Chapter 13 #2

Professional. Clean. The handshake was firm, his palm cool against mine, and I appreciated the attempt even as I registered the absurdity of it.

We had spent three days with his mouth on my throat and his hands steadying my hips, and now we were shaking hands on gravel at eight in the morning like colleagues at a conference.

The dissonance was ridiculous enough to be useful.

Comedy helped when sincerity felt dangerous, so I held the handshake a beat longer than necessary, let my mouth curve, and watched him catch the joke.

His eyes warmed first, the corners creasing before the rest of his face gave in. Then his left hand came up, touched my elbow lightly, and the handshake became a hug because pretending was worse than the awkwardness, and we both knew it.

The hug was brief, his arms around me with one hand between my shoulder blades, the mint and sea salt of him cutting through the property’s evergreen note like a clean line through noise.

I allowed myself three seconds. One, two, three.

Then I stepped back, adjusted my bag, and reached for the mockups because work was the only north star I had and I intended to use it.

“I brought concepts.” I pulled the folder from my bag and opened it on the hood of my car because the hood was flat, available, and warm.

Without the folder between us, I had nowhere to put my hands and too many places to put my attention.

It was the first time I’d seen him clothed since the wedding night.

“Three directions for the welcome packet. Different type hierarchies, paper weights, approaches to the safety language. I wanted to have something concrete before we walked the property.”

He leaned in to look without crowding me. His gaze moved line by line across the pages, reading the concepts rather than performing interest. When he nodded, it was exact.

“The third one,” he said. “The one with the heavier stock and the warmer serif. That’s the voice we’ve been missing.”

He was right. I’d known he would be, which was irritating all by itself.

The third concept used a typeface I’d been saving for a client who would appreciate it, enough character to feel inhabited without shouting its personality.

The paper was 120-pound cotton, substantial enough to give the welcome note the tactile weight Isak had described for the tiny houses.

I’d set the safety protocols in a lighter weight of the same typeface, indented slightly, so they read as guidance rather than rules.

The whole thing cost more to print than their current materials by a factor of three, and Miner had identified it within seconds.

“Good,” I said. “Then we start there.” I closed the folder, slid it back into my bag. “The property first. I need to see the spaces before I commit to layouts.”

“Of course.” He gestured toward the main house. “Denil and Isak are in the guest house. They’ll join us when you’re ready, or not at all if you’d prefer to keep this between us for now. Your call entirely.”

He had left me every exit. I appreciated it. I also resented it slightly, because generosity delivered this precisely left me no room to refuse on principle, which was Miner’s brand of competence and also why he was dangerous.

“They should join,” I said. “The project needs all three roles. Denil for operations, Isak for guest experience. I’m not...” I paused. Recalibrated. “The work comes first. Personal considerations can wait their turn.”

I did not say that desire was safer than home, or that my body had filed the wanting there and refused to revise the label. I did not say that two weeks of eighteen-hour mockup days had started to look less like professionalism and more like a symptom. The not-knowing gave me vertigo.

We walked toward the main house. The gravel gave way to handmade stone pavers set in sand, each stone slightly different from its neighbors.

Miner’s mint blended with the property’s evergreen note: hemlock, spruce, maple.

The combination tightened my chest before I could redirect myself toward the sight lines.

The homesickness I’d been carrying since the hotel, low and persistent, a frequency missing from rooms that had felt complete before, eased enough for my next breath to come freely. Not gone. Eased.

“It’s a good property,” I said. It was true, and saying so stayed safely inside the work. “The sight lines to the water are deliberate. Someone thought about the guest experience before they poured the foundation.”

“Mmm.” A sound of agreement that carried warmth without pushing. “Isak’s hand. He stood on the dock for three hours with a compass before they staked the guest house. Said the morning light through those windows needed to hit the bed at the right angle or the whole thing was wasted.”

Of course it was Isak. The man who moved lamps six inches without announcing it, who treated light as seriously as other people treated conversation.

“I’m excited about the project,” I said, and hated how true it sounded.

“The scope is exactly what I’ve been angling toward.

Boutique hospitality with a defined audience, clients who treat paper as craft.

” I paused. Added, more quietly, “I’ve already put in eighteen-hour days on the mockups.

Didn’t want to waste anyone’s time showing up half-prepared. ”

Miner looked at me long enough that the eighteen-hour days sat between us without my having to defend them. He didn’t thank me. He didn’t make it sentimental. He just nodded once, and I had to look away.

The front door of the main house was wide, black-framed, set into the dark siding. Miner pulled it open and held it, and I stepped through into the smell of new wood, warm plaster, and the layered traces of the pack.

The scents were present and unmistakable, but the balance had shifted.

All three of them read cleaner than they had in the hotel, the citrus less resinous, the musk settled rather than urgent, even Miner’s mint cooler and more grounded.

I wondered, briefly, if my heat had pushed them further into rut than I’d realized.

Three days of an omega in full surge would do that to alphas, especially matched alphas, and the intensity in that suite had been...

No. They hadn’t bitten me. No bonds. No bites without explicit consent, and consent required a clear head. They’d held to it even when I hadn’t. That was evidence. Evidence I was not examining while standing in their unfinished house with mockups in my bag and Miner’s mint in my lungs.

The great room opened ahead of us, soaring, pale wood-plank walls rising to exposed beams overhead.

A round-stone fireplace dominated the far wall, flanked by leather seating that hadn’t been used yet; tarps covered the furniture.

The floor was warm hardwood where it showed, most of it covered by kraft paper laid down against muddy boots.

Light came through the wall of black-framed windows in long bars, catching dust motes and the fine powder of drywall sanding still settling on every surface.

“Lounge areas here,” Miner said, gesturing.

“Kitchen through there, island seating for eight. The great room opens to the dining area, one continuous flow. Upstairs will stay private: our space, future staff, whatever the property needs. Guests get the separate houses. Fully furnished, self-contained, each with its own identity.”

I moved through the space with a designer’s eye, though the layered scents kept reaching past the work. The raw state of the build let me see the bones: scent-safe ventilation ducts already installed, larger than standard, with manual overrides visible near the ceiling.

Isak’s hand was everywhere once I knew to look.

The window for a future reading nook had been positioned to catch afternoon light across a built-in bench whose framing was already visible in the studs.

The kitchen cabinetry preserved a sight line to the lake through a deliberate gap that would have been easier to fill.

Even the electrical outlets sat higher than standard, within reach of someone sitting rather than standing.

Small things. Thoughtful things. The accumulated craft of a man who paid attention to how bodies actually moved through spaces rather than how they were supposed to.

Miner stayed near without crowding. At each new area, he asked if I wanted to see it and waited for my nod before leading.

When I stopped to examine a detail, like the joinery on a built-in shelf or the grain selection on a threshold piece, he stopped with me and let the observation have its own space.

He explained only when I asked and never narrated the tour.

He let me move through the property as a designer with authority, with enough room to wonder whether it was instinct or strategy.

Both possibilities warmed my chest, and I immediately redirected myself toward the joinery.

Once, when I turned away to study the sight line from a future bedroom to the lake, Miner stopped moving behind me.

A pause. A held breath. Maybe scent. Maybe my imagination punishing me for noticing.

Stronger now, in the enclosed space, honeysuckle and the herbal note from the ink I’d been grinding yesterday, warm and slightly wild.

I knew betas didn’t scent like alphas. Their range was narrower, tuned to the frequencies of the people their biology selected.

Everyone else registered as white noise. The ones who mattered cut through.

If I was cutting through, I mattered. To him, at least. The thought brought a flash of pride sharp enough to shame me, because wanting that from someone who had seen me beg felt like a vulnerability I hadn’t authorized.

I straightened, adjusted my bag, and moved to the next room without looking at him.

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