.

Core samples out of a mountain nobody is supposed to still care about. That's what rode north in a cattle truck under a Sullivan contract while two families stood at a rodeo pointing fingers at each other across fifty yards of dirt.

The shipment was never cattle. It was cover.

What moved through that truck the day it vanished was worth burying a man's whole life for, worth a killing in 1987 over survey lines nobody was supposed to still care about, worth McKenna spending years positioning itself exactly here, in the one blind spot two families built by refusing to talk to each other.

She stood right here. Alone. Cracked open the center of everything we've circled, and somebody took her before she got the chance to tell me a single word of it.

The rage comes up out of nowhere and knocks the breath clean out of me.

Not the cold kind. Not the useful anger I've spent my whole life turning into leverage.

This is red and total, and it takes the ground out from under me for one full second, everything narrowing down to the boot prints, the shattered phone in my pocket, and the fact that somewhere north of here men I've never met have their hands on the only thing I have ever actually wanted for myself instead of for this family.

My hands go completely still.

Then I'm reaching for the gun at my hip before I've decided to move at all, my body arriving at it faster than my mind does. Holt's voice comes from somewhere far away, steady, the only thing in the world right now that isn't shaking.

"Knox."

I don't answer him. I check the mag. My hands are perfectly still now, which is worse than the shaking was, because I know exactly what that stillness means and what I'm capable of doing while I'm in it.

"Van tracks head north," Holt says, quieter this time, watching me the way he'd watch a horse that's about to bolt. "Toward the Reservation cutoff. Maybe an hour on us."

I holster the gun.

There's a version of me built for exactly this.

Gideon built it. His father built the version before that, generations of Blackwater men who understood that some ground only gets held by people willing to bleed for it.

I've spent my whole life being trained into a shape I never let myself fully become.

I let myself become it now.

"Full operational," I say.

Holt looks at me for one second. Long enough to confirm I mean it exactly the way it sounds.

"Rules?"

"None."

He doesn't ask twice. He's already moving to his saddlebag, and what comes out of it isn't standard tack. A case I've seen exactly twice in my life, both times in this same register, equipment that never came from a sporting goods store and was never meant to.

I pull out my phone. My hands are shaking again now. I let them and keep dialing anyway.

Nine calls in fourteen minutes.

First, a man who runs cattle on both sides of the border and hasn't needed a reason from me in six years. "Cargo van, heavy tread, headed for the cutoff. I need every crossing flagged in the next hour, official and otherwise." He doesn't ask why. It's already done before I finish the sentence.

Second, a trucker who's been on Blackwater payroll since before I could drive, who knows every logging road between here and the border better than the county does. "Cover the timber routes north of the cutoff. You see a van matching that, you don't stop it. You call me first."

Third, a county employee who's owed this family a favor so old neither of us remembers its original shape. "Real-time cell tower pings." I read her number from memory, because I've had it memorized since a rodeo and some part of me already knew I'd need it exactly like this.

Fourth, a vet forty miles east who treats things that don't get written down, not for animals. Four words. I hang up before she finishes answering.

Fifth. Sixth. Seventh. Names Gideon taught me before I understood what they were for.

Men who move information, men who move vehicles, men who owe this family more than they'll ever finish repaying, and every one of them says yes before I've finished explaining why.

Generations of Blackwater men bled and bought to guarantee exactly that, on exactly this kind of afternoon.

Eighth is Wyatt. "Stay near a phone. I need someone running comms while Holt and I are in the field."

His voice cracks once. Steadies. "Copy. Go."

Ninth is Dawson.

I almost don't make it. The old lines want to hold, Blackwater business stays Blackwater business.

A Sullivan doesn't get pulled into whatever this family activates when it stops asking permission.

Then I think about her standing right here an hour ago, alone, doing the work of both families because neither patriarch has ever once treated her as anything but a card worth playing.

I make the call anyway.

"Dawson. Maren's taken. Boundary airstrip. I need everything Sullivan Transport has on northbound vehicle movement tonight, and I need it before you call your father, not after."

One beat of silence. Then, flat and immediate: "Send the location."

I send it.

The phone rings in my hand before I can pocket it. Tate.

"She sent me coordinates before she walked in," he says. No greeting. "With instructions to hand them to you at four o'clock if she hadn't checked in. It's three-forty. I'm not waiting the twenty minutes."

"I'm already standing on them."

A beat. "Of course you are." Then, quieter: "Bring her back."

I hang up and hold onto the one thing that call just handed me.

She walked onto this strip alone, but she walked onto it with a wire already run to the one brother who wouldn't hesitate.

Too smart to be stopped. Too smart to go unaccounted for.

It doesn't make the rage smaller. It gives it somewhere to stand.

Holt swings back onto his stallion, the case secured behind his saddle, his face gone to the stillness he wears in place of anything softer. Whatever's coming, he already decided he'll do what needs doing and never say the specifics out loud again.

I look at Outlaw. At the empty strip. At the shape of her phone through the fabric of my jeans pocket, the one piece of her that got left behind.

I feel the absence of her like something torn loose.

A wrongness with actual weight to it. I've been cataloguing every version of Maren since I was sixteen years old.

This is the first one I don't have. The one where I don't know if she's frightened or fighting or already hurt, and the not-knowing sits in my chest with teeth.

I mount up.

Holt looks at me once before we ride. Not a question. Just a man confirming his brother is still in there somewhere, underneath whatever's about to come out.

I don't know how to answer that honestly, so I don't try.

I'm not the heir today. Not the rancher, the businessman, the son who plays the long careful game and waits for Gideon's permission to become what he was always built into.

I'm something else, riding north into timber with nine calls already working and a brother beside me.

I don't have a name for it yet.

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