Chapter 28 The Forbidden

Truth

Delilah

We give it three days.

Not because we need three days to prepare there's no version of this conversation you can prepare for. We give it three days because Margo needs to know first, because the doctor appointment is Thursday, and because Bishop and I both need a few days of knowing together before we hand it to someone else.

The doctor appointment is unremarkable in the best possible way. Heartbeat, timeline, everything where it should be. Bishop sits in the chair beside the exam table with his hands on his knees and his face giving nothing away and when the doctor leaves the room he looks at me and says okay and I say okay back and that's the whole conversation and it's enough.

Margo takes it better than I expect.

She looks at me across her desk for a long moment. Then she says I wondered when you were going to tell me and goes back to her logbook.

I stare at her.

"The ginger ale," she says, without looking up. "And the way you've been avoiding the fuel dock fumes." She turns a page. "I run a marina. I notice things."

Of course she does.

By Friday morning Bishop and I are in his kitchen at seven with our coffee and the particular quiet of two people who have been circling the same thing and have finally agreed it's time.

"Today," I say.

"Today," he agrees.

He calls Cole at eight.

I listen from the kitchen table while Bishop tells his brother he'd like to have dinner. Just the three of them. The lakeside bar on the north end neutral ground, public enough to prevent escalation, private enough in the back corner booth that they can say real things. His voice is even and controlled and gives nothing away.

Cole says yes without asking why.

That's the thing about Cole. He's been waiting for this conversation since the supply room hallway. Maybe since the marina lot in September when he read the room and chose not to say what he'd read. Maybe since the Fourth of July when his name lit up Bishop's phone twenty-three times and nobody told him the truth.

He's been patient for months.

He won't be patient after tonight.

The drive to the bar is quiet. Not uncomfortable, the kind of quiet that has companionship in it. Bishop drives. I watch the lake road through the window and think about all the versions of this conversation I've run in my head over the last three days and how none of them feel right and how that's probably because there isn't a right version. There's just the true one.

"He's going to be furious," I say.

"Yes," Bishop says.

"At you more than me."

"Yes."

"Are you okay with that?"

He's quiet for a moment.

"He should be furious at me," he says.

"I broke something. The least I can do is stand there while he says so."

I look at the side of his face. The bruise has faded to yellow at the edges. The knuckles have closed. He looks like himself again controlled, careful, the man who manages things.

Except his hands on the wheel are doing the thing. The not-quite-fist. Holding on.

"We do this together," I say.

"I know."

"I mean it. You don't take all of it."

He glances at me. "Okay."

The bar is called Lakeview and it's the kind of place that's been there long enough to stop trying wood paneling, low light, the smell of old beer and lake air through the vents. The back corner booth is exactly what Bishop said. Private. A little worn. The kind of table where real things have been said before and the walls have absorbed them.

Cole is already there when we arrive.

He stands when he sees us. Not surprise exactly he was expecting us both. But something shifts when he sees us walk in together. The specific shift of a man whose hypothesis is being confirmed before anyone says a word.

He hugs me first.

And I, I didn't know how much I needed this until it's happening. His arms around me and my face against his shoulder and the familiar weight of him that has been my safe place for four years. The person I called in every crisis before this one. The one I didn't call in this one.

He holds on a beat longer than usual.

I hold on too.

When we separate his eyes move over my face with the careful attention he uses when he's deciding how worried to be. Taking inventory the way the Morgans do. Looking for the thing underneath the surface thing.

"You look good," he says. Meaning it.

"I am good," I say. Meaning it back.

Something in him loosens slightly. Not all the way. But enough.

He looks at Bishop.

The fifteen-year language between them compressed into a look, a nod, the particular acknowledgment of brothers who have been missing each other and won't say so directly. Cole clocks the fading bruise on Bishop's jaw. Files it. Says nothing about it yet.

We sit.

Cole orders a beer. Bishop orders water. I order ginger ale and feel Cole's eyes on me for half a second before he looks away.

"Okay," he says. Easy. Patient. Giving us the space to start. "I'm here."

I look at Bishop.

We agreed on the drive over. I start. Not because it's easier coming from me it isn't, but because Cole needs to hear from me first. He's been carrying the not-knowing for months. The first layer of truth belongs to our friendship.

"The wedding is officially and completely canceled," I say. "Graham and I are done. Legally, fully, no going back." I hold his gaze. "You knew that. But I needed to say it out loud to you before anything else."

Cole nods. Patient.

"I'm pregnant," I say.

Cole goes very still.

Not Bishop-still the bracing kind. Cole-still. The particular stillness of someone whose mind is moving very fast while the rest of him figures out where to put what it's finding.

"Okay," he says. Quiet. Then again: "Okay." He looks at his beer. At the table. At me. The processing visible in his face because Cole unlike his brother doesn't have a control setting that hides it. "Are you?"

"I'm okay." Before he can finish. "Genuinely. I have a doctor. I have a plan. I have" I pause. "I have support."

He looks at me.

Then at Bishop.

Bishop is sitting across the table with his water glass and his hands flat on the wood and the expression of a man who has decided to hold still and take whatever comes. No deflection. No management. Just present.

I watch Cole's eyes move between us.

The math he's been doing since September. Since the supply room. Since a Saturday morning with a coffee cup and an inventory excuse.

Everything he's filed, everything he's chosen not to say, everything he's been carrying in the patient quiet way that is uniquely Cole, I watch it run.

I watch it arrive somewhere.

His jaw tightens.

"Delilah." Very carefully. "Who's the father?"

The booth is very quiet.

I don't look at Bishop. I keep my eyes on Cole because this is the moment and he deserves to hear it from me looking at him.

"Bishop," I say.

Cole picks up his beer.

Sets it back down without drinking.

He looks at the table. At his hands. At the grain of the wood. The jaw is working the setting and deciding and running that Cole does when something lands that he needs to move through before he can respond to.

The bar sounds settle around our silence. Low music. Voices from the front. The ordinary noise of a Thursday night that doesn't know what's happening in the back corner booth.

I watch Cole put it together. The Fourth of July Bishop's phone lighting up twenty-three times. The fact that Bishop found her before anyone else did.

The complicated at Saturday breakfast. The supply room hallway. The way they move around each other in the marina that isn't how colleagues move.

All of it clicking into a shape he didn't want to see.

He's quiet for a long time.

Long enough that the waitress comes back and reads the table correctly and leaves without saying anything.

Cole looks up.

Not at me.

At Bishop.

And Bishop to his credit, completely and entirely to his credit doesn't look away. Doesn't reach for a deflection or an explanation. Doesn't manage the moment or soften the edges of it. He looks at his brother across the table with the bruised jaw and the flat hands and the specific expression of a man who broke something and knows it and is not going to ask for forgiveness before the damage has even been named.

Just holds it.

Holds the look.

Cole's chair scrapes back.

He stands so fast the chair crashes behind him.

"You?"

If ads affect your reading experience, click here to remove ads on this page.