31. Valerian

Valerian

We’re inside, and it’s wrong, and I know it’s wrong the moment I see the room.

Azaan’s seam holds. We slip through the base of the ward into a cold blue chamber, and there on the plinth is the book, unguarded, gleaming, everything we came for.

Luka’s already moving for it, low and silent.

Gavriel covers him. Azaan holds the seam open behind us. Textbook. Clean. Exactly as planned.

Which is the first thing that’s wrong, because nothing is ever this easy, and Mordecai is not a careless man.

The second thing that’s wrong is the room itself.

I make myself stop, make myself read it instead of grabbing the prize, because reading rooms is my job and this room is screaming.

The circle-and-line symbols aren’t decoration.

I’ve been calling them his mark for weeks, and I’ve been a fool, because they’re not a mark, they’re a working.

A ritual circle, vast, the whole chamber, and the plinth with the book is its focus, and there are two anchor points scribed into the floor. One where the book sits.

And one where a person would stand. At the centre. Where he’s leading her right now.

The blood goes out of me.

“Stop,” I hiss. “Luka, stop, don’t touch the book. It’s bait. The whole room’s a working.”

Luka freezes, hand inches from the Tome.

Through the archway I can see them. Mordecai, radiant with a devotion three centuries deep. And Tabby, wearing Tabeitha like a gown, walking calm and cold and pleased into the exact centre of the circle, onto the anchor point, and I understand the whole of it in one sick rush.

He never wanted her to walk in as herself.

He wanted the old Queen forward, right up against the book, inside the circle.

Because Tabeitha awake, Tabeitha in the body, Tabeitha standing on the anchor with the Tome as the second focus, is every ingredient he needs.

He doesn’t have to force the resurrection.

We brought it to him. We walked her into the middle of it and handed him the match.

“It’s a resurrection circle,” I say, and my voice comes out gutted. “He’s going to make Tabeitha whole. Here. Now. And there’s only room in that body for one of them.”

Azaan’s face goes grey. “Then we’ve killed her. We walked her in and we’ve killed her.”

“Not yet.” I’m already moving, already reaching for every drop of blood magic I have.

“The circle isn’t sealed until he closes it.

Luka, the book, it’s the second focus, break the plinth, break the focus, break the working.

Gavriel, get to Tabby, get her off that anchor, physically drag her if you have to.

Azaan, hold the way out, we are not dying in here. Go. GO.”

We go. All of it at once, the way we’ve learned, the bond flaring bright and desperate. Luka hits the plinth with four hundred pounds of panther and hellfire. Gavriel charges the circle, shield blazing gold, the one light in all that cold blue.

And nothing works.

That’s the moment I understand how thoroughly we’ve been played.

Luka’s hellfire hits the plinth and slides off a shell of shadow Mordecai’s wrapped around it.

Gavriel’s shield meets the edge of the circle and stops dead, gold against cold blue, held.

Azaan hauls at the seam and the wards have already thickened behind us, sealing the room, sealing us in.

Every move we make, Mordecai has already answered, because he didn’t just set a trap, he set the whole board, and he set it moves ago, and we walked our Queen into the middle of it counting ourselves clever.

I have lived a very long time. I have been outmanoeuvred before, twice, three times in three centuries, and each time I felt the same thing I feel now, the cold drop in the gut of a man who prided himself on being three moves ahead realising he was three moves behind the whole time.

And Mordecai turns, and sees us, and smiles, because of course he knew we were here. He always knew.

“Right on time,” he says. “Close it.”

And he snaps his fingers, my Queen’s own borrowed gesture thrown back at us, and the circle ignites.

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