Chapter 22
Ruby
My mother sits on the couch. She crosses her ankles, uncrosses them, smooths her hands over her slacks.
She's wearing the pearl earrings she wears to church, which means she got dressed for this.
Planned it. Chose those earrings knowing she'd be sitting in her daughter's apartment telling her something that required pearls.
My father stands in the middle of the living room holding a manila folder against his chest. Nash pulls a chair from the kitchen table and sets it across from the couch. My father stares at it. His fingers whiten around the folder. He sits.
Nash positions himself behind me where I'm perched on the arm of the couch, his hand settling on my lower back. My mother reaches over and takes my hand. Her fingers are ice cold.
My father opens the folder.
A photograph slides onto the coffee table. Me and Nash outside Amaranth, taken from across the street. I recognize the parking lot, the front window, Nash's bike angled at the curb. The shot is clear enough to read the sign on the door.
A second photograph. Me and Nash walking through the clubhouse gate. Taken from the road. Both our faces visible.
My stomach drops.
A piece of white paper. Block letters. My father's hand trembles when he sets it down.
HANDLE YOUR BITCH DAUGHTER OR WE WILL.
My mother's grip crushes my fingers. Behind me, Nash goes still. His hand on my back presses flat, spreading wide, covering as much of me as one palm can reach.
"When did you get these?" Nash's voice is level. Too level.
"The photos arrived two weeks ago." My father's hands return to his knees. He grips them. "The note came three days later."
"Why didn't you bring them to me?"
My father's jaw works. He stares at the photographs on the coffee table, at the image of me walking beside Nash, unaware, smiling at something he must have said, caught in a frame I never knew existed.
"Because I've been handling this for three years," he says. "And handling it means keeping her out of it."
"Dad." My voice sounds far away. "What are you talking about?"
He looks at me. His composure, the courtroom composure I've watched him wear like armor my entire life, splinters.
"Three years ago, three trafficking cases connected to the Castiel pipeline landed in my court.
" His voice drops into the register he uses for rulings, steady, measured, except his hands are shaking.
"I had witness testimony. Financial records.
Shipping manifests from the Gulf route. Enough to dismantle the entire operation. I was weeks from trial."
He reaches into the folder. Another photograph. Older. The edges softened from handling. Me at nineteen, walking across the community college parking lot with a backpack over one shoulder, earbuds in, my face turned toward the sun.
I stare at it. At myself, three years younger, oblivious, crossing pavement I crossed every day. Someone stood at the edge of that lot and took this picture.
"That arrived at my chambers." My father's voice thins.
"With a note that said they knew where you lived.
Your schedule. The route you walked to class.
" He swallows, his throat bobbing, his eyes fixed on the photograph of me.
"The note said if the cases went to trial, you wouldn't make it to graduation. "
My mother makes a sound beside me. Small, strangled, pressed through closed lips. Her grip on my hand tightens until my knuckles ache.
"I sealed the cases." My father's gaze lifts from the photograph to my face.
"I used non-standard procedures because standard procedures leave a trail.
Garrett Webb handled the paperwork because he was the only person I trusted.
" His voice cracks on the word trusted, the fracture running through it like a fault line.
"I buried three federal trafficking cases to keep you safe. "
"The pipeline survived," Nash says behind me.
"Yes." My father turns to Nash. His shoulders curve inward, the posture of a man folding under weight he's carried alone.
"The pipeline survived. Evidence was sealed.
Witnesses scattered. The financial records disappeared.
" He pauses, his eyes closing for a beat too long. "And people kept disappearing."
"Sera," I say.
My father's face changes. His mouth tightens. His eyes, when they open, are wet.
"I didn't know about Sera until your cookout.
When you said Naya's name and I—" He stops.
Presses his fist against his mouth. His knuckles are white.
"I went home that night. Pulled every sealed file from the safe in my office.
Read every case number. Every name." He lowers his fist. "Naya's sister was taken by the same pipeline I had the evidence to destroy.
She disappeared the same year I sealed those cases. "
My mother's tears drip onto our joined hands, warm against my cold knuckles. Nash's fingers haven't moved on my back.
"I stopped a trial that could have saved her." My father's voice is barely audible. "I chose my daughter over someone else's sister."
He stares at me. Federal Judge Lawrence Leighton, the man who taught me to ride a bike in the driveway, who cleaned a shotgun while my prom date sweated in the living room, who stood at a picnic table and told Nash that raising a daughter like me bears repeating.
His eyes are red, and his chin is trembling.
His hands grip his knees so hard the tendons stand out against his skin.
"Dad." My voice is steadier than the rest of me. "Why now?"
"Because you got involved." He leans forward in the chair, closer to me, his elbows on his knees.
"You found this club. Made friends with the women connected to the same world I tried to bury.
You started helping, because—" His voice breaks again.
He presses through it. "Because that's who you are.
Because you have never once in your life walked past something broken without trying to fix it.
And I knew I couldn't keep you in the dark anymore.
Not when you were walking straight into the light I was trying to hide. "
He gestures to the photographs on the table.
"These prove they're watching again. The remnants of the network, the loyalists who survived the Blackwell takedown.
They know you're connected to the club. They know I sealed those cases.
" He straightens. "And after you said Naya's name at that cookout, after I realized what my silence actually cost, I couldn't carry it anymore. "
Nash moves from behind me. He crosses the room, crouches in front of my father. Eye level.
"Lawrence. I've been investigating the sealed cases for two years. I confirmed your name yesterday."
My father holds his gaze. "I know you did. A man doesn't watch my daughter the way you do without running every lead he finds." He pauses. "How long have you suspected?"
"Months."
"Were you going to tell her?"
"Today. You beat me to it."
My father nods once. He looks past Nash to me, then back.
"I owe you an apology," my father says. "For what my silence cost your investigation. For what it cost the people you're trying to find." His voice drops to almost nothing. "For Sera."
Nash's thumb finds the headband and presses. "You made the choice any father would make."
"That doesn't make it right."
"No. It doesn't." Nash holds his eyes. "But it makes it human."
My father's face crumbles for one second. His mouth twists, his eyes squeeze shut, his shoulders shake once. Then he pulls it back together, piece by piece, the composure returning like a wall being rebuilt in real time.
"I wish to help." He straightens in the chair, squaring his shoulders.
"I'm done hiding. The sealed files. Webb's contact information.
Three years of records I've kept in a safe because I couldn't bring myself to destroy them.
" His hands flatten on his knees, steady for the first time since he sat down.
"Whatever your club needs to finish what I started, I'll provide it. "
Nash looks at me across the room. His eyes find mine, and he waits.
I look at the photographs on the coffee table. The image of me at nineteen, walking to class, and the image of me last week, walking beside Nash, smiling. The note in block letters between them.
I look at my father. His red eyes. His shaking hands. Three years of fear folded into a manila folder.
I think about the headband on Nash's wrist. About Naya reaching for it to check if it was still there. About a girl named Sera who disappeared into a pipeline that should have been dismantled before she ever got near it.
I squeeze my mother's hand. Let go. Stand.
"Someone has to fix this." My voice shakes, but the words hold.
"Someone has to finish what you started.
You sealed those cases to protect me. I'm not going to stand here and pretend I wish you hadn't, because that would be a lie.
" I swallow. "But a girl is missing. The people who threatened me are still out there taking people.
And the evidence you buried can still bring them down. "
I look at Nash. "Together?"
He crosses the room and takes my hand. "Together," he says.
My father stands. He looks at me, at Nash, at our hands. His chin lifts, the same angle mine does when I'm about to face something head-on.
My mother stands beside him and takes his arm. She's steady the way she's been steady for thirty years.
"What do you need from us?" my father asks.
Nash's thumb traces my knuckle.
"Everything," I say. "The files, Webb's contacts, all of it."
"And you need protection," Nash says. "If they're watching Ruby, they're watching you. I'll have Kyle and Rider rotating on your house by tonight. Two prospects on the perimeter until this is resolved."
My father opens his mouth. Closes it. A federal judge being told he needs a motorcycle club guarding his home, and the fact that he doesn't argue tells me everything about how scared he actually is.
"Okay," my father says.
"Raine." Nash turns to my mother. "You don't go anywhere alone. Not the store, not church, not the driveway. Someone is with you at all times."
My mother straightens beside my father, her hand tightening on his arm. She nods once.
"Thank you," my father says.
Nash nods. He pulls his phone from his pocket, scrolls, and presses call. His hand finds my lower back while he waits for the line to connect.
"Malachi."