Chapter 1

Knox

The trouble with being the charming one is that everybody assumes charm is all you've got.

I'd built that. Carefully. For fifteen years I'd let the Coastline Kings believe I was the smile, the talker, the one you sent ahead to smooth a thing over before it turned into the kind of thing Diesel had to handle with his hands.

Road captain. The man who knew every road and every man on every road and exactly how to make both of them go your way.

It was useful, being underestimated. It meant nobody ever watched the steel.

A charmer gets in the door because the people on the other side of it think they know what they're dealing with.

They think charm is soft. They think it's a man who needs to be liked.

They relax around it the way you relax around a friendly dog, and they never notice that the whole time you were learning the layout of the room.

I'd opened more locked doors with a grin than Diesel ever opened with his shoulder, and I'd never once had to raise my voice to do it.

So when Reaper called church to order that morning and laid out the problem of the woman in the convent on the hill, I knew before he said it whose name was coming.

"Knox," he said. "You're up."

The chapel — we called the meeting room the chapel, a joke older than me — went quiet in the way it did when nobody disagreed but nobody loved it either.

Reaper sat at the head of the long table, silver at the temples, hands folded, the kind of still that made younger men nervous.

Saint to his right, scarred and silent. Diesel down the far end with his arms crossed, looking like a thing carved out of the cliff.

"A writer," I said. "Calder sent a writer."

"Calder sent a verdict with a pen in its hand," Reaper said.

"The council agreed to an independent report.

Tourism, community, the works. Whatever it says, they abide by it.

" He let that sit. "It says the wrong thing, the harbor's gone.

The co-op's gone. The Anchor's a beach club with a velvet rope.

Everything Thomas and the rest of them built, sold off in lots. "

Nobody moved. Half the men at that table had fathers or uncles who'd hauled the foundation stones of this town up from the water.

The harbor wasn't a business to the Kings.

It was the reason we existed. Thirty years ago the club had been founded for exactly this — to stand between Cala Sirena and the men in good suits who'd been trying to buy it out from under itself ever since.

I'd come to it late, by the standards of the room.

Most of them were born to it, sons of the founders, raised on the dock with grease under their nails before they could spell their own names.

I'd ridden in from somewhere else at twenty-three with nothing but a fast mouth and a faster bike and a talent for making strangers tell me things, and the Kings had taken me in and made me useful and, eventually, made me one of them.

I owed the club the only home I'd ever kept past a season.

When Reaper handed me a job, I didn't ask whether I wanted it. That's not how a debt like mine works.

But I'll tell you what nobody at that table knew. A man who comes to a thing late loves it harder than the ones born to it, and worries more about losing it, and lies to himself worst of all about what he'd do to keep it. I'd have called that loyalty. Mila would've had a colder word.

"So we lean on her," Diesel said. "Make the place feel less hospitable."

"No." Reaper didn't raise his voice. He never had to.

"She writes one word about being threatened by the local biker gang and Calder's got his story handed to him gift-wrapped.

The lawless coast that needs civilizing.

That's the report he wants and he doesn't even have to fake it.

" He looked at me. "We don't lean. We charm.

We make her fall in love with the place so hard she can't write the words that kill it.

And we steer her — gently, where she sees, who she talks to, what she comes away believing. "

"And that's me," I said.

"That's you."

I leaned back in my chair. "You want me to babysit a journalist."

"I want you to do the one thing in this room nobody else can do," Reaper said, and there was no flattery in it, just fact.

"You could sell salt to the sea, Knox. So sell her the town.

Show her the good of it. Be the reason she falls for Cala Sirena.

" A pause. "And keep her clear of anything that'd make her fall the other way. "

I understood the second part. There was plenty in this club's history that wouldn't survive a journalist's flashlight. Old business. Buried business. My job wasn't only to charm her toward the light. It was to keep her from finding the dark.

"How long do I have?"

"She files in three weeks."

"And if she's not the kind that charms?"

Reaper's mouth did something that wasn't quite a smile. "Everyone's the kind that charms. You taught me that."

I'd said it once, years ago, and he'd never let me forget it. The thing was, I believed it. I'd been believing it my whole life. There's a way in to every person — a vanity, a wound, a hope. You find it, you fit yourself to it, and the door opens. It had never once failed me.

I got up. "I'll go introduce myself."

"Knox." Saint spoke for the first time, his voice like gravel rolled in a low tide. He didn't look up from the table. "She's not a road. Don't drive her like one."

I should have listened to him. Saint didn't waste words, and the ones he spent were usually right.

But I was Knox. I was the charming one. And I'd never met a road I couldn't take.

That night I didn't sleep much. I told myself it was the heat, and the heat was real — the kind of night where the stone holds the day's fire and gives it back to you slow, where you lie on top of the sheet and listen to the sea and sweat anyway.

But it wasn't only the heat. It was the job.

I'd run a hundred of these — smoothed a building inspector, charmed a tax man, talked a nosy reporter into a soft little feature about the festival and away from the things the festival was paid for with.

I knew the shape of the work in my sleep.

This one had a different shape. I couldn't have told you why yet.

I only knew that when Reaper said a verdict with a pen in its hand, something in me had gone quiet and careful in a way it hadn't in years, and a man learns to trust that quiet.

It's the part of you that smells weather before the sky changes.

I got up before dawn and rode the coast road for an hour with no destination, just to feel the bends, and by the time the sun came up over the water I'd decided I'd go meet her. Get the measure of her early. Find the way in before she'd built her walls for the day.

That was the plan. I want it on the record that I had a plan.

I found her on the harbor wall, and she found me out in under a minute, which has to be some kind of record.

She was easy to spot. Everyone else on the harbor at eight in the morning was working — mending, loading, hosing down the night's catch — and she was the only still thing in all of it, standing at the seaward edge of the stone wall with a notebook and a cup of coffee, watching the boats come in like she was pricing them.

That's the word that came to me. Pricing. The way her eyes moved over the harbor wasn't the way a tourist looks at a thing. It was the way you look at something you're getting ready to take apart.

She was younger than I'd expected, and sharper, all angles and dark hair pulled back hard off a face that wasn't trying to be liked.

Linen the color of sand. Sunglasses pushed up into her hair, even in that light, like she wanted nothing between her and what she was seeing.

There was a stillness to her that the harbor noise broke against and didn't move.

The heat was already coming on thick. By noon it'd be punishing. But the morning had a gold to it, that low Mediterranean light that makes even cynics breathe slower, and I'll admit it — I took a second, before I walked over, just to look at her standing there in it.

Then I put the smile on and went to work.

"You're in the wrong spot for the good view," I said, coming up beside her at the wall. "Everyone shoots the harbor from up at the convent. Down here you get the truth of it. The diesel and the fish guts."

She didn't turn. "I prefer the truth of it."

"Most people don't."

"I'm not most people." Now she looked at me. It was a fast look and a complete one, top to boots, the kind that took inventory. "You're the one they sent."

It wasn't a question, and it landed exactly where she'd aimed it.

"I'm sorry?"

"The club." She nodded down the harbor toward The Anchor, toward the row of bikes catching the morning sun.

"You came out of there ten minutes after I sat down.

You waited until I'd settled, until I looked occupied, so you could approach like it was casual.

You've got the easy walk and the opening line about the real view, which is designed to make me feel like an insider instead of a mark.

" She sipped her coffee. "You're good. But you led with charm, which means charm is the assignment.

Which means somebody decided I was a problem worth assigning. "

I'm not often quiet. I was quiet for a second.

"That's a lot to get from a man saying hello," I said.

"It's a lot to put into a man saying hello." She turned back to the water. "I've been doing this fifteen years. They always send someone. The mayor sends a daughter, the chamber of commerce sends a charmer, the resort sends a lawyer. You're the charmer. Congratulations. It's a good face for it."

"Rafael," I said, because she hadn't asked and I wanted to give her something she hadn't taken. "They call me Knox."

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