2. Lark

TWO

LARK

Lark watched this process longer than was professionally necessary.

“You’re staring.”

She pivoted. Breezy hadn’t looked up from her tablet. The woman had peripheral vision like a surveillance drone.

“I’m assessing the competitive landscape.”

“The landscape has good cheekbones.”

“Irrelevant.”

“You’re blushing.”

“It’s the lighting.” Lark waved a hand at the purple neon. “The warm tones create a flushing effect on melanin-rich skin. It’s science.”

“It’s a man in a suit.” Breezy tapped her tablet. “Want me to look up who owns the store?”

“I know who owns it. Sterling & Mane International. Premium rare comics. They have locations in Oslo, London, and Tokyo.” Lark turned back to the lipstick display. “I did my research before I signed the lease.”

“You researched the company. You didn’t research the man.” Breezy’s gaze cut toward the glass gap at the front of the store. “The man is adjusting a comic book with surgical gloves. The man looks like a Viking who got an MBA. The man is a variable you did not account for.”

“The man is my neighbor, and I’m a professional.” Lark snapped the last lipstick into the display with more force than necessary. “Sybil, back me up.”

Sybil had migrated to the front of the store, standing at the glass gap where the shared wall ended, studying the man next door with the serene, unblinking focus of a woman conducting an appraisal. “He’s very pretty.”

“Pretty is not the word. He’s—” Lark stopped. “I’m not doing this. We open in three hours. Can we focus?”

“You described him as ‘not pretty’ with real passion, Lark.” Sybil’s smile was gentle and lethal. “That’s a strong opinion for a man you haven’t met.”

“I hate both of you.”

“You love us. Sound test?” Breezy tapped her tablet, and the playlist shifted—a new track, bass-heavy, the vocals low and smoky. The speakers pushed the sound into every corner of the store, the way Lark had designed them to. Immersive. Enveloping. A soundtrack for browsing with intent.

The bass thumped through the walls. Through the shared wall.

Through the plaster and old brick and into the gallery-lit, museum-quiet, white-glove-wearing temple of rare comics next door.

Lark glanced through the glass gap into Sterling & Mane. The man in the suit paused. His head turned—a slow, precise rotation, the way a predator identifies the direction of a sound. His gloved hand hovered over the display case. His jaw tightened.

“Oh no,” Sybil murmured.

“Oh yes.” Breezy didn’t look up. “Property dispute in three… two…”

The man set down his gloves. Buttoned his suit jacket with a single, controlled motion. Walked to the front of his store, through the door, and onto the SoHo sidewalk with measured strides, a man who had never rushed anywhere in his life and was not about to start for a bass line.

Lark straightened. Smoothed her leather jacket. Ran a hand through her hair—blown out straight today, sleek and swinging, because grand opening days demanded her best.

The door opened. A small brass bell chimed overhead—Breezy’s touch, vintage, charming.

He filled the doorway.

Not metaphorically. The man was six-three, minimum, and the door frame of the Villainette SoHo flagship was not designed for Scandinavian giants in bespoke suits.

He stood on the threshold, and Lark’s store—her beautiful, chaotic, joyful store—suddenly had a new visual centerpiece, and it was a man who looked like a Renaissance painting had developed a noise complaint.

His gaze swept the space. The neon. The lipstick wall.

The cosplay corner. The selfie station. His expression didn’t change, which was worse than if it had, because the absence of expression on a face that severe communicated more than a speech.

His eyes—pale, striking, some shade between blue and winter—landed on the villain mannequin in the window display and stayed there for a moment too long.

Then they found Lark.

The eye contact was immediate and physical.

A jolt that started in her sternum and spread outward, hot and electric, as though someone had pressed a live wire to her ribs.

He stared at her. She stared at him. The playlist thumped.

The candle flickered. Breezy typed on her tablet, pretending not to witness the most loaded three seconds of silent eye contact in SoHo retail history.

Lark recovered first. She always recovered first. “Can I help you?”

He blinked. The tiniest recalibration behind those pale eyes—the composure clicking back into place like a lock engaging. When he spoke, his voice was deep, precise, and carried the barest trace of a Scandinavian accent that turned every consonant into a decree.

“I’m from the store next door. Sterling & Mane.” He clasped his hands behind his back. “I wanted to introduce myself and request that you moderate the audio.”

“Moderate the audio,” Lark repeated. She crossed her arms. “You mean turn down the music.”

“The sound levels are bleeding through the shared wall and disrupting the atmosphere of my retail space.” He said this the way a diplomat delivers a formal protest: calm, impersonal, and with the implication that consequences existed. “My customers expect a certain acoustic environment.”

“A certain acoustic environment.” She tilted her head. “You mean silence.”

“I mean the absence of—” His gaze snagged on the beauty bar. Tracked across the lipstick display. Lingered on the shade names. His jaw worked. “You sell cosmetics.”

“Villain-themed cosmetics. And comics. And cosplay supplies. And curated playlists, which is what you’re hearing through your very thin wall.” Lark stepped out from behind the counter and extended her hand. “Lark Coleman. Founder and CEO of Villainette. Your new neighbor.”

He looked at her hand like he’d looked at the mannequin: with the expression of someone encountering a variable his spreadsheet had not prepared him for. Then he took it.

His hand burned. Large. The grip was deliberate, holding for exactly the professional duration and not a millisecond longer. But his fingers tightened—a fraction, a pulse—before he released, and Lark cataloged it instantly because cataloging details was her profession and her personality.

“Rune Sterling.” His hand dropped to his side. “CEO of Sterling & Mane International.”

“Rune.” She let the name sit in her mouth. Norse. Sharp. Appropriate for a man who looked like Valhalla’s most overdressed resident. “Your store is very…” She tipped her head toward the shared wall, toward the hushed, gallery-lit perfection on the other side. “Curated.”

“Thank you.”

“That wasn’t a compliment.”

“I know.” The briefest pause. His chin lifted—an increment, but on that face, it registered like a flag being planted. “I upgraded it.”

Lark’s mouth opened. Closed. Did the Viking just out-quip me?

Behind her, Breezy made a sound that might have been a cough and was definitely a laugh.

“The music,” he said, as though scoring a verbal point against a stranger was beneath his notice and not the most interesting thing that had happened to him in a week. “I’d appreciate a reduction in volume. My authentication equipment is sensitive to vibration.”

“Your authentication equipment is sensitive to vibration.” Lark leaned against the counter. “Is that a real sentence, or did you rehearse it in the mirror?”

A muscle ticked in his jaw. One single, involuntary spasm that he suppressed so fast, it was almost invisible. Almost. Lark saw it. Filed it under cracks in the armor.

“It’s a factual statement, Ms. Coleman. Spectrographic analysis requires—”

“Lark.”

He stopped.

“My name is Lark. Ms. Coleman is my mother, and trust me, you don’t want to confuse us.

” She smiled—her best smile, the one that launched a thousand Instagram follows and made Breezy roll her eyes on a daily basis.

“I’ll consider adjusting the volume. Consider.

After we open. If the wall can’t handle a little bass, that’s an architectural issue, Your Majesty, not a playlist one. ”

The nickname landed before she’d planned it.

She watched it hit—watched his spine straighten by a millimeter, watched his nostrils flare, watched that jaw tic fire again.

He stood in her doorway, six-three of tailored severity haloed in violet light, and processed being called Your Majesty by a woman he’d met ninety seconds ago.

“My name,” he said, with measured patience, as if explaining currency exchange to a tourist, “is Rune.”

“I know.” She winked. “But Your Majesty suits you better. You’ve got the posture for it.”

He stared at her. She held the stare. The playlist cycled to a new track—slower, darker, a woman’s voice layered over a synth line that vibrated through the floor.

“Enjoy your opening, Ms. Coleman.” He turned on his heel—a crisp, military pivot that had no business being as graceful as it was—and walked out.

The brass bell chimed behind him.

Lark moved to the glass gap and watched him step next door into his own entrance. Through the sliver of shared visibility, she could see him pick up his white cotton gloves. Resume arranging editions in the display case. As though the last three minutes hadn’t happened.

“I take it back,” Sybil said from the glass gap, her view straight into Sterling & Mane. She had her phone out. She had recorded at least part of the exchange. Lark was going to kill her. “He’s not pretty. He’s devastating.”

“He’s my neighbor and a noise complaint.” Lark picked up a stack of Morally Gray lipsticks and started restocking with crisp, precise motions. “That’s all.”

“You called him Your Majesty.” Breezy’s voice was flat. Clinical. The voice of a woman adding a line item to a spreadsheet she’d label later. “Within ninety seconds of meeting him.”

“It’s not a nickname. It’s an observation.”

“Observations don’t come with that smile.” Breezy glanced up from her tablet. Her green eyes were calm, assessing, utterly without mercy. “You used the smile.”

“I use the smile on everyone.”

“You use the customer smile on everyone. You used the other smile. The one that gets you in trouble.”

Lark opened her mouth. Closed it. Opened it again. “We open in three hours. Sound check. Now. And turn it up.”

Breezy’s mouth twitched. “Copy that.”

The bass thumped louder through the wall.

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