5. Nyra #3

"I wish you would get your centuries-old face out of my corner and leave," I tell him, pouring every ounce of venom I can muster into the command.

He merely offers a low, thoughtful "Mm," before dismissing my defiance entirely. Instead of retreating, he leans in slowly without any dramatic theater, bringing his sheer mass to bear.

A small shift of his weight brings his throat a few inches closer to my face, close enough for me to smell him, which is apparently a thing I am doing now.

An alien Reaper should smell like rust and engine coolant and ancient dust. This one smells like warm metal and something clean and green, a faint living scent that reminds me of the internal gardens he mentioned the ship kept.

The heat of his breath moves across the top of my hair.

The living metal veins at his wrist brace beside my head and thump steadily against the obsidian.

I stop breathing.

His eyes have come back to mine. The red is deeper now, almost molten, and a small, inhuman tension sharpens his face—the closest approximation of a smile he permits.

The amused kind. The predator-watching-prey kind.

The kind that puts my back flat against the obsidian and makes the mark under my tunic clack hard enough to hear in my ears.

"You are frightened of me," he notes, registering the erratic jumping of my pulse against the close air.

"Observant," I fire back, refusing to let my voice shake.

"And you will not look away." His eyes lock on mine, drawn to the contradiction of my fear and stubbornness.

"Also observant." The syllables dissolve into the quiet before they even leave my lips, stripped of their usual bite. "You want a medal?"

"No." His eyes drop, just for a heartbeat, to my mouth. Drop. Linger. Lift.

The world tilts under my feet. The hot, restless place under my sternum, the one I shoved away a minute ago, claws its way open and answers him without my permission.

I feel it happening. He feels it happen.

The red in his eyes ignites. The line of his mouth hardens into a shape past amusement, past hunt, past every version of hunter and hunted I have ever known.

Something sharper. Something that landed in this ward without my invitation and has decided to stay.

And he sees it.

He sees it, and his focus hardens, and for one suspended second I am absolutely certain he is about to close the last few inches between us—absolutely certain—and I’m unsure, with a cold, sickening clarity, what I am going to do when he does.

Except that he does not.

He holds there. Close enough that the rise of his chest almost touches mine.

Close enough that his breath is warm on my forehead.

He holds there, and the hot red banks down by a fraction as something like discipline tames whatever just stirred nearby, driving it back into the dark where he has kept it caged his whole centuries-long life.

He exhales, and his hand leaves the wall beside my head.

He steps back once. Twice. Without turning his back to me, he retreats toward the door the way a large animal retreats from something it has decided, against its own instinct, to leave alive for one more night.

At the threshold, he pauses. The red in his eyes lifts to my face again, and he speaks, and his voice turns into a shade rougher than it was when he walked in.

"Clean yourself, Nyra," he rumbles. "Or I will come back and do it for you."

The door closes.

I stand with my back to the door, pressure building under the mark as my hands start to tremble.

I breathe through it, restrained and disciplined.

The breathing I learned in the back alleys of Orun when a man twice my size was walking away from me and I needed my hands stable enough to count whatever I had just lifted off him before he doubled back.

In through the nose. Out, through the teeth.

In. Out. Until my heartbeat settles into something I can work with.

What rises after the shaking has something sharper in it than calm. A cold, bright realization that cuts under the fear and plants itself at the top of my skull.

He left.

He came within a breath of doing something without a plan or a precedent, only to turn and leave.

Which means he can be pushed. The Reaper who crushes scavenger hoppers and marks women against their will, the Reaper who is almost certainly older than every person I have ever met, can slip.

He walked in pious and walked out rougher than he arrived, and I watched it happen, and that is the first real piece of ground I have stood on since I crossed the breach in his flank.

Fine.

Fine, fine, fine. I can work with slip.

I peel my back off the wall and cross the ward on steadier feet than I have any right to have.

The fear is still buzzing under my ribs, the mark is still rising and falling, and the door is still sealed.

None of that has changed. What changes is that I stop freezing, no longer stuck in the open space of the room, and I have a plan, and a plan is all a girl like me has ever really needed.

Find the seam.

I start over. I walk the walls again, palms flat, pressing the obsidian in sections I have already pressed, because the first sweep was scattershot and panicked, and I missed things.

This sweep is methodical. I map the room in grids inside my head, marking every twenty centimeters, looking for the faintest shift in temperature and the softest difference in resonance.

Even a sealed ship has to cycle air. Even a sealed ward has to handle waste.

A feed has to be somewhere. There is always a feed.

Working the south and east walls yields nothing.

As I trace the west wall from the reclamation archway to the bathroom, the obsidian stays perfectly smooth and cool and as polished under my hands as the first time I touched it.

I crouch and press low along the baseboard.

I stretch up on the tips of the alien shoes and feel as high as my arms will reach.

I work the corners, because corners are where lazy engineers hide their access panels, and this ship is at least a thousand years old and was built by engineers who were not lazy.

Nothing changes. Every centimeter of obsidian reads the same: polished, patient, and unbothered by my hands.

"Come on," I hiss at it. "There has to be something. There has to be?—"

Dropping to my hands and knees, I push my palms against every seam joining the floor plating.

The mat yields firmly under my weight as I trace the room's edges, sweeping my fingers along the wall joints, the base of the bed, the basin's pedestal, and finally, the sloped archway of the reclamation alcove.

Nothing. Nothing. Nothing.

The Reaper and his ship have thought of every single one of these.

Of course they have. He is centuries old, and his ship is older than I can imagine, and I am twenty-seven, and I grew up scrapping Coalition cryo-holds for parts, and of course the salvager tricks I know how to run are the same tricks a thousand other salvagers have tried to run on this hull and failed.

I sit back on my heels atop the bio-mat.

The frustration crawls up the inside of my throat, hot and metallic, and my eyes sting.

I blink hard and force the tears back. His ward will never see me break.

The mark already throbs in time with my frustration, and I can picture him somewhere on this ship, feeling the flow of it and understanding exactly what it means.

Pushing to my feet, I cross the three steps back to the bed and drop down onto it, back flat, arms flung out, staring up at the ceiling arching high above me.

"Great," I announce to no one. To the ceiling. To the Ship. "This is great."

Suddenly, the mark on my chest flares—a spike of static replacing the steady, rhythmic warmth and stealing my breath.

I gasp, my hand flying to my sternum. The sensation originates externally, striking as a frantic, grinding drop in pressure, a violent glitch that rattles my teeth before smoothing out again just as fast. It feels like someone else's control slipping.

The bio-mat under me gives the tiniest bit of warmth, breathing in faint response to its new name.

The ward settles into a patient, cyclic silence.

Somewhere outside this sealed panel, a Reaper older than my entire line is going about his business on a ship that answers his every whim, and I am a girl in borrowed shoes and someone else’s tunic with a glyph burning under her collarbone, facing seamless architecture without a single weakness to exploit.

I close my eyes.

Think, Nyx. You have to find a way out.

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