Chapter 9

She texted first.

The number came up unknown — I’d deleted Rowan’s contact three years ago, the same week I’d deleted everything else — but I knew it was her before I opened the message, the way you know your own heartbeat. Some knowledge lives below the conscious mind. Twinship is one of them.

Em. I know you don’t want to hear from me. I need five minutes. That’s all I’m asking.

I didn’t respond. I set the phone facedown on the kitchen counter and stood there looking at the back of it — the plain black case, the small crack in the corner from when I’d dropped it at the farmer’s market two weeks ago, the case Eli had offered to replace and I’d said no because I liked the crack.

It reminded me that things could break and still work.

The second text came an hour later.

I’m not going to stop. You know I’m not going to stop. That’s how we’re built.

She was right. That was how we were built.

Rowan and I were the same engine in two bodies — the same stubbornness, the same refusal to let a thing go unresolved, the same inability to sit with silence when words might fix it.

The difference was in what we used the engine for.

I used mine to write. She used hers to push through whatever stood between her and the thing she wanted.

And the thing she wanted, for too long, had been my husband.

The third text came the next morning.

I’m outside your building.

I looked out the window. There she was, standing on the sidewalk in a gray jacket and jeans, looking up at the brownstone with the expression of a woman who has rehearsed what she’s going to say and is afraid she’ll forget it.

She looked smaller than I remembered — or maybe I’d grown, or maybe the three years between us had done the thing that three years does, which is to change the scale of everything you thought was permanent.

She had my face. That was the thing that never stopped being strange.

The same dark brown hair — hers down and loose, the way she always wore it, the way I never did.

The same sharp jawline. The same hazel eyes that went green in certain light.

She was me in a different font. The same letters, different emphasis.

And she was standing on my sidewalk looking up at my window, and the photographers who had been camped on the block since the article broke were watching her with the specific alertness of people who recognized that something was about to happen.

I could have not answered the door. I could have stayed at the window and watched her stand there until she gave up and left, the way I’d stood at the window of a hospital room and watched Cade celebrate on a television screen until he gave up and checked his phone and put it back in his pocket.

I could have made Rowan wait the way I’d waited — unanswered, unacknowledged, bleeding alone while the party went on without me.

But I wasn’t Cade. That was the whole point. I didn’t ignore people when they showed up. I didn’t look at my phone and put it back.

I thought about calling Eli. He was at Columbia — Tuesday, his undergraduate survey, three hours of nineteenth-century American fiction that he navigated with the steady patience of a man who believed that every Melville skeptic was one good conversation away from conversion.

He would have come home if I’d asked. He would have walked past the photographers again with his bag over his shoulder and his wire-rimmed glasses and the unhurried manner of a man who had decided, permanently, that the woman inside the apartment was more important than the spectacle outside it.

But this wasn’t his conversation. This was mine. Mine and Rowan’s. The last conversation of a twinship that had defined the first twenty-seven years of my life and the absence of which had defined the last three.

I opened the door.

“Five minutes,” I said.

She came upstairs. She walked into the apartment the way you walk into a room you’ve never been in but feel you should have been — carefully, respectfully, with her hands close to her body and her eyes taking in everything.

The bookshelves. The blue ceramic bowl on the counter with the Bartlett pears.

Margaret’s photograph on the shelf. Eli’s stack of red-marked manuscripts on the side table.

The fire escape through the window, the rusted chair, the view of the block she’d been standing on thirty seconds ago.

“It’s nice,” she said.

“Don’t.”

“I’m just—”

“Don’t comment on my apartment. Don’t tell me it’s nice or it’s warm or you like the bookshelves.

You don’t get to stand in my life and rate the furniture.

” My voice was even. Steady. The voice I’d developed in the years since Nashville — the one that kept everything contained, that never rose or cracked, that sounded like control because it was control. “Say what you came to say.”

She sat down on the edge of the couch — the edge, not the middle, not the place where Eli sat, as if she understood that the center of things was not hers to claim.

She folded her hands in her lap. She looked at me with my face — my jawline, my eyes, the specific arrangement of features I’d been born sharing — and she said:

“I’m sorry.”

Two words. The same two words that had been on Cade’s card with the white peonies.

But Rowan said them differently. Rowan said them the way you say something you’ve been carrying in your body for three years, heavy and sharp and impossible to set down gently.

She said them and her voice cracked and her hands tightened in her lap and I watched my own face perform the expression of a woman who knows she has done something unforgivable and is asking for forgiveness anyway.

“It was wrong,” she said. “All of it. Every part of it. I knew it was wrong while it was happening and I did it anyway, and I don’t have an excuse that would make it make sense, because it doesn’t make sense.

You were my sister. My twin. The person who—” She stopped.

Pressed her lips together. Tried again. “I ended it. Before the divorce was final. I ended it and I moved to Atlanta and I haven’t spoken to him since. ”

“When did it start?”

She’d been expecting this question. The preparation showed in her face — the rehearsal, the careful arrangement of words she’d been assembling for years, the script she’d written and revised and rehearsed in the shower and the car and the sleepless nights that identical twins share even when they’re not speaking.

“The spring before game 7. About a year before—”

“A year.” I said it flatly. The way you say a number at a doctor’s office. A fact. A measurement. Not a feeling.

“Yes.”

“While I was organizing his endorsement deals. While I was learning every front-office employee’s name.

While I was packing his bags for road trips and washing his lucky socks by hand because the machine shrunk them once.

” I wasn’t raising my voice. I didn’t need to.

The facts were loud enough on their own.

“While I was being his wife — his actual wife, the one who showed up every day and did the invisible work and forgot her own name in the process — you were the one he wanted to come home to.”

Rowan’s eyes were wet. I noticed this with clinical precision — the shine, the redness at the corners, the specific way tears gather before they fall.

I’d written this exact image in my novel.

I’d described a woman watching herself cry and feeling nothing.

I hadn’t known, at the time, that I was writing about a moment that hadn’t happened yet.

“Yes,” she said again. Quieter.

A year. Twelve months. The length of a pregnancy I didn’t know about yet, the length of a season, the length of the time between the team barbecue where she’d known his WiFi password and the night when she’d stood in a locker room with champagne on her dress and her hand on his arm while I bled alone in a hospital five miles away.

“I knew,” I said. “Not the details. But I knew. I could feel it. The way he looked at you. The coffee order. The texts about his contract. The photograph where I’m on the edge and you’re in the center.

” I was surprised by how calm my voice was.

Professional, almost. The voice of a woman who has processed this information already, who wrote a novel about it, who converted the worst betrayal of her life into two million copies and a pen name.

“I called Joss one night. Late. I almost said it. I couldn’t. ”

“Joss knew?”

“Joss suspected. Joss always suspects. She didn’t confirm it until after I left Nashville.”

A silence. The apartment creaked the way old Brooklyn apartments creak — the radiator, the building settling, the particular music of a structure that has been standing for a hundred years and has heard every conversation there is to hear.

“Were you with him that night?” I asked.

Rowan’s face changed. The rehearsal crumbled. The careful script she’d built dissolved into something raw and unprotected, the way a building looks after the facade comes down — the real structure underneath, rough and unpainted and not meant to be seen.

“Game 7,” I said. “Were you in the locker room while I was—”

She didn’t answer. She didn’t need to. The silence was the answer.

It had always been the answer. The woman at the edge of the broadcast frame, champagne on her dress, hand on his arm — that was Rowan.

My face on someone else’s body, standing in the place I should have been, while I lay in a hospital bed and called eleven times and watched the celebration on a screen above my head.

“I didn’t know,” she said. Her voice was almost inaudible. “About the baby. About the hospital. I didn’t know until the next morning, when you were already gone. Em, I swear to you, I didn’t—”

“Stop.”

She stopped.

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