The Billionaire Who Forgot His Pregnant Wife

The Billionaire Who Forgot His Pregnant Wife

By Naomi Ellison

CHAPTER 1

LAYNE

The crib is winning.

I’ve repositioned it four times this morning and it still looks wrong, sitting under the window with its smug little spindles, daring me to try a fifth wall.

I’m thirty-four weeks and two days pregnant, which means I have the center of gravity of a tipsy shopping cart, and yet here I am, hip-checking solid maple across the nursery because the room has to be right.

The phone buzzes on the dresser. Jonas, calling from the car, which means he’s twenty minutes out and wants to narrate it.

“Tell me you haven’t moved the crib again,” he says.

“I haven’t moved the crib again.”

“You’re a terrible liar.”

“The crib moved itself. I’m as shocked as you are.”

He laughs, and there’s traffic behind it, horns and the low hum of the Bentley. “We hired people for this. Strong people. People with backs made for crib relocation.”

“Your people have no vision.” I shove the dresser two inches left and immediately regret it, bracing a hand under the bump. “Besides, Elodie agrees with me. She kicked when I had it by the window. Strongly worded kick.”

“She kicks when you eat toast.”

“She has opinions. She gets it from me.”

“She currently weighs five pounds and pays no mortgage,” Jonas says. “She doesn’t get a vote on furniture placement. When she’s chipping in for the real estate, we’ll talk.”

“Five and a half, according to Thursday’s scan. She’ll be sending you an invoice.”

There’s a pause, the warm kind, and I can picture him: tie loosened, cufflinks in his pocket, the version of him the board never gets.

My husband, who left a nine-figure negotiation early because I texted him a photo of a pair of socks the size of thumbs and he declared it, quote, a family emergency.

“Leave the crib,” he says. “I’m bringing Thai from the place on Bleecker and I’m going to fix it myself, poorly, and you’re going to supervise from the bed with your feet up. Full dictator.”

“A beloved dictator.”

“My wife.” He says it the way he always does, easy, no weight on it, and it lands in me every single time. Three years married and the word hasn’t worn down at all. “Twenty minutes. Tell Peanut to hold her critiques.”

“She makes no promises.”

I hang up smiling, one hand on the bump, and the baby shifts under my palm, a slow roll, a foot dragging across my ribs.

I go back to my sketchbook on the dresser, pencil stub worn flat, and redraw the room one more time.

Crib on the east wall. The old rocking chair we’re stealing from the lake house.

Everything reachable one-handed, because I’ve restored wrecked hotels for a living and I know bad workflow when I see it.

I’ve turned a collapsing fishing lodge into a place people propose in.

This nursery is harder. This nursery matters in a way that’s slightly insane, and I know it, and I keep sketching anyway.

The cinnamon coffee I made at four has gone cold on the windowsill. I drink it anyway. Barefoot, in one of Jonas’s shirts, hair in a knot, forty minutes of peace left in the day. I don’t know yet that I should be memorizing it.

The phone rings again nine minutes later.

It isn’t Jonas’s ringtone. It’s the office line, and the voice on the other end is Marcus, his head of security, and Marcus does not call me. Marcus texts. Marcus sends calendar invites with agendas.

“Mrs. Palmer.” A siren under his voice, or near it, I can’t tell. “There’s been an accident. Mr. Palmer’s car was struck at an intersection on FDR Drive. He’s en route to St. Catherine’s now. A car is downstairs for you.”

The dresser edge bites into my hip. I don’t remember grabbing it.

“How bad?”

A pause. One beat too long.

“How bad, Marcus?”

“He was unconscious when they extracted him. That’s all I have. The car is downstairs now, Mrs. Palmer.”

I don’t remember the elevator. I remember the driver’s face in the rearview mirror, gray and sorry.

I remember holding my phone in both hands and not calling anyone, because who do you call.

Jonas is the person you call. Jonas is the whole list. I remember saying his name out loud in the back seat, just to have it in the air, and the driver pretending not to hear.

We pass FDR Drive. I tell the driver not to take the river, and he takes the river anyway because it’s faster, and there it is through the glass, lit up in flares.

Jonas’s car, or what’s left of the shape of one, folded against the barrier with a truck skewed across two lanes.

Men in reflective vests. Glass everywhere, catching the lights.

The Thai place on Bleecker is ten minutes from that barrier. He was ten minutes from that barrier.

The baby kicks. I put my hand down and press back, palm to foot, our whole conversation these days conducted through a wall of me.

“Not you,” I tell her under my breath. “You’re fine. You’re fine.”

I call the housekeeper from the car, Mrs. Doyle, who has worked for us since the wedding and answers on the first ring because it’s me and it’s late.

I tell her there’s been an accident and Jonas is in surgery and could she please, please not touch the nursery.

She says of course, love, and then says she’ll light a candle, which is a thing she does, and I sit in traffic on the FDR service road crying quietly at the wreck of my husband’s car while a woman in Manhattan lights a candle for us.

Then I stop crying. I decide stopping is my job now.

St. Catherine’s is the private hospital on the park, all limestone and hushed money, and when I get there the corridor outside the surgical floor is already full.

Palmer security in dark suits. Two executives I know from board dinners, murmuring into phones.

And Helena, my mother-in-law, standing at the nurses’ station in pearls at six in the evening, composed as a woman at a gallery opening.

They’ve organized. That’s what hits me first. In the time it took me to get here, they’ve built a wall of logistics around my husband, and nobody thought to put me inside it.

“Layne.” Helena turns. Her eyes flick to my stomach, then back up. “You shouldn’t be on your feet. Sit down.”

“Where is he?”

“In surgery. The surgeon is excellent. Dr. Abram—”

“I want to see him.”

“That’s not possible, and hysteria won’t—”

“I’m not hysterical.” My voice comes out low and flat and a security guy actually shifts his weight backward. “I’m his wife, I’m carrying his daughter, and I’ve had a day. Where is he?”

Helena studies me. We have never been friends. Helena loved Estelle Larson the way people love a good investment, and she has treated me for three years as a rounding error that somehow made it onto the books. But she’s not stupid, and she can read a room, and this room has decided I’m not moving.

“Abram will come out when there’s news,” she says finally. “Sit. For the baby.”

I sit. For the baby. My hands won’t stay still, so I press them flat under the bump and count kicks, because kicks mean Elodie is fine, and one of us has to be fine.

An executive brings me water I don’t drink.

Someone’s phone keeps buzzing. The corridor smells of antiseptic and somebody’s cologne, and every time the elevator chimes my whole body goes rigid, and every time it’s nobody.

Helena works the phones. I hear fragments.

Specialists. A neurosurgeon flown from Boston.

The board. She says “the family” a lot, and each time she says it, the words arrange themselves so that I am somehow adjacent to the family, a consultant to it.

I don’t have the energy to correct her. My energy is downstairs in an operating room with Jonas’s skull.

At one point she lowers the phone and looks at me for a long moment.

“He was happy,” she says, and it costs her something to say it. “Before this. He’d been happy.”

It’s the kindest thing she has ever said to me. I hold on to it for the rest of the night.

It’s almost two hours before the doors open and a man in scrubs comes out, cap in hand, and every suit in the corridor straightens at once.

Dr. Abram is tired and direct and I will love him forever for looking at me first. “Mrs. Palmer. Your husband is out of surgery. We controlled an internal bleed. There’s a significant head injury. The next day or two matter, but he’s stable, and he’s young and strong.”

“When can I see him?”

“Briefly, once he’s in a room.” A hesitation, carefully shaped. “There may be some confusion when he wakes. Head injuries vary enormously. Don’t be alarmed if he’s disoriented.”

Confusion. Fine. Jonas once negotiated through a fever of a hundred and two and didn’t drop a single figure. Confusion is nothing. Confusion is a bad hour.

They let me in near midnight.

The room is dim and too cold, machines doing their quiet work. Jonas is propped against the pillows with a bandage at his temple and bruising down one side of his face, and he is awake, eyes open, and I’m across that room before the nurse finishes saying keep it short.

“Hey,” I say, and my voice cracks straight down the middle. “Hey, you. You don’t get to do that to me.”

I reach for his hand on the blanket.

He pulls it away.

Not slowly. He flinches back, shoulders pressing into the pillow, and looks at me with a stranger’s alarm, raw and immediate.

“Who are you?”

The words land wrong in my ears. I glance at the nurse. Medication. It has to be medication, he’s on enough of it to drop a horse, that’s all this is.

“Jonas.” I keep my voice soft. “It’s Layne. Your wife.”

He looks at me. Not at my face first. At my stomach, the enormous undeniable fact of it, and I watch his eyes track down and stop there, and there’s nothing in them I recognize.

No softness. No Peanut, no Sunday pancakes, no crib he promised to fix badly tonight.

Then down to his own left hand, to the platinum band on his finger, and he turns it on his knuckle, staring at it.

Then back to my face. Searching it. Finding nothing.

“Layne,” he repeats. Testing it. He has said my name a hundred thousand times. It comes out of him now stilted and foreign, a word he learned for a test.

“It’s okay,” I say, and I’m lying, we’re all lying now. “You were in an accident. It’s okay if things are fuzzy.”

“Fuzzy.” His voice is hoarse. He looks past me at the nurse, at the door, scanning the room for someone who isn’t in it. “There was a car. I was going to—” He stops. His jaw works. When he speaks again it’s quieter, and it’s the worst sound I have ever heard.

“Where’s Estelle?”

The room goes very still. The nurse finds sudden urgent business with the IV line.

I stand there with both hands under my belly, holding up my daughter, holding up myself, and I understand all at once, completely.

I’ve spent my career walking through damaged buildings.

I know what a foundation crack sounds like.

Whatever came loose in his head when that car hit him, it took the last five years with it.

Our whole marriage. The baby under my hands. Me.

The man in that bed is the man Jonas was before I existed.

“Estelle isn’t here,” I say. My voice comes out steady. I don’t know where I get it. “Rest, Jonas. I’ll be right outside.”

I make it to the corridor. I make it past Helena, who reads my face and goes pale under her pearls. I make it to the chairs by the window and sit down slowly, one hand on the bump, and outside the glass the city does its ordinary glittering thing, utterly indifferent.

Twenty minutes, he’d said. I’m bringing Thai. I’m going to fix the crib badly.

The crib never got fixed.

If ads affect your reading experience, click here to remove ads on this page.