Chapter 25 Lindsay
Chapter twenty-five
Lindsay
My phone starts buzzing before I'm fully awake.
Buzzing means alerts. Mentions. Screenshots sent by people who don't know what to say but feel like I should see it anyway.
I sit up in bed, sunlight filtering through the curtains—soft, deceptive.
For half a second, my body remembers.
Arthur's mouth on mine.
The way the kiss didn't feel planned or polite or careful.
How real it felt.
Then I open my phone.
The first thing I see isn't an article. It's a clip. A podcast thumbnail. Friendly branding. Casual fonts. The kind of show that pretends it's harmless.
My mother is in the frame.
The phone rings almost immediately after.
"Tessa from ERS," the voice says gently, like she's stepping into a room where something fragile is already cracked. "Do you have a moment?"
I do.
She doesn't panic. She doesn't minimize. She tells me exactly what's happening—that the clip is gaining traction faster than a written piece would.
"She doesn't accuse Arthur directly," Tessa says. "But she implies imbalance. Control. Influence."
She loops in George without ceremony. His voice is calm, clinical.
"Up until this morning," he says, "your visibility metrics were unusually stable. This clip represents a tonal shift. Not explosive—but sticky."
Sticky makes my stomach drop.
"The marriage is still performing as expected," he adds. "But this introduces a new narrative vector."
I grip the edge of the bed harder. George keeps talking. Trend lines. Engagement velocity. Sentiment clusters. The numbers say this isn't a crisis.
"This level of attention was always projected," he says. "The delay is notable."
I let out a sharp laugh. "So this is... good?"
"It's manageable," he replies, unbothered.
Tessa cuts back in, softer now. "We wanted you to hear it from us before you heard it from anyone else. And to be clear—you're not obligated to respond. Silence is still a viable strategy."
I think about how often silence has been framed as protection. As maturity. As grace. I think about how often it feels like disappearing.
After the call ends, I finally play the clip.
My mom sounds... concerned. Earnest. Hurt. She talks about how everything changed after I won. How I don't call as much. How suddenly there are schedules and assistants and "layers."
The hosts murmur sympathetically. She never says Arthur is manipulating me. She doesn't have to.
I stare at the paused frame, my reflection faint in the glass. I can already see the version of this that will spread—the implication polished into certainty. Former boss. Power imbalance. Isolation disguised as protection.
My mom doesn't know how Arthur listens. Or about Henry.
She doesn't know the way Arthur's hand steadied at my back. Or how uncalculated that kiss was.
I text her:
How could you?
I set the phone down in anger. I think about the museum. The school pickup. Arthur's mouth on mine. The way none of it felt strategic in the moment.
Strategy is easier to sell than sincerity. And control is always more believable than care.
If this is a calculation, I never saw the equation.
***
By mid-afternoon, I haven't heard from Arthur.
Quinn has been in and out, fielding calls, keeping me updated on what she calls "the external temperature." According to her, the podcast is generating predictable heat, but nothing catastrophic.
"Your metrics are holding," she says, scanning her tablet. "The investment portfolios have a different audience. They're not easily spooked by family drama."
I laugh humorlessly. "Is that what this is? Family drama?"
Quinn looks up at me. "What would you call it?"
I don't have an answer.
My phone buzzes again—not with a text from my mother or Arthur, but from my sister. The message is simple:
Mom's freaking out. Says you're not answering her texts. Also, did you know people are talking about us? Weird.
I sigh. Of course my sister doesn't see the issue. She never does.
I type back:
She went on a podcast to talk about my marriage without asking me. Tell her I'll call when I'm ready.
The response comes immediately:
Drama queen much?
I turn the phone face down.
Quinn watches me with uncharacteristic gentleness. "The first public breach always hurts the most," she says. "After that, you develop calluses."
"That sounds awful."
"It is." She stands. "But it's also survival."
As she leaves, I wonder if this is what Arthur has—calluses. If years of public scrutiny have taught him to hide behind protocols instead of reactions.
I think about the kiss again. How immediate it felt. How unrehearsed.
Either Arthur Dupree is the world's greatest actor, or the moment was real.