Chapter 16

Church was different when they were planning to kill someone.

Nina stood at the edge of the chapel — the old driver's lounge with egg crate foam on the walls and the mesquite gavel on the table — and felt the weight of what was about to happen settle over the room like a weather front.

Every brother was present. Every seat filled. The air thick with leather and tension and the particular silence of men who'd already made their decision and were waiting for the details.

Tornado sat at the head with his hands folded, granite-faced, radiating the kind of calm that Nina was beginning to understand wasn't calm at all. It was control. The leash on something that would be terrible if it ever slipped.

"Milepost," the President said. "Show us what you've got."

Milepost stepped to the table and unrolled a hand-drawn map that covered three feet of wood. Nina watched the brothers lean forward — every eye on the paper, every body taut with attention.

"Pace compound sits eight miles south of the Oklahoma state line, off County Road 9.

" He tapped the map. "Main house here. Bunkhouse here, where the crew sleeps — eight to ten men on any given night.

Cattle barn to the east, equipment shed to the west. Three vehicles parked in the main lot, two more behind the barn. "

"Guard posts?" Striker asked.

"Front gate's manned around the clock. One man, sometimes two.

Back fence has a game camera but no patrol — Russell relies on the dogs for the rear approach.

" Milepost traced a line along the compound's western edge.

"But there's a county road that dead-ends at the back fence.

Gravel, unlit, runs through pastureland for two miles before it reaches the property line.

I rode it three times on solo runs. No cameras, no gates, no dogs on the west side. "

"That's our way in," Striker said. Not a question.

"That's our way in."

Nina felt something turn in her stomach.

Not fear — she'd gotten past fear somewhere around the time Denny Pace broke her hand.

This was the awareness that the men in this room were about to ride into Oklahoma and end a family that had been building power for three generations, and she was standing in the room where they planned it.

"Nina."

She looked up. Tornado's eyes were on her, and every brother in the room turned.

"You've played Oklahoma panhandle roadhouses for three years," the President said. "Tell us what you know about the roads around the Pace property."

She stepped to the table. The map was rough — Milepost's hand-drawn lines showing the compound layout, the surrounding roads, the terrain. She studied it the way she studied a venue before a set — looking for the angles, the sightlines, the spots where things could go wrong.

"The Pace trucks run Highway 56 from the compound to the state line," she said, tracing the route with her finger. "Every time I played the Buckhorn in Boise City, I'd see them — tan Fords, Oklahoma plates, always heading south after midnight."

"Supply runs?" Diesel asked.

"Looked like it. Heavy loads, riding low. They'd turn off 56 onto this county road—" She tapped the map. "Right here. It cuts through ranch land, no houses for four miles."

"That matches," Milepost said. "The turn-off feeds directly to the compound's front gate."

"There's more." Nina pointed to the eastern edge of the map. "Boise City's the nearest town — seven miles north. There's a sheriff's substation on Main Street, but it closes at six PM. After that, the nearest law enforcement is county, thirty minutes out."

"So after dark, nobody's coming," Shadow said.

"Nobody with a badge, anyway."

Rascal almost smiled. "I like her intel better than yours, Milepost."

"Her intel doesn't require sleeping in a ditch for three nights," Milepost said.

"The gates," Nina continued. "The main gate is cattle-grade — steel pipe, chain and padlock. But the side gate, the one the trucks use for the cattle pens, is just wire. I've seen it from the highway. One truck could punch through it."

"We won't need a truck," Striker said. He'd been quiet, studying the map, his eyes moving across the lines the way Nina's moved across sheet music — seeing the pattern, hearing the rhythm of the assault before a single shot was fired.

"Night approach from the county road. Two teams — one for the bunkhouse, one for the main house. We hit them in their beds."

"The bunkhouse first," Milepost said. "Take the crew out of the equation before Russell knows we're there."

Striker nodded. "My team takes the bunkhouse. Shadow flanks from the cattle barn. You and Rascal hit the main house."

"Russell has personal guards," Milepost said. "Two men, armed, inside the house."

"Then you'll need to be fast."

"I'm always fast."

The brothers exchanged looks around the table.

The particular look of men who'd committed to violence and were running the cost in their heads — not the moral cost, which they'd settled long ago, but the practical one.

Who might not ride home. Who might catch a bullet in the dark on a county road in Oklahoma.

"When?" Tornado asked.

"Tonight," Striker said. "We leave at dusk, hit the compound after midnight. Russell's had two days since Decker died. Every hour we wait, he gets harder to reach."

Tornado's eyes moved around the table. Brother to brother, reading each face.

"Vote," he said.

Every hand went up. No hesitation. No dissent.

"Then we ride." Tornado picked up the gavel and brought it down once. The sound cracked through the chapel. "Full patch. Every brother. We end the Pace family tonight."

Church broke up with the scrape of chairs and the rumble of voices. Brothers moved toward the armory, the garage, the quiet corners where men prepared for what was coming in whatever way they needed.

Nina stood by the table, looking at the map. At the lines Milepost had drawn from memory, the routes she'd confirmed from experience, the compound that would be blood-soaked by morning.

A hand closed around her wrist.

Milepost pulled her into the hallway, out of the chapel, into the narrow corridor between the clubhouse and the garage. He pressed her against the wall — not hard, not rough, but with the intent of a man who needed her full attention and wasn't willing to share it.

"You stay here tonight," he said.

"I know."

"I mean it, Nina. This isn't a roadhouse rescue or a compound defense. We're going into their territory, their ground, and there will be—"

"I know what there will be." She put her hand on his chest. "I've been standing in that room for an hour listening to you plan it. I'm not stupid, and I'm not pretending this is something it isn't."

His jaw worked. The muscle jumping under the skin.

"I can't ride east thinking about whether you're safe," he said. "I need to know. I need to know you're inside these walls with Carmen and the old ladies and a locked door between you and the highway."

"I'll be here."

"Promise me."

"I promise." She grabbed the front of his cut and pulled him closer. "And you promise me something."

"What?"

"You come back." Her eyes held his, and she didn't blink. "You ride into Oklahoma and you do what you have to do and you come back. On that bike. Through that gate. To me."

Something cracked in his expression. The warrior flickering, the man underneath showing through — scared, not of what waited in Oklahoma, but of what he'd leave behind if Oklahoma swallowed him.

"I'll come back," he said.

"Swear it."

"I swear it." He kissed her. Deep, hard, tasting like the last hour of ordinary before everything changed. "On every mile I've ever ridden. I'll come back."

She fisted her hands in his cut and held on. Thirty seconds. A full minute. Breathing him in — leather and highway dust and the warm scent underneath that was home now, that was the smell she'd associate with safety for the rest of her life.

Then she let go.

"Go," she said. "Go end this."

He pressed his forehead to hers. One breath. Two.

Then he turned and walked toward the garage, where the brothers were already pulling weapons from the armory and checking chambers and doing the grim, quiet work of men preparing for war.

Nina watched them gear up from the clubhouse door.

Hatchet handed out weapons from the armory locker — rifles, handguns, extra magazines.

Striker strapped a tactical vest over his cut and checked the action on his sidearm.

Shadow holstered a knife at his hip and rolled his shoulders loose.

Rascal loaded a shotgun with the unhurried patience of a man who'd been doing this long enough that it felt like breathing.

Ridge checked his rifle scope. Diesel double-checked the route maps. Tornado stood at the center of it all, steady and immovable, the eye of the storm his club was about to become.

And Milepost.

He moved through the preparations with a focus that shut out everything except the next task. Weapon checked. Bike fueled. Radio tested. He didn't look at her. Couldn't, she realized. If he looked at her now, the focus would crack, and he needed every piece of it for what was coming.

She understood.

The sun touched the horizon at 7:42 PM, painting the compound in shades of blood and gold.

Tornado walked to his bike and the brothers followed. Eight machines, firing up one by one, the roar building until it shook the fence posts and rattled the windows of the clubhouse. Formation — Tornado at the front, Milepost beside him, the rest falling in behind like a fist closing.

Milepost looked at her.

Across the yard, through the dust and the exhaust and the dying light, his eyes found hers and held.

He didn't wave, didn't nod, didn't mouth any words.

Just looked. Like he was memorizing her face the way she'd memorized his ribs — pressing the image into somewhere permanent, somewhere that couldn't be taken.

Nina raised her hand. Palm flat, fingers spread. Not a wave. A promise.

I'll be here.

The formation rolled toward the gate.

Eight bikes and the darkening highway and the long road east toward Oklahoma, where a man named Russell Pace was about to learn what it cost to burn a woman's stage and break her hand and come for the people she loved.

Nina stood in the yard and watched them go until the taillights disappeared and the engine roar faded to a hum and then to nothing and then to the particular silence of a woman waiting for a war to end.

She walked inside, sat down at the bar, and picked up her guitar.

If she couldn't fight beside him, she could keep the music going until he came home.

If ads affect your reading experience, click here to remove ads on this page.