Chapter Nineteen #2

Jack’s hands fold around hers. “I know you didn’t. He’ll be all right. It’s his side, just like when I got shot, remember? It’s the same spot. It hurts like a—” He swallows the word and says, “Like hell, but the surgeon will be able to help him. We’ve got to go. Come.”

“He’s right, Mrs. Henley. We must go.” Dick Pascoe, the inked Sea Bucca on his arm shifting as he tries to steer her away, but she’s stuck.

Her feet have grown roots reaching deep into the ship.

The knife trembles in her hands, both hands clasped together, black with blood, Jack’s hands folded around them.

The guard is on the floor. He’s making puffing noises, as if he’s stepped into winter and the cold is taking his breath away.

“Here, give me the knife.” Jack uncurls her hands and takes it from her. Horribly, he wipes it on his breeches before turning to the others. “I say we go aft. If we’re quick, we may be able to slip into the water before anyone realizes what’s happened.”

One of the men says, “I can’t swim.”

“Then you’re out of luck, I’m afraid,” Jack says. “Follow me or make your own way. It’s the same to me.” He turns back to her, and still holding the knife, says with sudden, vehement feeling, “I shall spend the rest of my life trying to prove deserving of your love.”

The way he’s looking at her drives the darkness back, but then she glances at the guard again. He’s still puffing, his face gray and sweaty as he lies, doubled over, on the wooden planks.

“Will, you take this,” Jack says, handing Will the knife.

Jack kneels by the side of the guard and draws up the man’s shirt.

The guard looks as if he is going to lose consciousness any moment.

Jack unties his neckerchief and, balling it up tight, presses it against the guard’s stomach.

He takes the pistol from the man’s right hand and puts the hand over the wad of cloth.

“Hold this, Morley. Press on it as hard as you can. The surgeon will be down soon.”

“Carlyon, you bastard,” the guard splutters, closing his eyes. “I hope you rot in hell.”

“Just keep the pressure on it.” Jack pushes the pistol into the top of his breeches. Getting back to his feet, he says, “Come, Isabel.”

Will puts his hand on her shoulder, looking five years older than he did when they sailed to France together, saying, “Mrs. Henley. Forgive me for saying so—you may not wish to hear it presently, but you did the right thing.”

How can it be right? she thinks, but when Jack says again, “Come,” and tugs on her hand, her feet loosen at last, as if Will has cut the chains holding them to the deck. She trips after Jack, Will, and two of the other men, Dick Pascoe and the rest following behind.

Her hands are slippery with the guard’s blood.

She has to wipe them on her breeches or she’ll lose her grip on the ladder as they climb to the lower deck.

Nausea rises inside her as she wipes first one hand and then the other, but then she looks at Jack, at his back as he climbs the ladder in front of her, and she thinks, he’s here.

She didn’t mean to do it, that with the guard.

She never meant to hurt the man, but he threatened to shoot Jack.

And if he hadn’t, they would have hanged him.

She thought she had lost him, but he’s here, he’s alive, and the nausea drops away and she regrets what she did—she will always regret it—but she would not undo it even if she could.

They have a long way to go yet. In her mind, she goes through the steps: the lower deck, then the upper deck, the long plunge down into the water, the swim back to shore, and the horse, Rosie-May, waiting in Tom Holder’s stable.

The ride to Nelly’s Cove, the setting sail on the Rapide.

Any of these steps, they may be discovered. Any step may be their last.

Jack has reached the lower deck and crouches by the edge of the hatch, eyes blinking against the light and holding out his hand to her. She takes it, and as he helps her through, she says, “I love you. I need you to know it, too.”

He smiles at her the way he did when they first met, nearly three months and several lifetimes ago, and says, “I do know it. But tell it to me again when I can respond as I should like.”

“How is that?” she says, and he grins unexpectedly and wonderfully.

Pulling her close, he says, “I think you know.”

He kisses her hard and far too briefly. He smells the same as when she last saw him, of the sea and faintly of sweat, but there’s something else this time—the smell of the hold of a ship. His stubble scrapes her chin. Then he releases her and, looking at Dick, says, “Everyone here? Let’s go.”

She follows Jack along the deck, as do Will, Dick, and the six other impressed men. They take to Jack’s leadership naturally, she thinks; they don’t question it, they simply follow him. He would’ve made a good officer like her father and George if things had been different.

The air has grown close; the frigate feels smaller, as if the wooden hull is trying to squeeze them through.

The lower deck is crowded with men. The ten of them pass by, keeping their heads down as Isabel did before.

Ghosts among ghosts. No one pays them any mind.

Up on deck, the ship’s bell rings four times, a resonant ting-ting she remembers from visiting her father’s ship.

The sound causes a commotion, with men running up the ladders while thunderous feet sound above.

“That’s four bells in the first dog watch,” Jack says quietly.

“Change of watch and suppertime for the men coming below. We’re in luck; we couldn’t have timed it better.

” He takes the guard’s pistol from his breeches and holds it close to his chest as they trail the crew to the nearest ladder.

Will does the same with the meat knife from the cottage.

With one hand Jack motions for the group to follow him to the top deck.

When they reach it, a bosun’s mate in a blue frock coat screams in their faces: “To your stations! Make haste there, you bunch of filthy landlubbers, or the bosun will have your hide!” A drop of the man’s spittle lands on Isabel’s left cheek. She fights the urge to wipe it away.

“Aye, sir,” Dick Pascoe says as they move past the man, going along the gangway at a trot as if hurrying to their stations.

The sun still rides high in a sky flocked with clouds.

The sea is a brilliant blue canvas, almost turquoise, stretching from the bow of the ship to the shore, which is all towering cliffs apart from a cove just visible around the bend in the river.

It’s not the shallow cove from which she watched the ship before, but a deeper one.

They’re perhaps a third of a mile away from it.

Bosahan cove, she thinks, or some other place along the coastal path she’d recognize if she were looking down at it rather than from across the river.

They’re nearly in the stern of the ship when a voice calls, “There you are, Mouse! We’ve been looking for you!”

Red Will is beckoning from the mizzen mast. “Over here!”

She slows a fraction, but Jack grabs her hand again and pulls her along.

“Ho there, Mouse!” Another of the mizzen topmen shouts, and then a third voice calls: “Halt! You there, halt!” A bosun’s mate blocks their path, looking gritty and ready to strike.

“Run!” Jack shouts. Veering to the left, he yanks her along the deck, going straight for the gunwale.

They’re steps away from the side of the ship.

Everybody is running, Jack and her, Dick Pascoe and Will Pengelly, the six other men who were imprisoned with them, the bosun’s mate who stopped them, and at least ten other members of the ship’s company.

Some of the topmen who had already gone up to their stations are coming down again.

“Stop them! They’re prisoners!” cries somebody—an officer, she thinks, but she’s not sure. Everything is a blur of shirts and uniforms, and sticking up above the throng, a sword and two cutlasses, their blades catching the glint of the sun.

Two of the impressed men plunge over the side of the ship.

A third, the man who said he couldn’t swim, hangs back.

The deck is a writhing mass of officers and seamen trying to get to the gunwale.

A shot rings out, followed by a cry. Was it hers or someone else’s?

Jack is pulling on her arm and her feet are stumbling on the tilting deck and there’s the gunwale and the safety of the waiting sea, just four steps away, three…

A hand claps on to her shoulder and drags her back.

Her fingers slip from Jack’s. There’s ice at her throat.

The bosun’s mate who tried to stop them keeps her in place, one arm digging into her waist, the other holding the flat of his cutlass against the soft skin of her neck.

The man smells of his ration of grog. “Halt!” he shouts. “Or I’ll run the boy through!”

In the sudden hush, several men grabble for Jack, but he throws himself onto the deck and rolls out of their reach. Getting back to his feet, he says, “I’m the one you want. You don’t need the boy.”

“No!” she cries.

But the bosun’s mate snarls, “Quiet!”

Jack steps closer, until he’s less than a yard away.

His arms hang loosely by his sides, the pistol in his right hand points at the deck.

From the corner of her eyes, she watches another of the impressed men clamber onto the gunwale.

The splash when he hits the water breaks the silence.

Several of the crew rush to the side of the ship.

A lieutenant and two midshipmen come hurrying down from the quarterdeck.

“What’s going on here, Hancox?” the lieutenant calls from some distance.

“These prisoners were trying to escape, sir!” the bosun’s mate calls back. He puts more pressure on the blade against Isabel’s throat and she can’t get at the air; it’s right there, but it won’t go down.

Without thinking she grabs the cutlass with both hands and wrests it from her throat as she sucks at the air.

The sharp of the blade cuts her palms; the sting snatches her breath away again.

The bosun’s mate pushes the steel into her skin once more.

Then a shot rings out and the cutlass slips away.

She doubles over and retches. Behind her, the bosun’s mate slides down to the deck, his left hand grasping his right shoulder, blood trickling through his fingers.

Unable to reload, Jack throws the pistol onto the deck and picks up the dropped cutlass. “Come on!” he shouts, and she’s back on her feet again, her hands dripping blood as she runs, but this time it’s Jack who abruptly stops. “Will!” he cries.

She whips around. Jack is already halfway across the deck, rushing to Will’s aid as he tries to defend himself with the meat knife against an opponent twice his size who wields a cutlass like it’s a sewing needle.

Will is bleeding from his right leg and dancing to keep from getting cut again when Jack engages his opponent with the bosun’s mate’s cutlass. “Go!” he calls to Will. “Take Isabel!”

But when Will grabs her bleeding hand and tries to pull her over the side of the ship, she shakes him off, wincing at the pain. “Not without Jack!”

She barely hears the lowering of the anchor.

All of her is focused on Jack, whose opponent counters every blow.

The pair’s movements are so quick and light it’s like watching the wind play with a leaf.

She isn’t sure which of them is the wind and which the leaf; they’re too well matched.

Stiff with nerves, she watches, taking in the concentration on Jack’s face while the man with the cutlass grins as if he’s enjoying himself.

The men on deck watch with her. No one tries to help either party as they fight just steps from the side of the ship. A sound makes her look away: more officers run down the steps from the quarterdeck, Captain Hamer himself in front.

“Jack, they’re coming! We must go!” she calls. Jack looks at her, then in the direction she’s pointing. The man with the cutlass strikes, and this time, Jack doesn’t counter the blow. Flinging his arms out, he staggers back. The tip of the weapon only just misses him.

She gasps, weak with relief, but then he trips over the leg of a man standing behind him.

The cutlass hits the deck as his hands search for something to grab on to, and then he’s falling.

She watches as if it’s not really happening, as if it’s not really Jack who hits his head on the gunwale and drops over the side of the ship like a rock.

There’s a ringing in her ears, a creaking mixed with a high-pitched noise, and she realizes it’s her, she’s screaming, her mouth wide.

It lasts perhaps three seconds and then she’s flying.

If ads affect your reading experience, click here to remove ads on this page.