17. Chapter Seventeen

Chapter Seventeen

CALEB

It’s a better morning than some.

The compressor kicks on behind me, and I’m gone.

That’s not how I’d put it if anyone asked, which nobody does.

What happens is: a bang, a hiss, the back of my skull lights up like somebody threw a switch, and my body drops into a crouch I haven’t used in four years, and the workshop floor is hard under my knees and my palms are flat on the concrete.

No.

I know where I am. I’m in the workshop. Wild Briar Creek, Tennessee. It’s the compressor. The same compressor I’ve turned on every morning for eight months. The tank pressure dropped, and the relay stuck, and it kicked on, and there’s nothing here that needs to be frightening.

I know this. My hands don’t.

They’re shaking. Not the way hands shake from cold or from holding a wrench too long. The other way. The way they shake when the rest of you has left the building and your body’s trying to call you back and you’re not picking up.

I stay on the floor. The concrete’s cold through my jeans. There’s a fan belt on the bench above me I was halfway through replacing, and I think about the fan belt. The three bolts. The socket size. The order you pull them.

The order helps.

The other thing is still there. The smell that isn’t this workshop. The sound that wasn’t a compressor. The weight on my chest that isn’t the dog. It sits behind my eyes, patient, in no hurry, and I breathe the count the VA counselor drilled into me: in for four, hold for four, out for four.

In. Hold. Out.

Bear presses into my side. His whole chest against my ribs, no whining, no licking, just the full warm weight of him leaned in and breathing. He’s done this before. He knows it isn’t a thing you fix. It’s a thing you sit through.

The workshop comes back in pieces. The bench.

The overhead light with the dead bulb I keep meaning to replace.

Bear’s heartbeat against my ribs. Oil and sawdust and September air coming through the open door.

Not the other thing. Not the other smell.

Not the place I do not put words to because words make it harder to put back in the box.

The shaking ebbs. Not all at once. It goes out slow, the way a tide goes, and then slower, and then it’s gone and I’m just a man sitting on a workshop floor with a dog against his ribs and a soaked shirt and a fan belt that still needs doing.

It’s always over. It just never stops starting.

I sit up against the bench. I drink air. Bear shifts his weight but doesn’t move off me. The world is the right world again. The walls are the right walls. My name is Caleb, and this is my workshop, and I’m twenty-eight, and I’m fine.

Fine.

Her truck. The diesel rattle up the track, and for one bad second my brain does the wrong thing with a vehicle incoming. But Bear lifts his head, and his tail moves once against my leg, and his whole body tells me it’s her.

She’s early. Or I’ve lost time. Both are possible.

“Caleb?” Her voice from the clearing, pitched to carry without shouting. “I know I said two weeks, but Bear’s bloodwork flagged a number I wanted to recheck. I brought the kit. Five minutes, I’ll be out of your hair.”

She comes around the workshop door.

She stops.

I’m on the floor with my back to the workbench, my shirt soaked through, a dog in my lap, and I look exactly like what I am. A man who left the room for a while and isn’t sure all of him made it back.

She doesn’t ask what happened. She doesn’t say, are you okay?

She doesn’t do any of the things I’ve built walls for, and that’s the thing that gets past me, because I’ve got a response loaded for concern and a response loaded for pity and a response loaded for the question, and she doesn’t fire any of them.

She sits down.

Not next to me. About three feet off, her back against the doorframe, one knee up. She sets the vet kit on the floor beside her and looks at the clearing, not at me.

Bear looks at her. Looks at me. Puts his head back down on my thigh.

We sit. A minute. Two. She doesn’t speak. The starlings are going on the workshop roof, and the compressor has cycled off, and the only sounds left are three sets of breathing. Mine, hers, the dog’s.

She pulls a bottle of water out of her kit bag and sets it on the concrete between us without comment.

I watch her from the corner of my eye. She’s pulled her knees up.

Her chin’s on her forearm. She’s looking out through the open door at the clearing, the gold light, the quiet trees, and she doesn’t look uncomfortable or sorry or scared.

She looks like a woman who has sat with frightened animals before and knows the only thing to do is wait.

The bottle’s in my hand before I’ve thought about it.

Water runs down my chin, and I wipe it with the back of my wrist and I can’t look at her because if I look at her, she’ll see the part I keep behind the door.

I’m twenty-eight years old and I’m sitting on a workshop floor because a compressor kicked on.

“His gums looked good from the door,” she says. “Pink. That’s what we want.”

It takes me a second. She’s talking about Bear.

“Yeah,” I say. My voice comes out like something scraped over rust. “He’s been eating.”

“I can see. He’s filled out.” She reaches over and scratches behind Bear’s ear, easy, like this is a regular visit and I’m not sitting in my own sweat on a concrete floor. “The swelling’s stayed down?”

“Stayed down.”

“Good. I’ll still do the blood draw, but I’m not worried.” She tips her head back against the frame and looks up. “You’ve got a dead bulb.”

“I know.”

“You should fix that.”

“I know.”

“You want me to go?” she asks. No weight. No performance. Just the question, clean and simple.

“No.” It comes out before I can stop it. One word. The wrong one. Or the right one. I don’t know the difference anymore.

She nods. She stays. She doesn’t touch me, and she doesn’t move closer, and she doesn’t ask, and she doesn’t leave. She sits in my workshop doorway with her hand on my dog and lets me be a wreck in peace.

I lose track of how long. Long enough for the light in the clearing to shift and the mist to burn off the tree line and for Bear to fall asleep between us, his ribs rising and falling. A dog at rest in a room with two people who are anything but.

When I trust my legs, I stand. She stands too. She doesn’t offer a hand up.

“I’ll do the draw now,” she says. “If that works.”

“Yeah.”

She does the draw. I hold Bear steady, hand flat on his chest, and she’s quick and sure and he doesn’t move and she caps the vial and writes the date and puts it in her kit and all of it’s so ordinary, so perfectly routine, that for about ten seconds I can pretend that nothing happened.

“Couple of days for results,” she says. She clicks the kit shut and stands. “I’ll call.”

“Regan.”

She looks at me.

I don’t know what I was going to say. Thank you doesn’t cover it. I’m sorry is for the wrong thing. I don’t usually… I’m not always… this doesn’t happen every… None of them are true enough and none of them are small enough to say.

“The dead bulb,” I say. “I’ll fix it.”

She smiles. “Good.”

Then she walks to the truck and doesn’t look back. Bear walks her there, leaning into her leg the whole way, and she scratches under his chin and gets in. The Ford rattles down the track, the dust climbs and settles, and the clearing goes quiet.

I stand in the workshop doorway with my hands at my sides and wait for the shame to come. It comes. It always comes, after. But this time there’s something underneath it, in the place where the shame usually lives alone.

She saw it. The floor and the shaking and the sweat and the part of me I’ve spent four years keeping locked up so tight I forgot what it looked like from the outside.

She didn’t flinch.

She sat down and handed me water. She talked about Bear’s gums. She stayed the way you stay with an animal that needs to ride something out, no fuss, no noise, no fear. Just there.

I don’t know what to do with that. It doesn’t go in the box I’ve built for her, the one with the photo and the parking lot and the girl in the green dress and the ten years of certainty that I was right to leave.

Bear comes back from the track, sits at my feet and looks up at me with steady eyes.

“Don’t,” I tell him.

He keeps looking.

I go back inside and fix the dead bulb, because it’s the only thing she asked me for, and right now it’s the only thing I know how to give.

If ads affect your reading experience, click here to remove ads on this page.