Chapter 17
SEVENTEEN
TANITH
Ileave before dawn, while Arax maintains his vigil across the shelter.
The decision crystallized during the darkest hours of the night, while I lay on my cot pretending sleep I couldn’t find.
Intelligence from Syrren’s latest report: three captives scheduled for sacrifice at a nexus site seventeen miles deep in the Reach.
Two women. One child. The strike teams don’t deploy until noon—standard protocol, coordinated assault, systematic elimination of defenses.
By noon, the sacrifice cycle will be complete.
The camp’s perimeter wards recognize my magical signature and let me pass without raising alarms. I move through the gray predawn silence the way I’ve moved through hostile territory for years—each step calculated, my presence muted by the same skills that kept me alive during the long months before a dragon decided I was his to protect.
He will notice I’m gone within minutes of waking.
He will come for me.
I know this with a certainty that should trouble me more than it does. But I keep walking anyway, because three people will die if I don’t, and I’ve spent too many years watching people die while I waited for better timing.
The nexus manifests as the sun crests the horizon, casting sickly orange light across a landscape that shouldn’t exist. It’s built around a ley-line scar—one of the magical wounds left behind when the Reach first began its expansion—and the ash flows that power it pulse with rhythmic malevolence.
Temporary structures cluster around a central platform where the ritual framework hums with accumulated energy.
Not permanent. The nexus relocates through ash currents, following paths the Choir’s leadership tracks but never shares. Catching one requires either perfect intelligence or catastrophic luck.
Syrren’s intelligence was perfect.
I settle into position behind a collapsed wall—what remains of a structure erased so long ago that even the memory of its purpose has faded.
The ash here is thick, coating everything in fine gray powder that tastes like metal.
My lungs protest, but I control my breathing the way I’ve learned to control everything else: with discipline gained through years of running.
I count guards. Seven visible—four patrolling the perimeter, three stationed near the platform where the captives will be held. More concealed, probably. The Choir doesn’t leave its mobile operations understaffed.
The captives themselves are barely visible from this angle—shapes huddled in the makeshift cage near the platform’s eastern edge. I can’t make out details, but I can see the way they’re positioned: protective, clustered, the larger shapes shielding the smaller one.
The child. The one Syrren’s report mentioned.
She was separated from her parents during a refugee convoy attack three days ago. The parents are dead. The girl was kept because children process differently during sacrifice rituals—their fear is purer, their desperation less contaminated than adult resignation.
The Choir values that purity.
I circle wide, approaching through a gully choked with ash thick enough to mask my presence. The Choir’s own ambient magic provides cover against their detection wards. There’s bitter satisfaction in using their tools against them.
The first guard notices me three seconds before my knife finds his throat.
Three seconds too long.
His warning shout brings the others running, but I’m already past the outer perimeter, already moving through the ritual preparation area toward the holding structure.
The element of surprise is gone. What remains is speed, precision, and the hope that I can reach the captives before the defenders reorganize.
The holding structure is crude—a cage of woven ash-metal, its bars humming with containment spells that prevent escape.
Three figures huddle inside: two women in their thirties, hollow-eyed and trembling, and a girl who can’t be older than eight.
The child looks up as I approach, and I see recognition flare in her face.
Not recognition of me specifically. Recognition of rescue. Of hope.
“Stay quiet.” I work the lock with picks I’ve carried since Morrith—tools that have opened worse doors than this. “Stay close. Do exactly what I tell you.”
The lock yields. The cage swings open.
And the trap springs.
They don’t emerge from the structures.
They rise from the ash itself—cultists who buried themselves in the corrupted substrate, their bodies suspended in partial dissolution until the moment I breached the cage’s wards.
Twelve of them. Fifteen. Twenty. Their faces bear the characteristic blur of the devoted—individuality consumed, identity erased.
Some of them might have been beautiful once.
Some of them might have had families, histories, reasons for breathing that didn’t involve annihilation theology.
None of that matters now. What stands before me are shells animated by borrowed purpose, and they will kill the people behind me if I let them.
“Yael witch.” The words emerge from twenty mouths simultaneously. “The Cardinal’s patience has limits.”
I grab the child and pull her behind me, my free hand already invoking Termination.
The power floods through me—cold, final, the familiar weight of my bloodline’s gift.
The first attacker’s enhancement spells collapse as my magic finds them, his body suddenly mortal, suddenly vulnerable.
My knife opens his throat before he can recover.
But there are too many.
The two women have the sense to stay low, to make themselves small targets while I fight. The child clings to my leg, her terror a weight I feel but cannot acknowledge. I end another cultist’s protective framework—third, fourth, fifth—but they keep advancing, and my magic is not infinite.
Each use of Termination costs. The sigils along my ribs ache with remembered burns, phantom pain from every time I’ve pushed too hard and paid the price in flesh.
I’m not at that limit yet, but I feel it approaching—the edge where power becomes destruction, where ending their magic starts ending me.
A spell catches me across the shoulder. Not lethal—they want me alive. Damaged but functional, delivered to the Cardinal for whatever purpose they’ve designed. My arm goes numb, the knife tumbling from fingers that no longer respond.
I shift to my left hand. Less practiced, still deadly. Another cultist falls.
Another spell. My knee this time. I stagger, catching myself against the cage that held the captives moments ago. The impact sends pain lancing through my injured shoulder, and for a moment, my vision grays at the edges.
Not now. Not fucking now.
“Submit.” The chorus voice carries no emotion—only instruction. “Resistance prolongs suffering.”
I don’t waste breath responding. Talking requires energy I cannot spare.
They’re closing in, confident in their numbers, confident that a wounded witch with three civilians to protect cannot escape their circle. They’re probably right. I calculate angles, distances, and the probability of getting the captives clear before the cultists overwhelm me.
The numbers don’t work.
I prepare for the worst, bracing myself against the cage, positioning my body between the child and the advancing cultists. If I’m going down, I’m going down fighting. If they want me alive, they’ll have to earn every fucking inch.
Then the world goes quiet.
I don’t see Arax arrive.
I see the effects of his presence—cultists at the circle’s edge simply ceasing to exist, their bodies replaced by clean emptiness that spreads outward like ripples in still water.
No explosion. No violence in any conventional sense.
One moment they’re closing for the kill; the next, they’re gone, and the air where they stood tastes like nothing at all.
The remaining cultists realize the threat too late. They turn, attempt to reorient toward the new danger, but Arax is already among them. Moving with a speed that defies tracking. Killing with a precision that leaves no time for defense or retreat.
I expect rage.
After the cursed district, after his admission that his choices have stopped being tactical, I expect the volcanic fury of a dragon whose possession has been threatened.
I expect him to cage me in protection the way he has before—positioning himself between me and every possible threat, restricting my movement in the name of my safety.
That’s not what he does.
He creates a perimeter. Not around me—around the space I need to operate.
Killing zones radiate outward from my position, each one maintained by the controlled expansion of his Oblivion domain.
Nothing crosses those zones and survives.
But within them, within the architecture of death he’s constructed around me, I have room to move.
Room to fight. Room to protect the civilians still huddled at my back.
He’s caging the threat. Not caging me.
I watch him work as I guide the captives toward cover.
His movements carry no wasted energy—each strike, each expansion of his domain, each elimination serves a specific strategic purpose.
He’s not fighting in rage. He’s constructing a framework of lethal precision around me, systematic and controlled, designed to give me options rather than removing them.
The women stumble along behind me, too shocked to do more than follow. The child has stopped crying. She moves on her own now, small legs churning through ash with determined focus. Eight years old, and she understands that survival requires motion.
A cultist breaks through the eastern killing zone—too fast, too committed, his enhancement spells driving him toward me with suicidal determination. I end his magic before he reaches us, and my knife—back in my good hand now, sensation returning as the stasis spell fades—finds his heart.
Arax doesn’t intercept. Doesn’t try to handle threats I can manage myself. He maintains the perimeter and trusts me to deal with what reaches it.
He trusts me.
Dragons don’t trust. They possess. They protect. They eliminate variables that might threaten what they’ve claimed. But Arax is doing none of those things. He’s creating conditions for my success while leaving the success itself in my hands.
Protection without diminishment. Support without control.
This is what he offers.
This is what I want.
We break through the nexus’s outer boundary as the last cultists fall. The ash storm that covered my approach now covers our escape, closing behind us like a curtain drawn across a stage. The civilians are terrified, exhausted, barely able to walk—but they’re alive.
I got them out.