Chapter 2 #2
They move with purpose, not panic. Sentinels, not scavengers. Someone trained them, or they trained themselves, and either way they’re watching us approach with the same quiet vigilance the wolves in the courtyard will give me in a few minutes.
The walls are intact. Restored, reinforced, rebuilt in places with mismatched stone that doesn't pretend to be original. This isn’t a ruin. This is a working fortress, and the man whose body is pressed against mine built it.
The river moves alongside us as we approach.
Dark, wide, lapping against the outer walls with a sound that has been the same for centuries.
It doesn’t care who rides through its gates.
It’s been here for every prisoner, every execution, every king who thought the walls would keep him safe.
It will be here long after the wolves are gone.
The portcullis rises. We ride through. It drops behind us.
No.
The sound is iron teeth biting into stone, and it travels through my body and settles in my sternum like a second heartbeat.
I’ve heard this sound before. Two days ago, at Dover.
But Dover was the sound of something ending.
This is the sound of something beginning, and I can’t yet tell whether what is beginning will be survivable.
Ryland dismounts. He lifts me down from the saddle, his hands on my waist, and sets me on the ground.
My legs are weak from the ride and I lock my knees to keep from stumbling, because I won’t stagger in front of his wolves.
He takes my arm, his grip covering me from elbow to wrist, and walks me across the inner ward.
The wolves in the courtyard stop what they're doing and watch.
Every single one. They don't stare openly. They track me with peripheral attention, predators registering movement at the edge of their range, and the combined weight of their attention settles on my skin like something physical. I’m a human woman walking through a den of wolves, and every instinct my species has developed over millennia is screaming one word: prey.
A wolf with a scarred face and pale eyes steps into our path.
He doesn't move aside. He looks at Ryland, then at me, and the assessment in his gaze isn’t curiosity.
It’s hostility, measured and direct, delivered with the confidence of a man who doesn’t care whether I see it.
Ryland doesn't slow. He walks us forward, and at the last possible moment the scarred wolf steps aside, but his eyes follow me as we pass, and the look he gives is a promise that Ryland's presence is the only reason this corridor is safe.
The Tower works on me as we move deeper.
The corridors are narrow, designed to funnel enemies into kill zones.
The stone walls are damp and close. Iron rings are bolted into the walls at intervals, and I don’t ask what they were for because I already know.
Arrow slits cut thin lines of fading light across the floor, and the walls are thick enough that the sounds of the courtyard behind us vanish within a few steps.
I know this kind of stonework. I grew up in it. Dover's tunnels were built for the same purpose: to hold people in and keep threats out. The difference is that Dover's tunnels were a refuge. The Tower's corridors are a demonstration.
Ryland walks me up a staircase, through a heavy oak door reinforced with iron, and into a chamber that is unmistakably his.
A fire burns in a stone hearth wide enough to stand in, throwing uneven light across walls hung with maps and bladed weapons.
The bed dominates the far wall, built from dark timber, draped in furs thick enough to sleep on in winter.
A desk sits near the window, scattered with parchment and weighted with the curved tusks of something that might once have been a boar.
Heavy chairs. A wooden chest bound in iron.
Shelves holding books, candles, a bottle of something amber.
The window overlooks the river, narrow enough that my shoulders wouldn't fit through it.
The room is lived in, organized, and built for a man who governs from the same place he sleeps.
I take it apart in seconds: the lock on the door, the thickness of the walls, the height of the window, the distance from the bed to the threshold, the blades on the walls that could serve as weapons if I could reach them before he reached me.
He closes the door. Stands between me and it. The room is small enough that I can feel the space he occupies. He fills it without effort, like a fire fills a room whether you want the warmth or not.
The bed is behind me. I’m aware of it the way you're aware of a cliff edge at your back: present, significant, impossible to ignore.
The furs on it are thick and dark. The pillows are arranged for one person.
The implication of the man standing between me and the only exit is that this arrangement is temporary.
"You belong to me."
I keep my face still. My wrists are still in rope. My hair is dust-covered and half undone.