38. Between then and now #2

They clinked glasses – soda to whiskey to soda – no awkwardness, no commentary. Mack clocked the choice, respected it. Preston’s mother smiled at both of them like she’d been waiting for this alignment longer than she’d admit.

Spring took a sip and watched it all – the pride, the relief, the weight lifting off a family that had been living under pressure for years.

Mack caught her eye. “That footage you shot?” he said. “You didn’t just help him. You changed the game.”

Spring shrugged. “I just showed what was already there.”

Mack grinned. “That’s the dangerous kind.”

They drank. They laughed.

For one suspended moment, it wasn’t about grief or contracts or debt or ghosts. It was about arrival. And Spring knew, deep in her bones, that everything after this would be louder, messier, and harder.

But right now?

Right now, they were allowed to celebrate. After a few more toasts and conversation Mack said, “Okay you both got work to do. P, whatever you need. Let’s make history.”

Talia kissed her son and hugged Spring, much to her surprise.

Spring didn’t announce herself when she shifted into work. She never did.

There was a quiet recalibration instead – a soft click behind her eyes – where emotion stopped leading and instinct took over. The room didn’t change, but her relationship to it did. Angles. Light. Silence. Everything became information.

She slipped her phone onto the table, screen down. Not to record yet, just to feel the space first. “Okay, I’m ready now. Sing that again, from earlier,” she instructed.

Preston didn’t ask which part. He just nodded and reset.

This time she moved – slow, deliberate – circling the room the way a dancer tests a floor, avoiding weak boards. She tracked the way the sound bounced off the far wall, how it softened near the doorframe, how the mic caught his breath just a fraction before the note landed.

She crouched. Stood. Tilted her head. “There,” she said, pointing. “That corner deadens you. Don’t fight it – lean into it. Sing through the room, not at it.”

He smiled and adjusted without argument.

That told her everything.

Spring pulled her notebook from her bag. It wasn’t neat. It never was. Half-written thoughts, arrows, shapes – a shorthand only she understood. She sketched the room in seconds, then circled Preston and wrote one word beside him: anchor.

Preston scratched his head. She could tell he wanted to talk, and she had an idea what about. Nonetheless, she persisted. After a spell, he said, “Hey, earlier, when it was just us... what did you mean when you said you know how to tell this story?”

She didn’t look at him when she spoke next. “This isn’t a comeback story,” she said. “Not the way they think.”

Preston frowned slightly. “Then what is it?”

She finally met his eyes. “It’s a reclamation.

Right now, you’re the undisputed king of R&B.

If we let them frame it as a resurrection, they’ll own it.

I won’t let that happen. You’re still the king.

” She walked closer now, not invading his space – calibrating it.

“You don’t need to be rediscovered. You need to be reintroduced – on your terms.”

She picked up her phone and tapped the screen alive. “First rule,” she said, voice even. “I don’t chase moments. I build containers for them. You don’t perform for the camera, you live, and the camera keeps up.”

She adjusted the lens, checking the geometry. “Second rule: silence matters. We’re not scoring over your pain. We’re letting it breathe.”

She paused, watching his reaction.

He swallowed. “That’s… different.”

“That’s honest,” she replied. “And honesty is the only currency you have left that can’t be taken from you.”

Spring stepped back and finally hit record. But instead of pointing it at him, she turned it toward the empty room. “Day one,” she said quietly. “No spectacle. No promises. Just context.”

She turned the camera to him now – not dramatic, not invasive. She asked him what everyone always asked artists when the pressure came back around. “What are you afraid of?”

He didn’t answer right away.

He leaned back against the soundboard, eyes unfocused, like he was looking through the walls. For a second, she thought she’d pushed too far – that maybe this was about the album, the tour, the money, the weight of expectations that had chased him since high school.

“I’m afraid,” he said slowly, “of losing the thing that made me want to sing in the first place.”

Spring nodded, already framing it in her head. Music as salvation. Art as refuge.

She waited for him to elaborate.

“When I was a kid,” he continued, “I thought love was loud. Applause. Approval. People telling you you’re special.”

She swallowed. She remembered those days – assemblies, talent shows, the way adults leaned forward when he sang, like he owed them something.

“But then,” he said, “I started noticing the quiet stuff.” He glanced at her, just for a second, then looked away again. “The person who sat with me when I bombed. Who knew when I needed to stop talking. Who didn’t love me more when I won and less when I lost.”

Her chest tightened.

“In high school,” he went on, “I thought if I lost that, it meant I failed. So I kept chasing replacements – labels, stages, deals. Anything that felt like movement.”

She thought of the hiatus. The drinking. The night everything went silent.

“But the truth is,” he said, voice barely above the hum of the room, “I was never not in love. I was just afraid to call it what it was.”

She frowned slightly. “You mean with the music?”

He smiled then – the soft one she remembered from late nights and stolen moments. “Yeah,” he said. “With music… I think I’ll always love it.”

The words settled in her.

All the trials since high school lined up in her mind like evidence she’d been avoiding: missed calls, unfinished conversations, the way they always circled back to each other, no matter how far life pulled them apart.

The night he’d bombed and drove to her house.

The break-up that wasn’t a betrayal, just time sharpening its teeth.

The years where love never left – just waited.

She realized then that when he talked about fear, he wasn’t talking about losing his voice.

He was talking about loving something fully and not knowing if it would choose him back, and it wasn’t music.

It was her.

And standing there, camera forgotten in her hands, Spring understood the truth that finally stopped her breath: he had been in love the whole time.

And for the first time, she had to wonder if she was brave enough to answer him.

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