His Vicious Ruin (The Ruthless Circle #4)

Chapter 1

CHAPTER ONE

GIA

Why the hell did I come back here?

The leather seat is cold under my legs, even through the fabric of my dress.

I keep my hands folded in my lap, watching the countryside roll past the tinted window like the answer to where we're going is written somewhere in the trees.

Fields give way to tall oaks and then forest thick enough to block the late afternoon sun, throwing shadows across Laura's face.

My baby sister sits beside me doing the thing where she grips the seat edge so hard her knuckles go white, like if she holds on tight enough she can control where we're going.

She's nine years old and she already knows how to make herself small in our father's presence, how to keep quiet until spoken to, how to fold into herself when the air gets heavy.

I hate that she knows this.

I hate it so fucking much.

And even worse, I hate it so much because she learned it from watching me.

I reach over and cover her hand with mine, working my fingers between hers and the leather until she lets go. Her palm is sweaty. She looks up at me with those wide brown eyes that haven't learned hardness yet, and I squeeze once, trying to talk to her without words.

Hey Sweetie Pie, I'm here, I've got you, whatever this is I'll stand between you and it. I’ll always protect you.

God, I hope she understands me.

"Where are we going, Gia?" Her whisper is barely heard over the hum of the car’s engine.

I smile sweetly, "A wedding, Sweetie."

"Whose?"

Good question.

“Father?” I glance toward the front seat where our father sits beside his driver, his profile sharp against the window.

At fifty-eight, Salvatore De Luca looks like something carved from marble, all the softness eroded away. Silver threads through his black hair now, combed back with the same precision he applies to everything else in his life.

Hardness and violence.

He doesn't turn around. "An important political union. The whole family's presence is required."

Which in itself is weird, but I don’t comment.

But there's something underneath his words, something that makes the base of my spine go cold. And I'm definitely not trying to figure it out. Years of knowing my father taught me it's better not to know anything at all.

I've only been back a week after years away and I still haven't readjusted to the weight of his voice, the way every syllable feels like it's been calculated three moves ahead.

I’ll never get used to it.

"Especially after your brother's passing," he continues. "We must prove we're strong."

Laura's hand tenses under mine. She barely remembers Vittorio. She was five when I left, too young to have known him at all. She spent most of the last four years with me in Paris, tucked away in our apartment in the Marais. My safe haven after… Stop, Gia. Don’t think about it.

Marais feels so far away already.

Then, six months ago, father decided it was time for her to come home. I couldn't stop him. I tried. God, did I. But Salvatore De Luca doesn't negotiate with his daughters. Or anyone for that matter.

I didn't even come back for my brother’s funeral three months ago. The truth is we were never close. I barely knew him, and standing over his grave pretending to grieve a brother who was practically a stranger felt dishonest in a way I couldn't stomach.

But when father called last week telling me to come home, I came. Because Laura is here and I will crawl through broken glass before I leave her alone in that damned house.

Being back feels like wearing a coat that doesn't fit anymore even though it was tailored to my exact measurements. It feels wrong. Constricting. Like I've stepped back into a version of myself I spent four years trying to bury.

It doesn’t feel okay at all.

"Will there be cake?" Laura asks, and there's so much hope in her voice it makes my chest hurt.

"Probably," I tell her, making myself smile. "Those fancy ones with too much frosting."

"The kind that makes your teeth hurt?" She giggles.

"Exactly that kind."

She settles back against the seat, satisfied for now. I wish I could find comfort in something as simple. I wish I was still young enough to believe weddings meant celebration instead of transaction, that marriage was about love instead of leverage.

But I learned better at nineteen. I learnt so much that I know that I want nothing to do with it anymore.

Father shifts in his seat. "You will comport yourself appropriately."

He's talking to me, not Laura. "Of course."

"No scenes."

"I wouldn't dream of it, Father." I drawl but we both know that’s a lie.

I'm dreaming of several, actually.

His eyes find mine in the rearview mirror and the warning there is clear.

Pfft.

The memory tries to claw its way up but I shove it down hard.

Not here. Not now. Not with Laura sitting beside me vibrating with nervous energy because this is her first real public appearance and she doesn't understand yet what it costs to be Salvatore De Luca's daughter. Most people don't even know she exists.

I think happy thoughts, like the YouTube therapists teach.

Bunnies, pink fluffy bunnies, chocolates and pizza….

The car turns onto a smaller road. Gravel crunches under the tires.

Trees press close on either side, their branches forming a canopy overhead that turns the sunlight into scattered coins of gold.

This isn't the suburbs. This is countryside, remote and quiet, the kind of place you go when you don't want witnesses.

Okay, where the hell are we going? Seriously, where? Because this looks less like a wedding venue and more like somewhere they bury the bodies.

My stomach drops. What the heck is happening?

"Where is this church?" I keep my voice level. Curious, not confrontational.

"Does it matter?" Father still doesn't look back.

"Just making conversation."

"Curiosity is a dangerous habit, Gia."

So is raising daughters like chess pieces, but here we are.

I almost say it. The words line up right at the back of my teeth and I can taste how good it would feel to let them out.

I glance at Laura instead. She's watching me with those careful eyes, reading my face the way she always does when she's trying to decide if she should be scared, and that's what stops me. Not obedience. Not fear. Her.

I swallow it down and go quiet, chewing the insides of my mouth.

Laura's hand finds mine again and I hold it, her pulse jumping against my palm. She's scared. I don't blame her.

The trees thin and suddenly we're pulling up to a small stone church, weathered and ancient, surrounded by cars that most people will never see in their entire lives because… why the hell not? Black sedans. Dark SUVs. Lambos. All of them screaming money and violence even in their stillness.

My pulse kicks up hard. I know this feeling. The way my chest goes tight, the way my breathing wants to speed up and I have to force it to stay even. It's fear wrapped in expensive fabric, terror wearing pearls.

The car stops. The driver gets out, opens father's door, then comes around to ours. I take what I hope is a deep, steadying breath and step out into the cool air, and immediately I feel it.

Eyes.

So many eyes.

Goodness.

They're watching from the church steps, from beside the cars, men in dark suits and women in designer dresses, all of them turning to look at us.

At me. Four years is a long time to disappear.

Long enough to become a ghost story. Long enough that my return feels like an event people will gossip about for months.

The Ghost Heiress is finally back.

I keep my gaze forward, my shoulders back.

Laura stays glued to my side as we walk toward the church entrance. I can feel her trembling and I want to scoop her up and run, want to tell her it's okay, that nothing bad will happen. But I stopped making promises I can't keep the day I learned what men like our father are capable of.

As if I summoned him, his hand settles on my shoulder, heavy as a threat. "Head high."

I don't respond. I just walk.

The church doors stand open. Inside I can see pews already filled, ceremony preparations centered at the far end. Flowers everywhere, white and pale pink, the kind of arrangements that cost a fortune and say nothing about the people getting married.

We step inside and the temperature drops ten degrees. Stone walls. High ceilings. The smell of incense and wood polish and something older underneath, like centuries of prayers that went unanswered.

Guests go quiet as we enter. I keep walking, Laura beside me, father's hand on my shoulder steering me like I'm a car he's driving.

And then I see him.

At the altar.

Waiting.

Rafael Caruso.

I know him. Not well. I've seen him maybe half a dozen times over the years, always from a distance, always beside Matteo Romano or one of the other Brotherhood men. Older than me by more than a decade.

But I've never seen him this close. And up close, Rafael Caruso is a problem.

He's over six feet of pure, rogue sex on legs, in an Italian suit, the kind of body that doesn't come from a gym but from a life where violence is just a normal Tuesday.

The suit is black, tailored so precisely it looks grown rather than made, white shirt open at the collar because he clearly doesn't care enough about this event to bother with a tie.

Dark blond hair worn a little too long, like he cut it himself with a knife six months ago and hasn't thought about it since.

There's a scar that cuts through the left side of his jaw, thin and pale and old, the kind of mark you only get when someone means it.

He's sexy the way a loaded gun is beautiful. You don't want to touch it, but you can't stop looking.

And then there are his eyes.

Green. Not soft green. Not kind green. The flat, calculating green of someone who has looked at a man and decided what to do with him before that man even opened his mouth.

They're brutal and sexy and—