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The next morning, Kerr’s email lands just as she’s squeezing into the cramped restaurant on Grove Street, where she’s meeting

her friends for breakfast.

From: Edward Kerr

To: Lili Marwan

Subject: Re: For Review—Draft

Lili,

Comments attached.

Great work. This is a strong first draft. It’s excellent that we have time to develop this further before the fall.

You have a good grasp of the ethic’s history and its secular transition. For example, your handling of the secularization

of self-surveillance from omnipresent God to self-governing neoliberal self is skillful.

What I’m focused on now—what most of my comments address—is pushing you to articulate what is implicit.

As you note, we see the emergence of an inner drive to work, which looks utterly illogical from a straight economic perspective; what does that tell us about how these ideologies help us make sense of our lives, today?

How can that be a through line driving the entire draft?

I’m on campus this morning. Let’s meet at 10 a.m. I’d like to discuss deadlines, as well as a few other timely topics we need

to tackle beyond your thesis.

Talk soon.

“Fuck,” Lili groans, dropping into the seat beside James.

“And a good morning to you, too,” Jackie greets her. She pushes a mug of coffee across the table to Lili. “Black coffee to

match your mood. We already ordered, food is on the way.”

“Thanks—sorry, I can’t stay long, I have to meet Kerr. Just got thesis edits back.” The pit in her stomach grows as she starts

swiping through the draft attachment, sees the extent of the red lines and comments, tiny on her phone screen. Around her,

the restaurant is loud: Buvette, close to Jamie’s house in the West Village, is always tightly packed; jostling elbows, orders

called out over the bustling dining room; plates heaped with scrambled eggs, dark jam, crunchy toast; it’s too cramped for

Lili’s taste, but Amina loves Buvette, thinks it’s aggressively cute. Usually, Lili can grudgingly admit its charm—the warmth

of exposed brick, fresh sunlight—but now the clamor of the restaurant drains away fast, replaced by panic from the email.

“Aren’t you working at the farm today, that new site by Battery Park?” James asks. “I thought we were heading downtown together

after this.”

“Yeah, you were going to walk Jamie to work so the other analysts didn’t beat him up and steal his lunch money,” Jackie adds.

Her face is scrubbed clean, bright in the early morning, all her red curls pulled back into a tight bun; she has a shoot today,

a skincare brand.

Flicking back to Kerr’s email, Lili slides her phone across the table to her roommate.

“I’m getting fired,” she says. “I just sent in my draft on Monday—it’s barely been four days, how does he have edits already? And ‘a few other timely topics’? What does that mean? What does that mean?”

“I don’t think you can get fired from a master’s program,” James comments dryly, resting his arm over the back of Lili’s chair.

“I could be the first,” she shoots back, darkly. “Oh, shit, I need to tell Eileen I can’t come in today.” She grabs her phone

back to tap out an apologetic, frantic message to her farm manager; their new location downtown is under work, and today was

a massive planning day, digging into expansion and fundraising prep—it was going to look fucking horrible on her that she’d

be missing it. “Sorry, it’s fine—it’s all fine,” she tells her friends. “I’ll deal with it, don’t let me ruin things. Where’s

Amina?” She’d been the one who asked them to meet for breakfast.

“Outside,” Jackie says, gesturing out the restaurant window. Across the street, Amina is on the phone, pacing. Her thick black

hair is twisted into a bun, speared in place by a paintbrush. She’s wearing a breezy, oversized Winchester dress shirt stolen

from Jamie, blue with a white collar and cuffs rolled up, a tiny black Maryam Nassir Zadeh miniskirt that she and Lili keep

swapping back and forth, and dirty, paint-splattered sneakers. As Lili watches, Amina chews on her cuticles, staring down

at the sidewalk with a frown. “Talking to her parents. I think they called to say they can’t make her show.”

A pang of familiar sympathy softens Lili’s own anxiety. Amina’s relationship with her parents—rich family that fled the Iranian

Revolution, an only child, coldness and distance in their wealth, shipped off to Le Rosey as a kid, never in the same house

together for more than a few weeks—is strained at the best of times.

James heaves a massive sigh. On the table, his own phone lights up with emails. He’s dressed for work: gray trousers, crisp

blue button-up, no suit jacket in a concession to a more casual summer Friday in the office, some hollow corporate attempt

by Goldman to facilitate a convivial work environment. His golden hair—salt water, summers outdoors—is a darker color than

usual, hours spent inside this last year of work since graduating. Lili resists the urge to muss it up; she settles for a

consolatory squeeze of his shoulder as he gives a half-hearted flick through his dozens of notifications, before flipping

his phone face down.

Last April, the final few weeks of undergrad, she and Amina had gone with him to buy new suits.

She remembers how he’d stared into the shop mirror, dark suit on—tall, extremely handsome; Jamie has always been all-American looks, golden boy, wide grin of white teeth, full of mischief and rude health, tracking Lili down in the library after his crew practice, making her laugh too much at some ridiculous story from his team, until the librarians hushed him with affection; running into class late, dropping into the seat she’d saved—now silent and humorless.

They’d tried to tease him to cheer him up: You’ll be the best dressed nepo baby on your floor; he looks like the type of guy who thinks a Submariner is an impressive

watch; get this shirt, I want to steal it. But as their efforts failed to make a dent in his uncharacteristically resilient silence, they—a sign of drastic measures—resorted

to pure positivity.

You look good! Amina had said, her optimism growing strained with worry, as the tailor stepped away from measuring the breadth of his shoulders,

habitually brushing off nonexistent dust from the immaculate fabric. I mean, you look really damn good. I’d give you my money to manage, no questions.

Not responding, James continued to watch his reflection, expressionless; disembodied, detached from himself.

I look like my father, he’d finally said flatly. Lili had caught his glance in the mirror; he’d held it for a moment, before looking away again.

“Shouldn’t you already be at work?” Jackie asks him now, taking a sip of tea.

He shrugs. “I have an army of interns selling their souls in Excel right now, I’m fine.”

“But don’t you need to be, like, ‘in the markets’ already?” Jackie wriggles her fingers, nose wrinkled with distaste; Lili stifles a smile. “Preparing for the opening bell?”

“I work in investment banking, Jackie.”

“Yes.”

James looks aghast. “What do you think I do all day?”

“I don’t know, yell into a telephone?”

“I’m not a trader.”

“As in . . . ?”

“As in, I don’t do the opening bell, running around executing trades, yelling into telephones—nobody’s pacing the trading floor with a baseball bat.”

“That’s all beneath him,” Lili jokes, momentarily absorbed by their bickering. “Positively plebeian.”

“Careful,” James warns, pointing a finger at her. “You’ll have to join us unwashed working masses soon, and investment banks

are going to salivate over you. My stepmom keeps pestering my father about finding a position for you somewhere at Goldman.

Apparently the EMEA offices are trying to bring in more diverse talent with Middle Eastern backgrounds. Better to court money

in the region, I suppose.”

“No, thanks,” she says hastily. “Not sure I can even fully claim that background, anyway.”

“Lili’s going to save the world,” Jackie interjects, taking a prim, satisfied sip of her tea. “She can’t go into finance,

she’s going to be the next Sérgio Vieira de Mello.”

The restaurant door swings open. Amina rushes in, still on the phone.

“Khob dige, bayad beram—yes, yes, bye—” Seeing Lili, Amina immediately brightens, leaning down to quickly hug her; Lili catches Farsi, distant over the phone,

before Amina pulls away, hanging up, and sitting down beside Jackie. The fragment of conversation sparks familiar feelings

of shame, longing, and guilt: languages, homelands, histories, parts of the world that Amina is so much closer to, has so

much more access and connection with; regional heritage that Lili doesn’t feel like she herself has any real right to claim.

“Alright, we’re all here!” Amina claps her hands together. “I’m starving.”

“How’re your parents?” James asks.

“Fine. They can’t make it for my show, but said we can use the France house this summer.” Usually, Lili would ridicule the

absurd, hollow use of ostentatious wealth to appease emotional needs, but Amina looks miserable as she shrugs, trying to cover

it up with feigned indifference. “Anyway, forget that—I have great news, that’s why I called breakfast: I got the show at

Perrotin, in Paris!”

Lili’s heart lifts, an instant surge of warmth and pride. “Ami, what? That’s fucking incredible!”

“Jesus Christ, you genius!” Jackie exclaims, pulling her into a tight embrace.

“Say more, say everything,” Lili insists. “What’s the theme, when is it?”

Amina beams, close to bursting. “It’s a group show, obviously. It’s in the fall, all about the contemporary state of painting,

explorations of the ‘return’ to the classic, once-rejected medium, all that, definitely leaning towards abstract expressionism,

but it’s a big deal.”

“A fucking huge deal,” James asserts. “They might offer to represent her.”

“You already knew?” Lili accuses, turning on him.

He grins. “Of course, I did. I’m tagging along for her prep meetings with the gallery in Paris soon. Every up-and-coming artist

needs their groupies.”

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