13. Ryan

RYAN

The tractor takes two hours.

I know it before I start—the belt that Killian said needed replacing three weeks ago and nobody replaced because we were into harvest prep and then Jade arrived and the tractor became something to argue over instead of something to fix.

I fix it. I do it in the cold of the equipment shed with my hands full of grease and the sound of the estate going about its morning around me, and I don't think about anything.

I think about everything.

She's in the fourth row from the top when I come out.

Not doing anything official—she's walking the row, touching the wire with one hand as she goes, just looking.

Her coat from last night is gone and she's in a cream-colored sweater and boots, her auburn hair loose in the breeze off the valley, and she's moving through the row like she already knows it.

Two years of Sunday dinners and I never once asked her if she wanted to walk the rows.

Killian offered to walk her through the '22. Yesterday, at dinner. Before it all came apart.

I stand at the equipment shed door for longer than I should.

Then I go up.

She hears me coming. I'm not quiet on dry ground and she knows my footfall by now—the way I know hers on the stairs, the slightly-lighter step, the one detail I memorized in two years of Sunday nights and never did anything useful with.

She doesn't turn around right away. She touches the next post. Keeps going.

"Belt?" she says.

"Belt."

"That was the thing that needed doing three weeks ago."

"Yeah."

She turns then. Looks at me the way she has for two days—not punishing me, not forgiving me, just clear. Her green eyes in the morning light.

I don't look away.

"Can I tell you something," I say. It doesn't come out as a question, but it is one.

She looks at me for a moment. "You're going to whether I say yes or not."

That's fair. I put my hands in my jacket pockets, the only thing I can do with them right now, and I look at the wire beyond her shoulder.

"I'm not going to ask you for anything," I say. "I just need you to know what it actually was. What I actually did."

She waits.

I was fourteen years old when my parents stopped talking to each other.

Not a fight. The opposite—the slow unmaking of two people who had loved each other too much and built everything on that and then watched it go.

My father sat at one end of the table and my mother sat at the other and there was a dead space between them where something used to be, and I watched them eat breakfast in that dead space for three years before she left.

I'm not telling it in order. I never tell it in order because I've only ever told it to myself, at fourteen in my bedroom, and the conclusion I came to then is the conclusion I've been living inside of for thirteen years.

Desire burns. People love each other with everything they have and then they exhaust each other and the whole thing comes down.

So I decided. Not formally—I was fourteen, I didn't think of it as a decision. I just decided that I was going to protect myself from it. That when I found something that mattered, I was going to hold it out at arm's length so that when it burned I could survive the burning.

"That's what I did with you," I say. "For two years."

Her face doesn't change. She's listening.

"I knew. From the first Sunday. I watched you talk to my father about the vines and I knew what it was and I put you directly to the left of the line I drew at fourteen years old.

The one that meant you weren't getting all of it.

The condoms every time. Leaving the party to talk shop for an hour.

" I have to swallow. "Looking at my phone. "

She looks at the row. Not walking away. Just giving me the space to finish it.

"I told myself I was protecting myself from something inevitable.

The thing that had happened to my parents would happen to us—I was sure of it.

Desire burns. Smart people don't let it take everything.

" I push air out through my nose. "I was twenty-four years old making choices out of what a fourteen-year-old decided about his parents' marriage. I didn't see that at the time."

The breeze comes through the row and moves her hair. She puts a hand to it, pulling it back behind her ear. Green eyes back on me.

"February," she says. Flat. Not angry—just naming it.

"February," I say.

I'm not going to explain February. She was there.

She knows what I did and why—not the real why, the why I'm telling her now, but the thing that looked like why at the time.

We'd been going nowhere for two years and I decided to end it before it ended me.

I thought that was the smart version of the story.

I walked away clean so it couldn't hurt me.

It hurt me. That's the thing about burning something down—you still end up with the ash.

"Here's the part I got wrong," I say. "The thing I didn't understand until last night."

I look at the house on the rise behind her.

"I watched my father be alone for ten years.

After she left. I told myself I understood what that meant—that this was the proof.

He loved her and built everything on it and it burned and he's been alone ever since.

That was my evidence. That was what I decided at fourteen and then confirmed at twenty-one when she left. " I stop. "I got it exactly backwards."

She's watching me.

"He wasn't alone because desire burns. He was patient.

He kept himself for something worth it. And then you sat down at his table and he knew—whatever he saw in you that first night, he knew—and he just waited.

Two years. He cooked the Sunday dinners.

He walked you through the harvest. He had the guest room made up before you called.

" My jaw is tight. "I watched all of that and thought he was just being my father, doing his life. He was doing something else entirely."

"He told me to come," she says. Quiet.

"I know."

"Not out loud. But."

"I know," I say.

She looks at the row for a moment. The vine wire. Her hand goes back to it, touches the post.

"And you were going to be a hotel room in February."

The sentence lands the way she intended it to. Direct. Not cruel—she's not doing it to hurt me. She's just naming the thing I was.

"Yeah," I say.

"And you thought you were being smart."

"I thought I was protecting both of us. I told myself that.

" I look at my hands. "I was twenty-four and I was afraid of something I had decided about when I was a kid, and the thing I was afraid of—losing you, losing it so completely I couldn't come back—I made happen myself.

I didn't wait for desire to burn. I lit the match. "

I stop there because there isn't anything more to say.

That's the whole truth of it. I've been trying to find a sentence that makes it better, that turns it into something she can use, and there isn't one.

I am the man who had what I had and decided I'd rather lose it neatly than risk losing it badly.

I lost it anyway. I just don't get to call it survival.

"I'm not asking you to forgive me," I say.

"I don't need that. I just need you to understand what it actually was.

That it wasn't you. It was never you." I look at her.

"It was something I decided at fourteen out of watching two people fail at something, and I applied it to the one thing in my life that was worth not being careful about. "

She's quiet for a long time.

The north slope goes out to the tree line below us. The rows in their lines, the valley floor past the fence. Rain Thursday. Harvest two weeks. Everything my father built on this land in the years he was waiting, patient, keeping himself for something worth it.

She looks at the wire.

"You have to wait," she says. "They deserve their chance."

Something in my chest. It's not nothing—she's not handing me anything I haven't earned—but it's the door, and I know she means it as the door.

"I know," I say.

She looks up at me then. Green eyes steady and clear.

Not softening, not performing hard either—just her face, the face I looked at for two years across this table while I looked at my phone.

The face of someone who has understood every word I just said and is making a deliberate choice about what to do with it.

She heard the truth in it. I can tell by the way she's looking at me—not the way she looks at me when she's measuring, but the way she looks at things she's already decided to keep.

"Second tractor's done?" she says.

"Done."

She nods. She turns and keeps walking the row, her hand on the wire post, her boots quiet on the dry ground.

I stand there.

My father went to her bare on the first night. Nothing between them—his cum inside her, her body holding it. That's what I denied her for two years with my careful choices and my condoms every time. I'm not going to make sense of that right now. I'm just going to know it.

I go down and start on the east rows.

If ads affect your reading experience, click here to remove ads on this page.