Guarded By Ghost (Sons of Ruin: Tucson Chapter #5)

Guarded By Ghost (Sons of Ruin: Tucson Chapter #5)

By Sable Creed

1. India

INDIA

The thing about being a pop star is that no one tells you how boring it is.

Not the shows — the shows are everything.

Two hours of lights and sound and thousands of people singing words I wrote back at me.

That part still feels like magic, even after six years.

Even when I'm exhausted. Even when my voice is shredded and my feet are screaming and I've smiled so hard my face hurts.

It's everything else that wears you down.

The hotels that all look the same. The interviews where they ask the same questions.

The handlers and stylists and managers and security, all of them wanting something, all of them treating me like a product to be optimized.

Smile here. Stand there. Don't eat that, you're photographing heavy.

Be grateful. Be humble. Be available. Be on.

Tonight's show was good. Phoenix crowd, twelve thousand people, the kind of energy that makes the exhaustion worth it.

I killed the encore. I did the meet-and-greet after without snapping at anyone.

I smiled for every photo, signed every album, pretended I wasn't counting the minutes until I could be alone.

And now I'm walking into my hotel room at midnight, heels in my hand, ready to collapse face-first onto the bed and not move until someone makes me.

But something's wrong.

I know it before I'm fully through the door. Before I've dropped my bag or done any of the post-show rituals — order room service I won't eat, stare at the ceiling wondering why I still do this.

The room looks exactly the same.

And that's the problem.

I stand in the doorway, key card still in my hand, and let my eyes move across the space. King suite, same as every other city. Tasteful beige, overpriced minibar, view of the skyline nobody ever looks at. Everything where it should be.

Except.

My suitcase is by the closet. I left it by the window. I remember because I'd been digging through it for my good earrings before going to soundcheck, and I'd left the whole thing open and messy and exactly where it was.

I step inside and let the door fall shut behind me. My heart is beating too hard but I make myself walk further in, make myself look. The bathroom door is open the way I left it. The complimentary robe is still draped over the chair. My laptop is still on the desk, charging cable coiled beside it.

But my makeup bag has been moved. Just slightly. Turned so the zipper faces the other direction.

The clothes I left spilling out of my suitcase have been refolded. Neat edges. Careful stacks.

And the necklace I always leave on the bathroom counter — my grandmother's pendant, the one I never wear onstage but can't travel without — is sitting on my pillow.

Centered. Careful. Placed.

I don't scream. I don't run. I just stand there, staring at that small gold pendant against the white pillowcase, and feel something cold settle into my bones.

Someone was in here.

Someone touched my things. Went through my suitcase. Refolded my clothes like they had all the time in the world. Handled my grandmother's necklace — held it in their hands, carried it across the room, set it down just so.

And then arranged it all again, neat and deliberate, so I'd know.

So I'd feel it.

This wasn't violence. It was intimacy. And that's so much worse.

I back out of the room without touching anything and call Nate.

Nate's pacing the hallway outside my room, phone pressed to his ear.

"It has to be him," he's saying to whoever's on the other end. "I know. I know. That's why I'm calling you."

I'm sitting on a luggage cart someone abandoned near the elevators, knees pulled to my chest, watching my manager spiral. Nate doesn't spiral. Nate is the calm one. Nate handles crises with spreadsheets and conference calls and that steady voice that makes everyone believe things are under control.

Seeing him like this scares me more than the necklace did.

My security team is inside the room now, doing whatever it is security teams do when they've already failed. Checking cameras that won't show anything useful. Making calls to people who won't have answers. Going through the motions of competence while we all pretend this isn't completely fucked up.

This has been building for weeks. Messages that got too personal — not threats, just...

observations. Things I'd said in interviews, places I'd been, details about my routine that weren't public.

Information that shouldn't be accessible showing up in anonymous DMs like little gifts.

I know what you ordered at that café in Denver.

I know you couldn't sleep last Tuesday. I know you cried in the green room after the Phoenix show.

Then the actual gifts started. Delivered to venues, always just before I arrived.

A candle in the exact scent I use at home, the one I've never mentioned in any interview.

A bottle of my perfume — the obscure French brand I've worn since I was nineteen, the one nobody knows about.

Flowers — not roses, not the obvious thing, but peonies.

My favourite. Something only people close to me would know.

Not threats. That's what made them so unsettling. They were offerings. Little tokens that said I know you. I see you. I've been paying attention to every detail for years, and no one will ever know you the way I do.

Like love letters from someone I never knew was in love with me.

Creepy. Unsettling. But manageable, my team kept saying. We'll handle it, they said. We've seen this before.

And now someone's been in my room. Touched my things. Refolded my underwear, for fuck's sake. Left me a message without words.

I can get to you whenever I want. And there's nothing you can do to stop me.

"I don't care what time it is," Nate is saying into his phone. "I need you here. Tonight." A pause. "Arizona. I'll text you the address."

He hangs up and turns to me, and something in his face makes me sit up straighter.

"Who was that?"

"My brother."

I blink. "You have a brother?"

"Yeah." Nate shoves his phone in his pocket and runs a hand through his hair. He looks exhausted. Worn down in a way that has nothing to do with sleep. "He's... he handles things. Things like this."

"What does that mean?"

"It means he's going to fix this."

I've known Nate for two years. He's the best manager I've ever had — smart, protective, actually gives a shit about me as a person and not just a revenue stream.

In an industry full of people who see me as a product to be optimized, Nate sees me as someone worth protecting. That's rare. That's why I trust him.

But in all that time, he's never mentioned a brother. Not once. Not at holidays, not in casual conversation, not when I've asked about his family. It's like this brother didn't exist until right now, when Nate needed him to.

"Nate. What aren't you telling me?"

He looks at me for a long moment. Then he sighs.

"His name is Ghost. He's... not like me.

Not industry." Nate sits down on the luggage cart next to me, close enough that our shoulders touch.

"He was Special Forces. Did a lot of years in places he doesn't talk about.

Now he's... something else. But he's also the guy you call when normal solutions stop working. "

"Something else?"

"It's... complicated." He's quiet for a second.

"I've never had to bring him into my world before.

Never needed to. But that—" he nods toward my room, "—that's not an amateur.

Whoever did this knows how security works.

Knows the blind spots. Knows how to move through a hotel without being seen.

Your current team isn't going to catch him because he's better than they are. "

"And your brother is better than him?"

Nate doesn't hesitate. "There's no one better. If Ghost can't handle this, no one can."

Ghost arrives at 2 AM.

I'm in Nate's room by then, curled up on the couch with a cup of tea I haven't touched, running on adrenaline and spite. Sleep isn't happening. Every time I close my eyes, I see that necklace on the pillow. The careful way it was placed. The patience it implied.

The knock is quiet. Two sharp raps, then nothing.

Nate opens the door, and the man who walks in makes the room feel smaller just by existing.

He's tall — taller than Nate, and built like he could put someone through a wall without breaking a sweat.

Broad shoulders, thick arms, the kind of body that makes a room feel smaller just by being in it.

Dark hair, a few days of stubble, and eyes that move across the room and take in everything without seeming to look at anything.

He's wearing a leather cut over a black t-shirt, patches on the back and front that mean something I don't understand.

There's an ease to how he carries himself, an unhurried quality, like he's never had to rush in his life because the world just rearranges itself around him.

He doesn't smile. Doesn't offer his hand. Doesn't acknowledge me at all.

"Tell me," he says to Nate.

His voice is low and rough. Not unfriendly, exactly. Just... economical. Like words cost something and he's not interested in spending more than necessary.

Nate walks him through it. The weeks of escalation. The personal details. The gifts. The breach tonight. Ghost listens without interrupting, his face giving away absolutely nothing. He could be hearing about the weather for all the reaction he shows.

When Nate finishes, Ghost finally looks at me.

It's not a casual glance. It's an assessment.

Thorough and brief, like he's filing away information I can't see.

I feel suddenly aware of my bare feet, my tangled ponytail, the smudged mascara I didn't bother to fix.

I've been looked at by a lot of people in my life — fans, critics, executives, men who wanted something from me. This doesn't feel like any of those.

This feels like being seen. Actually seen. It's unnerving as hell.

"Your security," he says. "Who runs it?"

"My team. They've been with me for—"

"Names."

I rattle them off. He listens. Something flickers in his expression when I mention the head of my detail, but it's gone before I can read it.

"Before them?"

"What?"

"Who ran your security before this team?"

"Harris Grey. But he left six months ago. Nate let him go."

Ghost's eyes cut to his brother. Something passes between them — a conversation I'm not part of.

"Why?" Ghost asks.

"He was crossing lines," Nate says. "Getting too personal. Too possessive. I didn't like the way he looked at her. The way he talked about her when she wasn't in the room."

"And tonight?"

"Tonight my team has no explanation for how someone got into her room, moved her things, and got out without triggering a single alert. No camera footage. No keycard log. Nothing."

Ghost is quiet for a moment. Then he nods, once, like something's been confirmed.

"Your setup's compromised," he says. To me, not Nate.

"Whoever's doing this knows your protocols because he wrote them.

Your team is running a playbook he designed.

They won't catch him because they're looking for a stranger, and he's not a stranger.

He's the man who built the walls they're hiding behind. "

The cold feeling from earlier is back, spreading through my chest.

"Harris," I say. It's not a question.

"He built your security. He knows every blind spot because he created them.

Knows your schedule, your habits, the way your team communicates.

" Ghost's voice is flat. Matter-of-fact.

Like he's reading off a grocery list instead of dismantling my entire sense of safety.

"You're not safe here. Not in this hotel, not on this tour, not anywhere your current team can predict.

He's already ahead of them. He'll stay ahead of them. "

"So what am I supposed to do?"

"You're coming with me."

I stare at him. "Excuse me?"

"Tucson. My territory. My rules. He doesn't know my protocols because I don't have protocols. I have instincts and a club full of brothers who don't take kindly to strangers in their space."

"I have a tour. I have commitments. I can't just disappear because—"

"When's your next show?"

I blink at the interruption. "Two weeks. LA. But I have press, interviews—"

"You can reschedule interviews. You can't reschedule being dead."

The bluntness of it hits me like cold water. No softening. No attempt to make it easier to hear. Just the truth, delivered without apology.

I look at Nate, expecting him to argue, to tell his brother he's being dramatic.

Nate doesn't argue.

"He's right," Nate says quietly. "I wouldn't have called him if there was another way. But this... India, this is beyond what normal security can handle. You need to disappear until we figure out how to stop him. Until Ghost figures out how to stop him."

"Disappear." I laugh, and it sounds brittle even to me. "I'm a pop star. I have a sold-out tour. I don't disappear."

"Tonight you do." Ghost is already moving toward the door. "Pack what you need. Leave your phone — we'll get you a new one. We leave in twenty minutes."

"I don't even know your real name."

He pauses with his hand on the doorframe. Looks back at me. The overhead light catches the hard angles of his face, the stubble along his jaw, the mouth that probably hasn't smiled in years.

He's gorgeous. Infuriatingly, inconveniently gorgeous — and completely oblivious to it, which somehow makes it worse.

"Ghost."

"No, your real name."

Something shifts in his expression. Not a smile — I don't think this man smiles — but something almost like amusement, buried deep.

"Ghost," he says again.

And walks out.

I look at Nate.

"Is he serious?"

"Always."

"He's infuriating."

"Yeah." Nate almost smiles. "He is. But he's also the only person I'd trust with this. If he says he'll keep you safe, he'll keep you safe. I wouldn't have called him otherwise."

I think about the necklace on the pillow. The careful, deliberate violation of my space. The knowledge that someone I trusted, someone who was supposed to protect me, has been watching me, waiting, getting closer.

And then I think about the man who just walked out — cold, abrupt, giving me nothing. Not a single reassurance. Not a single soft word.

But something about the way he moved. The certainty in his voice. The way he looked at me like he was already putting pieces together, already three steps ahead.

Twenty minutes later, I'm on the back of a motorcycle, my arms around a stranger, my face pressed against leather that smells like night air and engine heat. The Arizona desert stretches out around us, dark and endless.

My whole life in a bag.

My safety in the hands of a man who won't even tell me his name.

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