Caleb

IT'S A TRAP.

His name. Clean font. Good kerning. The kind of thing that usually lived on billboards and trailers and the back of a director's chair with the tape starting to peel.

He'd pinned it on a hundred times. Press junkets. Cast photos. The network's annual golf scramble.

If he pinned it on, he was in the scene.

April shifted, and Killian adjusted without thinking. Liam angled in. Arthur's attention recalibrated. The booth reorganized around her like a camera finding its mark. Not fighting for position. Not jockeying for control.

"This isn't a mess," he said.

April glanced at him, brows lifting slightly.

"You're not collecting men."

Her mouth curved like she wasn't sure whether to argue or laugh.

He glanced down at the name tag. Then back up.

"You're directing without directing."

He heard himself say it.

Not quite. Not wrong exactly, but not—he didn't have the word. His brain kept reaching for the frame and coming back with something that was almost right and slightly broken.

"I've worked with directors who spend months trying to manufacture that," he went on, because apparently he was still talking. "Chemistry. Balance. Who gets the moment. Who steps back." His gaze flicked across the booth. "You did it in five minutes."

She hadn't done anything.

She was just—here. And somehow they all were too.

He glanced down at the name tag again.

It was giving golden ticket energy. The question was whether he was Charlie or the kid who turned into a blueberry.

"I'm not used to being the late addition to the cast. I'm usually the one people watch." He stopped. "They just—"

"You saw I was on the edge," he said. "And you adjusted the frame."

"Not because I'm Caleb Hart. You weren't—" His hand tightened on the name tag.

" I'm usually the one the room's built around. Like I'm just—"

He looked down at the name tag. The thought refused to land.

Just what?

Just a guy. Just here. Just another body in the room who didn't have a natural place at this table.

And she'd made one anyway. The way you slide a chair in without announcing you're doing it.

His brain kept circling the sentence like it was looking for the right mark on the floor and couldn't find one.

He looked at her the way you look at a director when you've forgotten your line and you're hoping they'll just feed it to you.

She stood, taking his hand without a word.

Caleb blinked. "What—"

But she was already moving. She pulled him away from the booth. The other men watched but didn't follow.

The suite was only a few steps away, close enough to still hear the bass, far enough that voices wouldn't carry.

April closed the door behind them.

Then his shoulders dropped.

The easy, practiced Caleb Hart smile, the one that arrived automatically in every room, at every premiere, across every press junket table for seventeen years didn't.

He didn't reach for it.

"I told you this morning you were a chaos agent."

April's mouth curved. "Beats learning to milk cows in heels."

He almost smiled.

Didn't quite get there.

"Thank you."

April leaned against the door, arms crossed, waiting.

He scrubbed a hand over his face. "I'm Caleb Hart. People look at me and see exactly what they want to see."

He'd learned to give it to them. Easier that way. You became the thing they needed and nobody had to have an uncomfortable conversation about what was actually underneath it. The fantasy was easier to maintain. The alternative required figuring out what was left when you took it away.

"But you just—" He shook his head. "You don't."

Because she was responding to something underneath the role like it was obvious. Like of course there was a person there.

He wasn't sure he could back that up.

This morning he'd put Chad in a room with no audience. Held up the mirror.

Chad hadn't unraveled. Chad had stood there in an electric plum suit and stayed completely, catastrophically certain of himself.

Caleb was standing in a suite with no audience. He couldn't say the same.

Maybe knowing you were lost was better than pretending you weren't.

Right now, he was lost.

Being just a man. Not Mr. Christmas. Not America's sweetheart. Not whatever the network needed him to be this quarter.

Just this.

I'm also just a girl, standing in front of a boy, asking him to love her.

Jesus Christ.

He took a step closer. The bass thrummed through the walls. Muffled laughter from the booth carried faintly.

"Out there—" He stopped. Started again. "You weren't performing. I wasn't performing." He looked at her. "It's just—real. And I want—" He shook his head. "I want that."

"Then be real with me. I want to know you. Not Caleb Hart: Heartland star. You."

Caleb exhaled. "Okay. I just—I want in. Not as the lead. Just… in."

"Good," she said. "Because there isn't one, but I won't let you disappear either."

"Good," he said hoarsely. "Because I don't want to."

She kissed him. When she pulled back, his forehead rested briefly against hers.

Then she took the name tag from his hand and pinned it to his chest.

"Come on," she said, turning toward the door. "Let's go back."

He followed her out.

If ads affect your reading experience, click here to remove ads on this page.