Chapter 19 #2

“Then I would rather not survive.”

The words landed like a slap. Lady Eleanor’s face went white, then red, then white again. Her hands trembled at her sides. When she spoke, her voice had lost its urgency and found something colder, something harder, something that Sophia had never heard from her before.

“That is a very easy thing to say when you are twenty-one years old and have never known true hardship. It is a very easy thing to say when you have a warm bed and a full stomach and a mother who has spent every waking hour of this Season trying to protect you from the consequences of your own recklessness.” She stepped back.

“You think I do not know about the essays? You think I have not recognised your phrases, your opinions, your particular way of seeing the world, scattered across those pages like breadcrumbs for anyone with eyes to follow? Lady Beatrice Cavendish is not a fool. Lord Alistair Cavendish is not a fool. If I have recognised you, they will recognise you. And when they do, your clever words will not save you. They will destroy you.”

Sophia’s throat closed. The confession she had considered making—the wild, desperate impulse to lay everything before her mother, to explain, to justify, to beg for understanding—died before it reached her lips. Her mother did not want understanding. Her mother wanted surrender.

“You have known,” Sophia said. “All this time, you have known.”

“I have suspected. I have hoped I was wrong. I have prayed I was wrong.” Lady Eleanor’s voice broke on the last word, a crack in the careful facade she had maintained since entering the room.

“Sophia. My darling girl. I am not your enemy. I am the only person in the world who is trying to save you from yourself.”

“By burying me alive.”

“By keeping you alive.”

They stood facing each other in the grey morning light, the window at Sophia’s back, the door at her mother’s, the width of the bedchamber between them like a chasm neither could cross.

The porcelain shepherdess smiled its painted smile.

The Channel lay flat and indifferent beyond the glass.

Somewhere in the house below, a servant was clearing the breakfast things, the faint clink of china drifting up through the floorboards like evidence of a world that continued regardless.

“I cannot give you an answer today,” Sophia said finally.

“Mr. Denbigh will call this afternoon.”

“Then I will receive him. I will be polite. I will not commit to anything.”

Lady Eleanor closed her eyes. For a moment, she looked every one of her forty-five years, and several more besides.

The weight of the family’s troubles had settled into the hollows of her cheeks, the corners of her mouth, the slight stoop of shoulders that had once been straight and proud.

“You are running out of time,” she said. “We are all running out of time.”

She turned toward the door, then paused, her hand on the handle. She did not look back.

“There is one more thing you should know. Lord Alistair Cavendish was seen at the printer’s shop on North Street yesterday morning. Asking questions. About the Observer.”

The door opened. The door closed. Sophia was alone.

She stood motionless for a long moment, the information settling into her mind like a stone dropped into still water.

Alistair was searching. Alistair was asking questions.

Alistair was, inch by inch, drawing closer to the truth she had hidden behind pseudonyms and careful handwriting and the foolish, intoxicating belief that she could say whatever she wished without consequence.

She crossed to the writing desk and sat down.

The chair creaked beneath her, familiar and unyielding.

Her journal lay closed on the blotter, the brown leather cover worn soft at the corners from months of handling.

She opened it. The pages were blank. She had not written a word since the Cavendish ball.

Every time she picked up her pen, the ink seemed to freeze in the nib, and the phrases that had once come so easily, sharp, precise, cutting, refused to arrange themselves into sentences.

She had thought her pen was a weapon. She had thought her words could cut through the cage that society had built around her. But the cage was not made of paper. It was made of stone and timber and debt and duty, and her pen was not sharp enough to scratch its walls.

She closed the journal. She did not write.

The morning wore on. The light through the window shifted from grey to something paler, a thin wash of morning sun that did little to warm the room.

Sophia dressed mechanically, her maid’s hands moving through the familiar rituals of buttons and laces and the arrangement of hair, and she received the appropriate responses to her murmured instructions without hearing them.

When she was presentable, she returned to the window and stood looking out, her hands braced on the sill.

Marine Parade stretched below her, the broad street already busy with carriages and pedestrians.

The sea lay beyond, grey and restless, the waves breaking against the shingle with a sound she could not hear through the glass.

And farther along Marine Parade, beyond the passing carriages and the restless movement of the town, she could see the upper windows of Number Twelve.

A carriage was drawing away from the front steps.

She watched it turn into the street, its horses stepping high, its driver erect on his box.

She could not see who rode inside. She did not need to.

The carriage bore the Cavendish crest on its door, and that was enough.

Alistair was out in the world. Alistair was asking questions. Alistair was searching for the Brighton Observer, and when he found her, if he found her, she did not know whether he would expose her or protect her or simply look at her with those dark, discerning eyes and ask her to explain herself.

She did not know which outcome frightened her more.

The carriage turned a corner and vanished behind a row of houses.

Sophia remained at the window, her fingers pressed against the cold glass, the weight of her family’s future and her own desires pulling in opposite directions until she felt she might tear apart at the seams. She could marry Mr. Denbigh and save Greenly Hall and lose herself.

She could refuse him and keep her freedom and watch her family crumble.

She could confess everything and hope for mercy from people who had no reason to offer it.

None of the choices were choices. All of them were cages.

She stayed at the window until the light began to fail and the room behind her filled with shadows, and still she did not move, and still she did not write, and still the question turned over and over in her mind like a stone worn smooth by the sea: what would she sacrifice, and what would remain of her when the sacrifice was made?

The answer did not come. The Channel kept its counsel. The porcelain shepherdess smiled its empty smile, and somewhere in the house below, Lady Eleanor began to weep, the sound too soft to carry up the stairs, too private to be witnessed, too heavy to be borne alone.

If ads affect your reading experience, click here to remove ads on this page.